The Columbia Sourcebook of Literary Taiwan

Edited by Sung-sheng Yvonne Chang, Michelle Yeh, and Ming-ju Fan

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September, 2014 
Cloth, 592 pages, 
ISBN: 978-0-231-16576-1
$75.00 / £52.00 

This sourcebook contains more than 160 documents and writings that reflect the development of Taiwanese literature from the early modern period to the twenty-first century. Selections include seminal essays in literary debates, polemics, and other landmark events; interviews, diaries, and letters by major authors; critical and retrospective essays by influential writers, editors, and scholars; transcripts of historical speeches and conferences; literary-society manifestos and inaugural journal prefaces; and governmental policy pronouncements that have significantly influenced Taiwanese literature.

These texts illuminate Asia’s experience with modernization, colonialism, and postcolonialism; the character of Taiwan’s Cold War and post–Cold War cultural production; gender and environmental issues; indigenous movements; and the changes and challenges of the digital revolution. Taiwan’s complex history with Dutch, Spanish, and Japanese colonization; strategic geopolitical position vis-à-vis China, Japan, and the United States; and status as a hub for the East-bound circulation of technological and popular-culture trends make the nation an excellent case study for a richer understanding of East Asian and modern global relations.

The Columbia Sourcebook of Literary Taiwan

Edited by Sung-sheng Yvonne Chang, Michelle Yeh, and Ming-ju Fan



September, 2014
Cloth, 592 pages,
ISBN: 978-0-231-16576-1
$75.00 / £52.00





Acknowledgments

Introduction: Literary Taiwan—an East Asian Contextual Perspective

Part I. The Beginnings and the Entry Into Modernity Through Colonial Mediation (1728–1948)

