2017年2月6日 星期一

John Berger 作品及翻譯; Pig Earth 等


 John Berger 作品及翻譯;

作品Works分類

Fiction   10本,翻過3本*

  • *A Painter of Our Time (1958)[8]

This visionary first novel by the Booker Prize-winning author of To the Wedding and G. is at once a gripping intellectual and moral detective story and a book whose aesthetic insights make it a companion piece to John Berger's great works of art criticism.
3年的辛苦:放棄當職業畫家,寫批評,訪問許多難民,傾聽其故事.....
出版20/30年的後記:萬物老化後的美與成熟
"'Life will always be bad enough
for the desire for something better
not to be extinguished in men
(Berger, 1989, p. 5).
  • The Foot of Clive (1962)[2]
  • Corker's Freedom (1964)[2]
  • *G. (1972)[25]
  • G, éditions de l’Olivier, 1972. Traduction d’Elisabeth Motsch.
栗原行雄訳『G.』新潮社、1975年

A致X:給獄中情人的溫柔書簡(約翰伯格首部中譯小說)
中文書 , 約翰伯格   吳莉君 , 麥田 ,出版日期:2014-08-02在字裡行間讀出人們義無反顧的理念,與對自由解放的無限想望。──沒有任何強權可以阻擋愛與信念,也沒有任何暴力能夠摧毀人類的心靈。 無論愛妲和澤維爾如今是生是死,無論他們是否仍住在那個不知位於何方的小鎮,約翰.伯格以觀照微物之眼繪出了一幅在...... more

Plays  4本,都未讀過,不過可知其合作者1人

  • A Question of Geography (with Nella Bielski) (1987)[44][45]
  • Les Trois Chaleurs (1985)[46]
  • Boris (1983)[47]
  • Goya's Last Portrait (with Nella Bielski) (1989)[48]

Screenplays   5本,都未讀過,不過可知其合作者2人

  • Jonah who will be 25 in the year 2000 (with Alain Tanner) (1976)[25][11]
  • La Salamandre (The Salamander) (with Alain Tanner) (1971)[49]
  • Le Milieu du monde (The Middle of the World) (with Alain Tanner) (1974)[49]
  • Play Me Something (with Timothy Neat) (1989)[50]
  • Une ville à Chandigarh (A City at Chandigarh) (1966)[51]

Poetry  零散讀過數十首

  • Pages of the Wound (1994)[52]
  • Collected Poems (2014)[53]

Other  47本 (因為他的作品難歸類,所以此類最多)



  • Marcel Frishman (with George Besson) (1958)[52]
  • Permanent Red (1960)[52] (Published in the United States in altered form in 1962 as Toward Reality: Essays in Seeing)
  • The Success and Failure of Picasso (1965)[25][11]
  • 奥村三舟訳『ピカソ――その成功と失敗』雄渾社、1966年

  • A Fortunate Man (with Jean Mohr) (1967)[52]

  • ジャン・モア写真、村松潔訳『果報者ササル――ある田舎医者の物語』みすず書房、2016年

  • Art and Revolution: Ernst Neizvestny And the Role of the Artist in the U.S.S.R (1969)[52]

  • 奥村三舟訳『芸術と革命――エルンスト・ニェイズヴェースヌイとソ連における芸術家の役割』雄渾社、1970年

  • The Moment of Cubism and Other Essays (1969)[52]
  • The Look of Things: Selected Essays and Articles (1972)[52]
  • Ways of Seeing[25] (with Mike Dibb, Sven Blomberg, Chris Fox and Richard Hollis) (1972)

  精力旺盛的約翰.伯格,向來被敬重為英國最具影響力的藝術評論家。他的《觀看的方式》,從社會關係談論藝術,翻轉傳統觀畫的方式,從側面切入,看到了傳統藝術史沒有看到的問題,是使許多人印象深刻,影響深遠的一本書。

伊藤俊治訳『イメージ――視覚とメディア』Parco出版、1986年/〔文庫版〕筑摩書房、2013年
松村昌家、大井浩二編注『イメジのとらえ方』英宝社、1988年

With John Berger / Ways of Seeing , Episode 4 (1972)






A BAFTA award-winning series with John Berger, which rapidly became regarded as one of the most influential art programmes ever made. In this…
YOUTUBE.COM




