Both as a writer and as a moralist, E.M. Forster regarded the exploration of abstract forms and ideas as dubious, valuing messy humanity instead. Some regarded this as woolly thinking—a famous Cambridge critic, F.R. Leavis, believed his lectures were characterised by “intellectual nullity”. But the novelist—who died on June 7th 1970—was covertly sophisticated
Both as a writer and as a moralist, E.M. Forster regarded the exploration of abstract forms and ideas as dubious, valuing messy humanity instead. Some regarded this as woolly thinking—a famous Cambridge critic, F.R. Leavis, believed his lectures were characterised by “intellectual nullity”. But the novelist—who died on June 7th 1970—was covertly sophisticated
Everyman's Library
"She lay under the earth now. She had gone, and as if to make her going the more bitter, had gone with a touch of mystery that was all unlike her."
—from HOWARDS END (1910) by E.M. Forster
“The tragedy of preparedness has scarcely been handled, save by the Greeks. Life is indeed dangerous, but not in the way morality would have us believe. It is indeed unmanageable, but the essence of it is not a battle. It is unmanageable because it is a romance, and its essence is romantic beauty.”
—from HOWARDS END (1910) by E.M. Forster
―from HOWARDS END (sic) by E.M. Forster
"I do like Christmas on the whole.... In its clumsy way, it does approach Peace and Goodwill. But it is clumsier every year."
~from "Howard's End" by E.M. Forster
First published in 1910, Howards End is the novel that earned E. M. Forster recognition as a major writer. At its heart lie two families—the wealthy and business-minded Wilcoxes and the cultured and idealistic Schlegels. When the beautiful and independent Helen Schlegel begins an impetuous affair with the ardent Paul Wilcox, a series of events is sparked—some very funny, some very tragic—that results in a dispute over who will inherit Howards End, the Wilcoxes' charming country home.
At its heart lie two families—the wealthy and business-minded Wilcoxes and the cultured and idealistic Schlegels. When the beautiful and independent Helen Schlegel begins an impetuous affair with the ardent Paul Wilcox, a series of events is sparked—some very funny, some very tragic—that results in a dispute over who will inherit Howards End, the Wilcoxes’ charming country home. As much about the clash between individual wills as the clash between the sexes and the classes, Howards End is a novel whose central tenet, “Only connect,” remains a powerful prescription for modern life. READ more here: http://www.penguinrandomhouse.com/…/howards-end-by-em-fors…/#
Howards End (1910) is an ambitious "condition-of-England" novel concerned with different groups within the Edwardian middle classes represented by the Schlegels (bohemian intellectuals), the Wilcoxes (thoughtless plutocrats) and the Basts (struggling lower-middle-class aspirants).
It is frequently observed that characters in Forster's novels die suddenly. This is true of Where Angels Fear to Tread, Howards End and, most particularly, The Longest Journey.
著名的小說就叫"Howard's End"(中文譯本叫做《綠苑春濃》，聯經，1992；
《此情可問天》，業強，1992)，書名中的Howard是姓氏，End是宅第的名稱，通常位置在一條街道的盡頭， ...
Howards End英文原文
http://www.gutenberg.org/cache/epub/2891/pg2891.txt
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