1. Preface to Volume 1 of Jade Ruler Between Sky and Sea (1728), by Xia Zhifang

2. Preface to Collection of Coral Branches (Eighteenth Century), by Zhang Mei

3. Preface No. 5 (by the Author) (1816), by Zhang Fu

4. Ars Poetica (Mid-nineteenth Century), by Lin Zhanmei

5. Elucidating the Meaning of Literature, by Xie Xueyu

6. Congratulations on the Founding of the Taiwan Literary Society, by Wei Qingde

7. On the New Mission to Promote Vernacular Writing, by Huang Chengcong

8. On Reforming Classical Chinese, by Huang Chaoqin

9. A Letter to the Youth of Taiwan, by Zhang Wojun

10. The Awful Literary Scene of Taiwan, by Zhang Wojun

11. On Reading “A Comparison of Old and New Literature” in the Taiwan Daily News, by Lan Yun (Lai He)

12. Diary, by Liu Na’ou

13. Advance, by Lan Yun (Lai He)

14. The Solitary Spirits League and the Anarchist Theater Movement, by Zhang Qishi

15. Why Not Promote Nativist Literature?, by Huang Shihui

16. Annotation on Three-Six-Nine Little Gazette, by Xin An

17. A Proposal on the Construction of Taiwanese Vernacular Writing, by Guo Qiusheng

18. On Reforming the Taiwanese Vernacular, by Huang Chunqing

19. The Prospect of Popular Literature, by Qi (Ye Rongzhong)

20. A Giant Bomb on the Old Poetry Scene, by Chen Fengyuan

21. Elegant Words, by Lian Yatang

22. Absolute Objection to Nativist Literature Written in the Taiwanese Vernacular, by Lai Minghong

23. On Taiwan’s Nativist Literature, by Wu Kunhuang

24. Burning Hair—the Rites of Poetry, by Shui Yinping

25. Writing on the Wall, by Guo Shuitan

26. Manifesto, by Jie Zhou

27. Foreword: Understanding Folk Literature, by Huang Deshi

28. Art Belongs to the People, by Yang Kui

29. The Historical Mission of Taiwan Literary Arts, by Zhang Shenqie

30. Miscellaneous Thoughts on Literature—Two Types of Atmosphere, by Lü Heruo

31. Poetry Snippets: On Highbrow, by Weng Nao

32. Preface to Mountain Spirit, by Hu Feng

33. Youth and Taiwan (II): Ideal and Reality of the New Drama Movement, by Shima Rikuhei (Uchiyama Atsumu)

34. A Chat with the Governor-General About Discontinuing Chinese Columns in Daily Newspapers, by Anonymous

35. Why Can’t Taiwan’s Art Scene Not Advance?, by Old Xu

36. Criticism and Guidance Welcomed, by [Wu] Mansha

37. On the Future of Taiwanese Literature, by Zhang Wenhuan

38. The Prospect of Taiwanese Literature, by Long Yingzong

39. The Past, Present, and Future of Taiwanese Literature, by Shimada Kinji

40. On Building a Literary Scene in Taiwan, by Huang Deshi

41. Diary (1942–1944), by Lü Heruo

42. Responsibility of the Literati on the Island, by Yu Wen

43. Taiwanese Theater in the Current Stage of Development, by Takita Teiji

44. A Conversation on Taiwanese Culture, by Nakamura Akira and Long Yingzong

45. A Commentary on Current Literature, by Nishikawa Mitsuru

46. Kuso Realism and Pseudo-Romanticism, by Shi Waimin

47. An Open Letter to Mr. Shi, by Ye Shitao

48. Good Writing, Bad Writing, by Wu Xinrong

49. In Defense of Kuso Realism, by Yidong Liang

50. The Thorny Road Continues, by Zhang Wenhuan

51. Our Propositions, by Nagasaki Hiroshi, Takayama Bonseki (Chen Huoquan), et al.

52. The Path of Bridge—Report on the Second Writers’ Gathering, by Ge Lei

53. Questions and Answers Concerning Taiwanese Literature, by Yang Kui

Part II. Wading Through the Cold War Under Martial Law (1949–1987)

1. Inaugural Preface to Literary Creation, by Zhang Daofan

2. Declaration, by Ji Xian

3. Inaugural Preface to Military Literature: Establishing a Modernized, Popularized, Revolutionary, and Combative National Literature, by Editors

