2014年12月11日 星期四

Honoré Daumier(1808-1879)ドーミエ諷刺画の世界 / 喜安朗編


 “The clown brings us anarchy, freedom and intuition. It’s a very Russian combination.” Russia’s best-known clown faced down Vladimir Putin over the invasion of Ukraine. Now he's coming to London http://econ.st/1vEiodI
SUNDAY morning at Slava Polunin’s house in Marne, south-east of Paris, is an eye-popping affair. Circus acrobats entangle themselves in elegant inversions in his...
ECON.ST





杜米埃 (H. Daumier 1808-79) 作的動人的小丑 (The Clown),補捉到了波特萊爾散文詩中的某種情感:他宛如一位被遺忘的高貴人物,擬視遠方;群聚四散而去:唯獨一小孩用好奇的眼神看著他。系統與變異:淵博知識與理想設計法

Peter Gay: On the other hand, I know no prejudice so widely shared, no stereotype so facilely applied, as the notion that ''bourgeois'' means materialistic, philistine, narrow-minded, tasteless and prudish. Denigration of the class that emerged triumphant from the French Revolution and reigned supreme as ''Victorians'' has been with us since the early 19th century, epitomized in the caricatures of Daumier. Few contradictions reach so deep in our cultural sensibility as this triumphant ignominy.


Honoré Daumier(1808-1879)說過:我們必須跟隨我們的時代
Ingress" 如果時代錯了的話那怎麼辦呢?"--Jean-Auguste-Dominique Ingres | artist | 1780 - 1867 | The National ...

Baudelaire: 波特萊爾的《惡之華》:題詠 (Epigraphes)
 14奧諾雷.杜米埃肖像題詩 Vers Pour Le Portrait de M. Honore Daumier
Gombrich 在Photographer  as Artist: Henri Cartier-Bersson 一文中說Honoré Daumier更善於創造類型畫而非寫實

一點點指正: 凱綏.珂勒惠支 這篇的注有一小錯 (281頁  他是Max Liebermann 1947-1935)是著名的畫家) (她 的名 卻不用德文Käthe Kollwitz 凱綏·柯勒惠支/ 寇維茲(Kathe Kollwitz)是本世紀最重要的兩、三個女性畫家之一。
她的創作最接近現在對「女權主義」此術語的真正詮釋。然而她用的仍是扎根於十九世紀的形式。要 將她跟其他畫家做一比較時,最易讓人聯想到的,並非同時期的德國畫家格羅斯(George Grosz)或迪克斯(Dix),而是杜米埃(Honor Daumier) 及米勒(J.F.Millet)。





書名/作者 杜米埃 = Daumier eng / 廖瓊芳著 出版項 臺北市 : 藝術家, 民89(2000) 版本項 初版
主要作者 Rey, Robert
書名/作者 Honoré Daumier / text by Robert Rey ; [translated by Norbert Guterman]
出版項 New York : Abrams, 1985
版本項 Concise ed
總圖2F藝術資料區 N6853.D38 R48z 1985 1583328 可流通
主要作者 Delteil, Loys, 1869-1927
書名/作者 Honoré Daumier : [oeuvre lithographiae] / Loeys Delteil. --
出版項 Paris : Delteil, 1925-1930
總圖2F藝術資料區 NE2415.D2 D45 v.1 2427386 可流通

主要作者 杜彌爾 (Daumier, Honoré, 1808-1879)

Daumier, Honoré 1808-1879
書名/作者 ドーミエ諷刺画の世界 / 喜安朗編
出版項 東京都 : 岩波, 2002

總圖2F藝術資料區 947.35 4411 2242697 可流通

主要作者 蘇 茂生
書名/作者 根斯勃羅Gainsborough雷諾爾兹Reynolds羅伊斯達Ruisdael荷加斯Hogarth多米埃Daumier / 蘇茂生著
出版項 臺北市 : 光復, 民68[1979]

總圖2F密集書庫 947.5 4462 v.10 2028386 可流通


「諷刺性插畫的意象組構與表現:以Honoré Daumier(1808-1879)為例」,蕭嘉猷,

Daumier, Honoré (ônôrā' dōmyā'), 1808-79, French caricaturist, painter, and sculptor. Daumier was the greatest social satirist of his day. Son of a Marseilles glazier, he accompanied his family to Paris in 1816. There he studied under Lenoir and learned lithography. He soon began to contribute cartoons to the weekly Caricature. In 1832 his representation of Louis Philippe as Gargantua caused him six months' imprisonment. Two outstanding lithographs of 1834, Rue Transnonain and Le Ventre législatif [the legislative paunch] testify to his early direct and bitterly ironic approach. After the suppression of Caricature his work appeared in Charivari, where he mercilessly ridiculed the bourgeois society of his day in a highly realistic graphic style. Relished as cartoons in his time, Daumier's lithographs, of which he produced almost 4,000, are now considered masterpieces. He also painted about 200 small canvases of power and dramatic intensity that were stylistically similar to his lithographs. Among these are Christ and His Disciples (Rijks Mus.); Republic (Louvre); Three Lawyers (Phillips Gall., Washington, D.C.); the romantic Don Quixote and The Third-Class Carriage (both: Metropolitan Mus.). Daumier's sculpture includes over 30 small, painted busts. An example of his work in this medium is a statuette in the Walters Art Gallery, Baltimore. In his last years he suffered from increasing blindness. His financial condition was perilous. Corot put at his disposal a cottage in Valmondois, and it was there that Daumier died.
Bibliography
See his Teachers and Students (tr. 1970); catalog raisonné ed. by K. E. Maison (2 vol., 1968); biography by R. Rey (1985); studies by K. E. Maison (1960), O. Larkin (1966), H. P. Vincent (1968), and J. L. Wasserman (1969).

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