《心理學與文學》集中了榮格論述文藝和美學問題的重要論文，其中有對現代藝術的分析，有對文學藝術的一些基本問題的心理學闡述，有對審美的實質和美感態度的心理學解釋。此外，書中還收錄了三篇體現榮格心理學基本觀點——集體無意識——的論文，它們是理解榮格有關藝術和美學思想的基礎。
《心理學與文學 》=《分析 心理學 》(Analytical Psychology)
Analytical psychology (or Jungian psychology) is the school of psychology originating from the ideas of Swiss psychiatrist Carl Jung. His theoretical orientation has been advanced by his students and other thinkers who followed in his tradition. Though they share similarities, analytical psychology is distinct from Freudian psychoanalysis. Its aim is wholeness through the integration of unconscious forces and motivations underlying human behavior. Depth psychology, including archetypal psychology, employs the model of the unconscious mind as the source of healing and development in an individual. Jung saw the psyche as mind, but also admits the mystery of soul, and used as empirical evidence, the practice of an accumulative phenomenology around the significance of dreams, archetypes and mythology.
譯者序／1
分析心理學的基本假設／1
集體無意識的原型／22
集體無意識的概念／61
論分析心理學與詩歌的關係／73
心理學與文學／88
《尤利西斯》：一段獨白／108
畢加索／132
創造的讚美詩／140
美學中的類型問題／181
日神精神和酒神精神／192
現實與超現實／204
紀念理查·威廉／207
Jung 認為Richard Wilhelm的最大成就是翻譯《易經》 讓他所謂的"同時性"*原理synchronicity, causality大彰
末篇《紀念 理查 威廉》(頁248-58)是搞錯啦 Richard Wilhelm 即本文之"衛禮賢"
黑塞之中國/衛禮賢Richard Wilhelm《易經》
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