4. Poetry Is Poetry; Song Is Song; We Do Not Say “Poem-Song”, by Ji Xian

5. Explicating the Tenets of the Modernist School, by Ji Xian

6. To the Reader, by Xia Ji’an (T. A. Hsia)

7. A Critique of Peng Ge’s Setting Moon and a Discussion of the Modern Novel, by Xia Ji’an (T. A. Hsia)

8. Newsletter of Literary Friends: Correspondence Between Zhong Zhaozheng and Zhong Lihe

9. Notes from the Editors of Epoch Poetry Quarterly, by Zhang Mo

10. On Symbolist Poetry and Chinese New Poetry: A Rejoinder to Professor Su Xuelin, by Qin Zihao

11. Five Years Later, by Editors

12. To the Poet Ya Xian, by Shang Qin

13. Random Talk on New Poetry No. 4—Whither It Goes?, by Yan Xi

14. Taiwanese Writers Whose Works Burst with Local Color, by Wang Dingjun

15. Notes of a Poet, by Ya Xian

16. Introduction to Modern Literature, by Editors

17. One Year of Modern Literature, by Editors

18. Preface to Selected Poems of the 1960s, by Zhang Mo, Luo Fu, and Ya Xian

19. On Yu Guangzhong’s Sirius the Dog Star, by Luo Fu

20. Goodbye, Nihilism!, by Yu Guangzhong

21. Preface to the Japanese Edition of The Orphan of Asia, by Wu Zhuoliu

22. An Open Letter to Guo Lianghui, by Xie Bingying

23. An Announcement from the Chinese Writers Association

24. I Do Not Value The Locked Heart and Membership in the Writers Association, by Guo Lianghui

25. Cutting off the Prose Braids, by Yu Guangzhong

26. Lower the Flag to Half-Mast for May Fourth!, by Yu Guangzhong

27. Message from the Editors, by Lin Hengtai

28. Afterword to Leisurely Journey, by Yu Guangzhong

29. Toward a New Departure in Modernism: Thoughts on the Recent Production of Waiting for Godot, by Chen Yingzhen

30. The Girl with Long Black Hair: The Author’s Preface, by Ouyang Zi

31. The Evolution of Modern Poetry in Taiwan, by Huan Fu

32. Epigraph to the Inaugural Issue, by Chen Fangming

33. On the Predicament of Modern Chinese Poets, by Guan Jieming (John Kwan-Terry)

34. On the Special Issue of Retrospect, by Ye Shan

35. Not Our Paradise, by Tang Wenbiao

36. Benchmarks in Fiction Criticism: Reading Tang Jisong’s “Autumn Leaves by Ouyang Zi”, by Bai Xianyong

37. Qideng Sheng’s “Polio” Style, by Liu Shaoming (Joseph S. M. Lau)

38. Take Pains to Read, Take Care to Evaluate Family Catastrophe, by Yan Yuanshu

39. Looking Forward to a New Kind of Literature, by Yan Yuanshu

40. Two Kinds of Spirit in Taiwanese Literature: A Comparison of Yang Kui and Zhong Lihe, by Lin Zaijue

41. Author’s Preface, by Huang Chunming

42. She Is a True Student of China: On Reading Zhang Ailing on Reading, by Zhu Xining

43. Should the Ban on May Fourth and 1930s Writings Be Lifted?, by Zhu Xining

44. Grassroots Manifesto, by Luo Qing and Li Nan

45. The Past Decade of Taiwan Literature (1965–1975)— with Remarks on Wang Wenxing’sFamily Catastrophe, by Liu Shaoming (Joseph S. M. Lau)

46. The Pursuit and Disappearance of Utopia, by Bai Xianyong

47. Random Thoughts: Author’s Preface, by Chen Ruoxi

48. Starting from the Flaws of Taipei People: On the Method and Practice of Literary Criticism, by Ouyang Zi

49. Looking Back, by Bai Xianyong

50. Preface to Three-Three Journal, by Zhu Tianwen

51. It’s Realist Literature, Not Nativist Literature: A Historical Analysis of Nativist Literature, by Wang Tuo

52. Introduction to History of Nativist Literature in Taiwan, by Ye Shitao

53. The Blind Spot of Nativist Literature, by Xu Nancun (Chen Yingzhen)

54. Where Is Literature Without Human Nature?, by Peng Ge

55. Xiangtu Wenxue: Its Merits and Demerits, by Wang Wenxing

56. Impressions Gleaned from the Conference on Literary Arts Organized by the Armed Forces: The Bugle of Unity, by Zeng Xiangduo

57. Notes on the Publication of Essays on Nativist Literature, by Yu Tiancong

58. Two Types of Literary Mind: On Two Short Stories That Won the United Daily News Fiction Contest, by Zhan Hongzhi

59. Ten Years of Flowing River, by Lin Haiyin

60. Foreword to Anthology of Modern Chinese Prose, by Yang Mu

61. Preface to Thirty Stormy Years: The Present Predicament Facing the Newspaper Literary Supplement in Taiwan and a Way Out, by Ya Xian

62. Looking Back at the Chinese Writers and Artists Association, by Yin Xueman

63. Taiwan Consciousness of the Taiwanese People, by Zhan Hongzhi

64. Influence and Response! From Concern, Engagement, and Action to “We Have Only One Earth”, by Han Han and Ma Yigong

65. Footprints, Sort Of: Superfluous Words on the Launch of the Newsletter of Literary Friends, by Zhong Zhaozheng

66. Eternal Quest (in Lieu of a Preface), by Wang Zhenhe

67. The Question of Nativization in Taiwan Literature at the Present Stage, by Song Dongyang (Chen Fangming)

68. House of Salt—by Way of Introduction, by Shi Shu

69. Flaws and Mercy—Preface to The Mulberry Sea, by Yuan Qiongqiong

70. The Translingual Generation of Poets: Beginning with the Silver Bell Society, by Lin Hengtai

71. Heralding a Taiwanese Dawn: Introducing Lin Shuangbu, Novelist of the New Generation of Taiwan Fiction and Appraising Taiwan’s Enfeebled Fiction, by Song Zelai

72. Sacrificing a Life to Literature Is Nothing to Boast About, by Zhong Zhaozheng

73. A Painful Confession, by Ye Shitao

74. Something Out of Nothing: On Improvisation and Theater, by Lai Shengchuan (Stan Lai)

Part III. The Era of Democracy and Globalization (1987–2005)

