The Lyric Journey Poetic Painting in China and Japan 詩之旅︰中國與日本的詩意繪畫

The Lyric Journey

Poetic Painting in China and Japan

James Cahill

HARDCOVER

$195.00 • £144.95 • €175.50

ISBN 9780674539709

Publication: August 1996

Short

276 pages

157 halftones, 8 color illustrations in a 12 page insert

Smith Fund

The Edwin O. Reischauer Lectures

• Preface
• Introduction
• I. In Southern Sung Hangchou
• II. In Late Ming Suchou
• III. In Edo-period Japan
• Notes
• Bibliography
• Glossary
• Index

Creating paintings with poetic resonances, sometimes with ties to specific lines of poetry, is a practice that began in China in the eleventh century, the Northern Sung period. James Cahill vividly surveys its first great flowering among artists working in the Southern Sung capital of Hangchou, probably the largest and certainly the richest city on earth in this era. He shows us the revival of poetic painting by late Ming artists working in the prosperous city of Suchou. And we learn how artists in Edo-period Japan, notably the eighteenth-century Nanga masters and the painter and haiku poet Yosa Buson, transformed the style into a uniquely Japanese vehicle of expression. In all cases, Cahill shows, poetic painting flourished in crowded urban environments; it accompanied an outpouring of poetry celebrating the pastoral, escape from the city, immersion in nature. An ideal of the return to a life close to nature—the “lyric journey”—underlies many of the finest, most moving paintings of China and Japan, and offers a key for understanding them.

詩之旅︰中國與日本的詩意繪畫

• 作者： （美）高居翰
• 出版社：生活‧讀書‧新知三聯書店
• 出版日期：2012/10/01
• 語言：簡體中文三聯書店高居翰作品系列新增品種之一，在1993年費正清東亞研究中心舉辦的賴世和講座基礎上增訂而成，專題討論中國與日本的詩意繪畫。雖是一本專門的學術著作，但並不拘于傳統上對詩畫關系的討論，另闢蹊徑，見解獨到，輔以大量精美的宋代、晚明詩意畫以及在大陸很少見到的日本南畫，以饗有意深入了解中國文化藝術的讀者。 
  
  高居翰教授（James Cahill），1926年出生于美國加州，是當今中國藝術史研究的權威之一。生活•讀書•新知三聯書店已出版高居翰作品系列 《隔江山色︰元代繪畫，1279-1368》、《江岸送別︰明代前期的中國繪畫，1368-1580》、《山外山︰晚明繪畫，1570-1644》、《氣勢撼人︰十七世紀中國繪畫的自然與風格》、《畫家生涯︰傳統中國畫家的生活與工作》五種，另有合著《不朽的林泉︰中國古代園林繪畫》。
  
  

  目錄

  關于作者 
  序言 
  導論 
  第一章 南宋的杭州 
  徽宗皇家畫院 
  詩畫對幅 
  畫院以外的院體畫 
  沒有詩文的詩意畫 
  詩之旅 
  第二章 晚明的蘇州 
  明前期的詩意畫 
  題有詩句的立軸 
  張宏、李士達和盛茂燁 
  盛茂燁的詩意畫冊頁 
  明末清代其他詩意畫 
  第三章 江戶時期的日本 
  南畫在日本的興起 
  彭城百川 
  池大雅 
  
  與謝蕪村Yosa Buson ︰早年生涯
  佐貫時期及其後階段的蕪村
  贊助人、詩人圈及詩歌理論
  蕪村與中國詩歌
  蕪村與詩之旅︰晚年作品
  注釋
  參考書目

此書注解第3章61/61都將書名within 翻譯成without，很奇怪：沒有圍牆的世界
如果懂得點日本史，看副標題，當知道它談的是美國黑船扣門前的江戶期文學

World Within Walls: Japanese Literature of the Pre-Modern Era, 1600–1867

Donald Keene

October, 1999 
Paper, 606 pages, 
ISBN: 978-0-231-11467-7
$39.00 / £27.00 

The Tokugawa family held the shogunate from 1603 to 1867, ruling Japan and keeping the island nation isolated from the rest of the world for more than 250 years. Donald Keene looks within the "walls" of isolation and meticulously chronicles the period's vast literary output, providing both lay readers and scholars with the definitive history of premodern Japanese literature.

World Within Walls spans the age in which Japanese literature began to reach a popular audience—as opposed to the elite aristocratic readers to whom it had previously been confined. Keene comprehensively treats each of the new, popular genres that arose, including haiku, Kabuki, and the witty, urbane prose of the newly ascendant merchant class.

Related Subjects

• Asian Literature

About the Author

Donald Keene is Shincho Professor of Japanese Literature and University Professor Emeritus at Columbia University. He is the author of a multivolume history of Japanese literature, of whichWorld Within Walls is the second part, and more than thirty other books, including many translations from Japanese literature. He has received numerous honors in both the United States and Japan, and is a member of the American Academy and Institute of Arts and Letters.

高居翰 James Cahill 1926-2014