  • About Looking (1980)[11]
  • 飯沢耕太郎監修、笠原美智子訳『見るということ』白水社、1993年/〔文庫版〕筑摩書房、2005年


  • 出版日期:2015/05/01
一個多世紀以前,動物與人仍在相互凝視,彼此確認,而今人們前往動物園觀看一只又一只動物,只會感覺到自己的孤單;當我們看到麥卡林在順化所拍攝的照片,我們看到的是戰爭被違背其本意地非政治化,照片變成了人類普遍境況的一項證據;庫爾貝最早體認到的景物和聲音是流水,以至於當他畫穆提耶的岩壁,都如同池塘里映照出的風景……不同形式、不同對象、不同結果的「看」,似乎都可以找到某種宿命般的因果邏輯,如同作者在本書最后所說:「你眼前的原野,就如同你自己生活中的視野一般大小。」這部批評文集分為三部分:首先以我們看動物的方式為切入點,回溯人類與動物漫長而悠遠的關系,而這種關系,在當代資本主義社會中是永久地失落了;繼之以對攝影功能的思考,與蘇珊·桑塔格遙相唱和;最后則聚焦於藝術,談繪畫、論雕塑,從容游走於社會。心理與藝術各個層面,頗得瓦爾特·本雅明的遺風。


  • Another Way of Telling (with Jean Mohr) (1982)[52]

另一種影像敘事
中文書 , 約翰伯格、尚.摩爾 , 臉譜 ,出版日期:2009-03-20★美學理論大師約翰.伯格vs專業攝影名家尚.摩爾合力探究攝影本質的經典之作! ★薩依德譽為「劃時代的原創性影像論述」! ★繼《明室》、《論攝影》、《迎向靈光消逝的年代》後又一影像思考巨著! ★探討影像敘事之道的理論與實務之作! 關於攝影...... more



另一種講述的方式



  • And Our Faces, My Heart, Brief as Photos (1984)[52]
  • The White Bird (U.S. title: The Sense of Sight) (1985)[52]
  • Keeping a Rendezvous (1992)[52]
  • The Sense of Sight (1993)[54]

觀看的視界
The Sense of Sight

約翰·伯格作品:講故事的人簡體書 , (英)約翰·伯格 , 廣西師範大學出版社 ,出版日期:2015-05-01關系。 在約翰伯格的人生里,從而也在本文集里,對於故事敘述和語言的關注是一個更全面、更廣泛的議題。「離鄉」一輯的主題是旅行、放逐、移居,本書最后「未修築的路」繼續着這些反思;「愛情入門」的所有文章顯示了約翰伯格對於藝術作品,尤其是繪畫的...... more


  • Albrecht Dürer: Watercolours and Drawings (1994)[55]
Mitsuyo Nakamura訳『アルブレヒト・デューラー――水彩と素描』タッシェン・ジャパン、2005年

  • Titian: Nymph and Shepherd (with Katya Berger) (1996)[52]
  • Photocopies (1996)[2]
  • Isabelle: A Story in Shorts (with Nella Bielski) (1998)[52]
  • At the Edge of the World (with Jean Mohr) (1999)[56]
  • Selected Essays (Geoff Dyer, ed.) (2001)[52]
  • The Shape of a Pocket (2001)[52]
  我所謂群體意指一小群反抗勢力。當兩個以上志同道合的人聯合起來,便組成一個群體。反抗的是世界經濟新秩序的缺乏人性。凝聚的這群人是讀者、我、以及這些文章的主題人物─林布蘭,舊石器時代的洞窟壁畫畫家,一個來自羅馬尼亞的鄉下人,古埃及人,對描繪孤寂的旅館客房很在行的一位專家,薄暮中的狗,廣播電台的一個男子。意外的是,我們的交流強化了我們每個人的信念,堅信今天在世界上發生的事情是不對的,所說的相關話題往往是謊言。我寫過的書,就屬本書最迫切。——約翰.柏格
  本書同時清楚標示了他的馬克思主義色彩,為文熱情、反向思考、大膽批評。收錄了二十四篇,他在蘇黎士、馬德里、瑞典、法蘭克福、赫爾辛基等地以不同語言發表的講演與文章, 初次翻成英文出版,基本觀點集中於對現下經濟全球化趨勢的批評,文字依舊有著濃烈的批評色彩,約翰.伯格曾在訪問中提及,這是近幾年少數幾本迫切著非出不可的一本書。
  書中以對法國史前藝術的觀察,古典藝術大師米開蘭基羅、林布蘭、竇加,以及個性強烈的墨西哥女畫家卡蘿,廿世紀雕塑大師布朗庫西(Brancusi)等人的作品,以及相關的歷史社會分析,批評全球經濟掛帥環境下,對藝術的欠缺理解與乏善可陳,是一本權威敢言且殷切提醒的書。


  • I Send You This Cadmium Red: A Correspondence between John Berger and John Christie (with John Christie) (2001)[57]
  • My Beautiful (with Marc Trivier) (2004)[58]
  • Berger on Drawing (2005)[59]
  • Here is Where We Meet (2005)[8]