1. Preface to Series in Contemporary Mainland Chinese Writers: Replies to Inquiries, by Guo Feng

2. Coming Together for a Long Journey Ahead: Celebrating the Birth of the Taipei Theater Fellowship, by Zhong Mingde

3. Preface to Heteroglossia, by Wang Dewei (David Der-wei Wang)

4. Writing a Literature with a Nationality, by Peng Ruijin

5. Recovering Our Names, by Monaneng

6. Preface to Taiwanese Writers: Complete Works (Short Stories), by Zhong Zhaozheng

7. If the Poets Don’t Die, the Thieves Won’t Quit: The Predicament of Taiwan’s Poetry Scene and How to Resolve It, by Lin Yaode

8. She Waves the Flag: Preface to Ping Lu’s New Collection Who Killed XXX?, by Zhang Xiguo (Hsi-kuo Chang)

9. Diary, by Qiu Miaojin

10. Literature of the Military Family Village: The Inheritance and Abandonment of Homesickness, by Qi Bangyuan

11. Discovering a New Taiwan: On Wang Qimei’s Collage, by Jiao Tong

12. Inaugural Editorial of the Taiwan Poetry Quarterly

13. The World of Mountains and Seas: Preface to the Inaugural Issue of the Culture of Mountains and Seas Bimonthly, by Sun Dachuan

14. Who Is Going to Wear My Beautiful Knit Dress?, by Ligelale Awu

15. Summer Mist, by Zhu Tianxin

16. Postscript to On the Island’s Edge, by Chen Li

17. On Ku’er: Reflections on Ku’er and Ku’er Literature in Contemporary Taiwan, by Ji Dawei (Ta-wei Chi)

18. Preface: Just Who Is the Devil with a Chastity Belt?, by Li Ang

19. Wandering in Gods’ Garden (in Lieu of a Preface), by Wang Dingjun

20. Saving a Boatload of Starlight: The Story of How Mr. Wang Tiwu Gave Financial Assistance to Young Writers, by Jiang Zhongming

21. The Activist Character of the Literary Supplement to the United Daily, by Li Ruiteng

22. Newspaper Literary Supplements and the Nobel Prize in Literature: A Personal Reflection, by Zheng Shusen (William Tay)

23. On Bai, by Zhang Dachun

24. Retrospect on Thirty Years of Taiwan Literary Arts, by Zhong Zhaozheng

25. Foreword II: On Taiwan’s Literary Canon, by Chen Yizhi

26. To the Reader: Preface to the Unitas Edition of Complete Works of Luo Zhicheng, by Luo Zhicheng

27. Broken Chinese and Good Work, by Huang Jinshu

28. Like a Road Sign That Looks Ahead and Behind: Introduction to Compendium of Taiwanese-Language Literature, by Lin Yangmin

29. The Brave New World of the Mother Tongue: Taiwanese Language Literature Under Construction, by Xiang Yang

30. A Flower Recalls Its Previous Incarnation: Remembering Zhang Ailing and Hu Lancheng, by Zhu Tianwen

31. The Mysterious Revelations of Nature Writing, by Wu Mingyi

32. Building a Bridge for Taiwan Literature: Foreword to Newsletter of the Taiwan Literature Museum, by Lin Ruiming

33. A Perspective on Prose, by Liu Kexiang

34. My Story of the Chinese Language, by Li Yongping

35. A First Step out of “Migration Literature”, by Nanfang Shuo

36. Hakka Literature, Literary Hakka, by Li Qiao

37. The End of the Military Family Village, by Su Weizhen

38. Interview with Wu He , by Zhu Tianxin

39. On Prose, by Zhang Xiaofeng

40. Preface to the New Edition of Born Under the Twelfth Star Sign, by Luo Yijun

41. Ocean Tide Loves Me Best: A Dialogue Between Sun Dachuan and Xiaman Lanpoan

Glossary

Selected Bibliography

Notes on the Translators

Notes on the Authors

Index
Related Subjects
Asian History
Asian Literature
Literary Criticism and Theory



