莎士比亚与书
出版社: 商务印书馆
译者: 郝田虎 / 冯伟
出版年: 2012-6
页数: 249
定价: 35.00元
装帧: 平装
内容简介 · · · · · ·
莎士比亚喜剧起初是用于表演的手抄本，而后成为可以阅读的书，最终从一种大众娱乐变为英国的文学经典。本书对这一过程进行了权威性叙述。作
者卡斯顿现为美国耶鲁大学教授，是当代受到广泛阅读的文学学者之一。作者在本书中考察了我们邂逅莎士比亚的种种物质形式，以非同寻常的广度和优雅探讨了莎
士比亚早期出版者的动机和活动，以及存在于18世纪的一种古怪的分裂症：一方面，莎士比亚在戏台上被疯狂地修正，以迁就当时观众的趣味；另一方面，学者们
则一直致力于确立和恢复莎士比亚戏剧的“真实”文本，以及电子媒介向新一代读者展示莎士比亚的激动人心的可能性。
内容简介 · · · · · ·
莎士比亚喜剧起初是用于表演的手抄本，而后成为可以阅读的书，最终从一种大众娱乐变为英国的文学经典。本书对这一过程进行了权威性叙述。作
者卡斯顿现为美国耶鲁大学教授，是当代受到广泛阅读的文学学者之一。作者在本书中考察了我们邂逅莎士比亚的种种物质形式，以非同寻常的广度和优雅探讨了莎
士比亚早期出版者的动机和活动，以及存在于18世纪的一种古怪的分裂症：一方面，莎士比亚在戏台上被疯狂地修正，以迁就当时观众的趣味；另一方面，学者们
则一直致力于确立和恢复莎士比亚戏剧的“真实”文本，以及电子媒介向新一代读者展示莎士比亚的激动人心的可能性。
這本書Google Books可讀全文. 漢譯還可以 不過可能有些細微的問題 譬如第32頁第一行將trade name翻譯為商標trade mark...
這本書Google Books可讀全文. 漢譯還可以 不過可能有些細微的問題 譬如第32頁第一行將trade name翻譯為商標trade mark...
Shakespeare and the Book
This
book is a authoritative account of Shakespeare's plays as they were
transformed from scripts to be performed into books to be read, and
eventually from popular entertainment into the centerpieces of the
English literary canon. Kastan examines the motives and activities of
Shakespeare's first publishers; the curious eighteenth-century
schizophrenia that saw Shakespeare radically modified on stage at the
very moment that scholars were working to establish and restore the
"genuine" texts, and the exhilarating possibilities of electronic media
for presenting Shakespeare now to new generations of readers. This is an
important contribution to Shakespearean textual scholarship, to the
history of the early English book trade, and to the theory of drama
itself.
Contents
David Scott Kastan is Professor of English and Comparative Literature at
Columbia University. He is a specialist on Shakespeare and early modern
culture. His most recent book is Shakespeare After Theory (1999) and
his other publications include Shakespeare and the Shapes of Time
(1981), Staging the Renaissance (1991, edited with Peter Stallybrass),
Critical Essays on Shakespeare's 'Hamlet' (1995), The New History of
Early English Drama (1997, edited with John Cox, and winner of the 1998
ATHE award for the best book on theatre history), and A Companion to
Shakespeare (1999).
This
book is a authoritative account of Shakespeare's plays as they were
transformed from scripts to be performed into books to be read, and
eventually from popular entertainment into the centerpieces of the
English literary canon. Kastan examines the motives and activities of
Shakespeare's first publishers; the curious eighteenth-century
schizophrenia that saw Shakespeare radically modified on stage at the
very moment that scholars were working to establish and restore the
"genuine" texts, and the exhilarating possibilities of electronic media
for presenting Shakespeare now to new generations of readers. This is an
important contribution to Shakespearean textual scholarship, to the
history of the early English book trade, and to the theory of drama
itself.
About the author (2001)
Bibliographic information
| Title | Shakespeare and the Book Shakespeare and the Book, David Scott Kastan | ||||||||
| Author | David Scott Kastan | ||||||||
| Edition | illustrated | ||||||||
| Publisher | Cambridge University Press, 2001 | 内容简介 · · · · · ·
莎士比亚喜剧起初是用于表演的手抄本，而后成为可以阅读的书，最终从一种大众娱乐变为英国的文学经典。本书对这一过程进行了权威性叙述。作
者卡斯顿现为美国耶鲁大学教授，是当代受到广泛阅读的文学学者之一。作者在本书中考察了我们邂逅莎士比亚的种种物质形式，以非同寻常的广度和优雅探讨了莎
士比亚早期出版者的动机和活动，以及存在于18世纪的一种古怪的分裂症：一方面，莎士比亚在戏台上被疯狂地修正，以迁就当时观众的趣味；另一方面，学者们
则一直致力于确立和恢复莎士比亚戏剧的“真实”文本，以及电子媒介向新一代读者展示莎士比亚的激动人心的可能性。
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