約翰·伯格作品:我們在此相遇

簡體書 , (英)約翰·伯格 , 廣西師範大學出版社 ,出版日期:2015-05-01
當代最有影響力的作家、藝評家、公共知識分子約翰伯格的自傳性小說;一部記憶之書、死亡之書、愛之書、成長之書,一部深沉無悔的告解。 這不是一本傳統的小說、回憶錄、散文或傳記,而是一種混雜了這些文體的嶄新文類,即NewStatesman所謂的...... more


" What in another writer's work might be the associative work of memory becomes, in Berger's fiction, virtual alchemy. "

"Yet the density of the foliage was not like that of a jungle, but like the density of a closed book, which had to be read page by page."
此書台北麥田有漢譯本,詳註
我們在此相遇 2008


  • Hold Everything Dear: Dispatches on Survival and Resistance (2007; 2nd ed. 2016)[60]

留住一切親愛的:生存.反抗.欲望與愛的限時信
中文書 , 約翰伯格   吳莉君 , 麥田 ,出版日期:2009-05-10繼《觀看的方式》、《另類的出口》、《另一種影像敘事》、《我們在此相遇》後,英國最具影響力的藝術批評家、美學理論大師──約翰.伯格,在最新著作《留住一切親愛的》裡,通過不同的形式、體裁,以最感性的抒情訴求,喚醒眾生心中的普遍性。 《留住...... more




班托的素描簿
中文書 , 約翰伯格   吳莉君 , 麥田 ,出版日期:2012-07-08◎觀看的方式 + 繪畫的過程 = 班托的素描簿 ◎英國當代最具影響力的藝術批評家、美學理論大師──約翰.伯格,首部以文字和圖像共同呈現的素描沉思錄 大師與大師的唱和創意之作──當約翰.伯格遇上斯賓諾莎! 我們畫畫的人,不僅想創作...... more



  • Cataract (with Selçuk Demirel) (2012)[68]
  • Understanding a Photograph (Geoff Dyer, ed.) (2013)[69]
  • Daumier: The Heroism of Modern Life (2013)[70]
  • Flying Skirts: An Elegy (with Yves Berger) (2014)[71]
  • Portraits: John Berger on Artists (Tom Overton, ed.) (2015)[48]

 https://www.amazon.com/Portraits-John-Berger/dp/1784781762



A major new book from one of the world’s leading writers and art criticsJohn Berger, one of the world’s…
AMAZON.COM

  • Cuatro horizontes (Four Horizons) (with Sister Lucia Kuppens, Sister Telchilde Hinkley and John Christie) (2015)[72]
  • Lapwing & Fox (Conversations between John Berger and John Christie) (2016)[73]
  • Confabulations (Essays) (2016)[11]
  • Landscapes: John Berger on Art (Tom Overton, ed.) (2016)[74]
  • John by Jean: Fifty Years of Friendship (Jean Mohr, ed.) (2016)[75]
  • A Sparrow's Journey: John Berger Reads Andrey Platonov (CD: 44:34 & 81-page book with Robert Chandler and Gareth Evans), London: House Sparrow Press in association with the London Review Bookshop (2016)[76]













Pig Earth (Into Their Labours #1)
by John Berger


Set in a small village in the French Alps, Pig Earth relates the stories of sceptical, hard-working men and fiercely independent women. This book is an act of reckoning that conveys the precise wealth and weight of a world we are losing.
Paperback, 208 pages
Published February 11th 1999 by Bloomsbury Publishing PLC (first published 1979)


Pig Earth consists of naturalistic short stories and surrealistic verses… 
“The mother puts
the newborn day
to her breast
turnips
like skulls
are heaped
house high
before the blood has been washed
from the legs of the sky”

Peasant labour is the most ancient in the world and the hardest… Peasants are isolated from the rest of society so they live by their own special cunning and they possess their own specific wisdom like this homegrown witticism: “The weather and the cunt do what they want.”
And they live in their own world.

“At home, in the village, it is you who do everything, and the way you do it gives you a certain authority. There are accidents and many things are beyond your control, but it is you who have to deal with the consequences even of these. When you arrive in the city, where so much is happening and so much is being done and shifted, you realise with astonishment that nothing is in your control. It is like being a bee against a window pane. You see the events, the colours, the lights, yet something, which you can’t see, separates you. With the peasant it is the forced suspension of his habit of handling and doing.”
The stories may seem to be down to earth, literally, but the writing is superb and The Three Lives of Lucie Cabrol is a little masterpiece which is bigger than some thick books.



Whatever the motives, political or personal, which have led me to undertake to write something, the writing becomes, as soon as I begin, a struggle to give meaning to experience. Every profession has limits to its competence, but also its own territory. Writing, as I know it, has no territory of its own. The act of writing is nothing except the act of approaching the experience written about... (pp 6)

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