About the Author

Sung-sheng Yvonne Chang is professor of Chinese and comparative literature at the University of Texas at Austin. She is author of Literary Culture in Taiwan: Martial Law to Market Law;Transformations of a Literary Field: On Contemporary Taiwanese Fiction; and Modernism and the Nativist Resistance: Contemporary Chinese Fiction from Taiwan. She is the editor of Bamboo Shoots After the Rain: Contemporary Stories by Women Writers of Taiwan. Michelle Yeh is professor of Chinese literature at the University of California at Davis. She is the author, translator, and editor of Modern Chinese Poetry: Theory and Practice Since 1917; Anthology of Modern Chinese Poetry; No Trace of the Gardener: Poems of Yang Mu; Frontier Taiwan: An Anthology of Modern Chinese Poetry; and A Lifetime Is a Promise to Keep: Poems of Huang Xiang. Ming-ju Fan is professor and director of the Graduate Institute of Taiwanese Literature at the National Chengchi University in Taiwan. Her books in Chinese include Literary Geography: Spatial Reading of Taiwanese Fiction; Chronological Searches of Taiwanese Women’s Fiction; and Like a Box of Chocolate: Criticism on Contemporary Literature and Culture.




文學台灣資料大全

宋生張憶芬，葉璇，明舉範編輯
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ISBN：978-0-231-16576-1

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簡介：文學台灣 - 東亞語境說

一開始和進入現代通過殖民調解的一部分（1728年至1948年）


1，前言玉統治者之間的天空和海（1728），第1卷夏之芳


2前言收集珊瑚分行（十八世紀），由章美

3，前言第5號（由作者）（1816），由章府




4，人工魚礁詩藝（十九世紀中葉），由林占梅




5，闡明文學的意義，謝雪榆




6，恭喜台灣文學社的成立，魏梁慶德




7，在新的使命，以促進白話寫作，由黃稱從




8，關於改革中國古典，黃Chaoqin




9，致台灣青年，由章喔俊




10，這樁文壇台灣，由章喔龜




11，在讀的台灣日日新報“新舊文學的比較”，由藍雲（賴）




12，日記，劉Na'ou




13，高級，由藍雲（賴）




14。孤獨的精神聯盟和無政府主義者劇運動，由章七十




15，為什麼不提倡鄉土文學？，由黃師虺




16詮釋三六九個小憲報，由新安




17，對台灣白話寫作的建設的提案，郭秋生




18，關於改革的台灣鄉土，黃純清




通俗文學的19展望，由齊（葉融舯）




20，巨炸彈在老詩場景，陳豐原




21文雅之詞，通過連壓帑




22，絕對反對以鄉土文學寫在台灣白話，賴銘洪




23，對台灣鄉土文學，吳Kunhuang




24，燒頭髮，詩歌的禮記，由水銀屏




25，寫在牆上，由郭誰壇




26宣言，由周杰




27前言：了解民間文學，由黃得獅




28，藝術屬於人民，由楊愧




29歷史使命台灣文學藝術，張Shenqie




文學，兩種氛圍30繁雜的思緒，由呂Heruo




31詩片段：在曲高和寡，由翁嗯翱




32前言山神，胡風




33，青年和台灣（二）：理想的新戲劇運動與現實，由石馬Rikuhei（內山Atsumu）




與總督34。聊天關於中國的終止日期列在每天的報紙，由匿名




35，為什麼有的時候台灣的藝術場景不能提前？，由老許




36，批評和指導的歡迎，由[吳]蔓莎




37台灣文學的未來，由章溫歡




台灣文學38。展望，由龍英宗




39，過去，現在，和台灣文學的未來，島田欣兒




40在台灣建立一個文壇，由黃得失




41日記（1942-1944），由呂Heruo




文人在島上，俞文42責任




43台灣劇場發展的現階段，由瀧田禎治




44對台灣文化的對話中，中村晃龍英宗




45對當前文學評論，由西川滿




46。惡搞現實主義和偽浪漫主義，由施歪泯




47。一封公開信給石先生，由葉師燾




48。好文章，壞文章，吳鑫榮




49在惡搞現實主義的防禦，由一東亮




50荊棘路還在繼續，由章溫圜




51我們的命題，長崎浩，高山Bonseki（陳豁詮）等。




52橋，報告對二作家聚會的路徑，由葛磊




53問題和解答有關台灣文學，由楊奎




第二部分。涉水而過冷戰戒嚴法下（1949-1987）




1前言首屆文學創作，由章刀藩




2，聲明，由嵇西安




3，首屆前言軍旅文學：建立一個現代化的，大眾化的，革命的，好鬥的民族文學，由編輯




4，詩是詩;歌是歌;我們不說“詩松”，由姬西安




5，說明（explicate）現代派的信條，由姬西安




6，給讀者，夏吉安（T. A.夏）




7，批判彭鴿的設置月球和討論現代小說，由夏吉安（電訊局長夏）




文友的8通訊：對應關係鍾著蒸和鍾離呵




從時代詩刊的編輯，由章無9注




10，在象徵主義詩歌與中國新詩：一個反駁蘇雪林教授，由秦諮號




11，五年之後，由編輯




12，詩人瘂弦，由琴商




13漫談新詩第4號 - 往哪裡去？，由燕希




14，台灣作家，他的作品充斥著本土色彩，王定軍




15注詩人，由瘂弦




16，近現代文學，由編輯




17，一年現代文學的，由編輯




18前言20世紀60年代的詩選，由章末，羅富和瘂弦




19，在余光中的天狼星的狗明星，通過漯阜




20，再見，虛無主義！，由余光中




21前言日本的亞細亞的孤兒版，由吳濁流




22。一封公開信給郭梁輝，由謝冰瑩




23，從中國作協公佈




24，我不看重堵​​心和加入作協，郭梁輝




25，切斷散文辮子，由余光中




26，下旗下半旗五四！，由余光中




27。賀詞編輯，林恆泰




28後記悠閒之旅，由余光中




29邁向新起點的現代主義：在等待戈多的近期生產的思考，陳映真




30。女孩，長長的黑髮：作者的前言，由歐陽子




現代詩在台灣31的演變，通過還夫




32。題詞創刊號，陳方明




33中國現代詩人的困境，由關潔明（約翰鈞特里）




34。特刊回顧的，由葉煞嗯




35，不是我們的天堂，由湯溫標




36。基準的小說批評：讀湯其嵩的“秋葉由歐陽子”，由白先勇




37汽燈盛的“小兒麻痺症”的風格，由劉稍瞑（約瑟夫SM劉）




38含辛茹苦地讀，注意評估家庭災難，顏元書




39展望新一類文學，顏元書




40兩種精神在台灣文學的比較羊隗和鍾離喝，經遴栽镢




41作者序，由黃春明




42，她是中國的真正的學生：在讀張愛玲的讀，由諸西寧




43，如果潘基文對五四和30年代創作了諸西寧被取消？




44基層宣言，羅清黎嗯諳




45台灣文學的過去十年（1965-1975） - 與注記王文興的家庭災難，由劉稍明（約瑟夫SM劉）




46的追尋與烏托邦的消失，由白先勇




47隨想：作者的前言，由陳若汐




台北人的缺陷48起：在方法和文學批評實踐中，歐陽子




49回頭看，由白先勇




50前言三三雜誌，由朱天文




51。它的現實主義文學，不是鄉土文學：鄉土文學的歷史分析，由汪拖




52介紹鄉土文學史在台灣，由葉失掏




53。盲點鄉土文學，許南村（陳映真）




54凡彭蓋文學是沒有人性？




55。鄉土文學：它的功過，由王文興




56。收集的印象從文學藝術組織武裝部隊會議：團結的號角，由曾Xiangduo




在散文對鄉土文學的出版，俞天聰57注




58兩種文學心靈：開2個短故事，曾獲聯合報小說大賽，由詹轟酯




59。十年流淌的河流，由林海音的




60前言文集中國現代散文，由楊目




61前言三十年風雨如磐：目前面臨的困境的報紙文學副刊在台灣和出路，由瘂弦




62回顧中國作家和藝術家協會，由尹Xueman




63台灣意識的台灣人，由詹轟趾




64。影響和應對！從關注，參與和行動，以“我們只有一個地球”，由韓寒和馬易貢




65腳印，那種：對文友的通訊的啟動，由鍾著睜多餘的話




66永恆的任務（以代替序言），由汪真訶




67本土化的台灣文學的問題，在目前階段，宋東陽（陳方明）




68樓的鹽以介紹方式，由施數




69缺陷和施恩序言桑海，袁煢煢




70。跨語言一代詩人：開頭的銀鈴會，由林恆泰




71預示著台灣的黎明：介紹林雙埠，新一代的台灣小說的小說家和評優台灣的衰弱小說，由宋責睞




72。犧牲生命，以文學是其貌不揚，由鍾著正




73痛苦的懺悔，由葉師韜




74出來的東西沒有的：在即興劇場，由賴聲川（賴聲川）




第三部分。民主和全球化的時代（1987-2005年）




一，前言為系列中的當代中國大陸作家：回复傳媒查詢時由郭鋒




2，聚到一起很長的路要走：慶祝台北劇場聯誼會的誕生，鐘銘德




3序言喧嘩，由汪得微（大衛明鏡煒）




4，寫文學與國籍，彭瑞金




5，恢復我們的名字，由Monaneng




6前言台灣作家：全集（短篇小說集），由鍾著崢




7，如果詩人不會死，盜賊不會退出：台灣詩歌現場的困境，如何解決這個問題，通過遴夭底




8。她波浪旗：序平魯的新作誰殺了XXX？，由章西幗（HSI闊昌）




9，日記，邱妙津




軍事家村的10文學的傳承與鄉愁的遺棄，由齊邦媛




11，發現新台灣：在汪七黴的拼貼，通過姣佟




台灣詩刊的12就職編輯




13世界山海經：前言創刊號的山海經雙月刊的文化，由孫大川




14，想要被Ligelale啊嗚穿我美麗的針織連衣裙？




15夏霧，朱天心




16跋在島的邊緣，由陳李




17。Ku'er：在Ku'er和Ku'er文學在當代台灣，由姬答威思考（大威智）




18前言：究竟是誰李昂是魔鬼與貞操帶？




19，徘徊在眾神的花園（在前言中寮），由王定軍




20，保存星光的一大堆：如何汪體鵡先生給其財政援助，以青年作家的故事，由姜中瞑




21文學副刊，以聯合報的維權人物，由黎蕊疼




22，報紙文藝副刊與諾貝爾文學獎：個人反思，由鄭叔森（威廉泰）




23。白，由章答鶉




24，在回顧三十年台灣文學藝術，由鍾著蒸




25前言二：在台灣的文學經典，由陳一枝




26，給讀者：前言烏尼塔斯版羅之承的全集，由羅之盛




27殘破的中國人和優秀的作品，由黃錦樹




28，像一道道標誌，展望和背後：介紹台語文獻彙編，以林養民




29。美麗新世界母語：正在建設中的台灣語言文學，由項啞嗯




30，花回顧其以往的化身：記住張愛玲和胡蘭成，由朱天文




自然寫作31。神秘啟示，吳銘怡




32。建一座橋的台灣文學：前言台灣文學館通訊，通過遴蕤盟




33，一種視角散文，劉科翔




34，我對中國語言的故事，由黎擁瓶




35，第一步去“移民文學”，由南方朔




36，客家文學，客家文學，中的李嶠




軍事家村的37月底，蔌委針




38專訪鄔賀，朱天心




39，在散文中，張曉峰




40前言新版出生在十二星座中，羅一筠




41海潮最愛我：孫大川和轄Lanpoan之間的對話




名詞解釋




選擇的參考書目




對譯者注




在作者的筆記




指數




相關主題




亞洲歷史

亞洲文學

文學批評與理論




作者簡介




宋生張憶芬是中國和比較文學在得克薩斯大學奧斯汀分校教授。她是文學文化在台灣的作者：過江龍市場規律;下的文學場的轉換：論當代台灣小說;與現代主義與鄉土性：當代中國小說來自台灣。她是竹筍的編輯雨後：當代故事由台灣女作家。葉璇是中國文學在加州大學戴維斯分校教授。她是作家，翻譯家，中國現代詩歌編輯：理論與實踐自1917年以來;文集中國現代詩歌的;園丁無跡：楊慕詩;前台灣：中國現代詩文集;和那些一輩子是一種承諾，以保持人：黃湘詩。明如範教授，台灣文學研究所所長於國立政治大學台灣。她的書在中國包括文學地理：台灣小說的閱讀空間;台灣女性小說的時間順序檢索;而就像一盒巧克力：批評當代文學和文化上。