2017年7月27日 星期四

Nana. Mythos und Wirklichkeit By Werner Hofmann ：ナナ　マネ・女・欲望の時代

Werner Hofmann (1928-2013), Nana : Mythos und Wirklichkeit, Köln, M. Dumont Schauberg, 1973. 邦訳：ヴェルナー・ホーフマン『ナナ　マネ・女・欲望の時代』水沢勉訳、パルコ出版局、 1991



https://en.wikipedia.org/wiki/Nana_(painting)
Both the title and the numerous details suggest that the picture represents a high class prostitute and her client. "Nana" was a popular assumed name for female prostitutes during the second half of the 19th century (much like the connotation "Candy" has had for English-speakers more recently). Even today the French word "nana" is used to describe a frivolous woman (or simply "a female" in argot[1]).
Wiki 的 "argot"，英文版、日文版都很有意思！



Nana (painting) - Wikipedia
Nana is a painting by French painter Édouard Manet. It was completed in 1877 and was refused at the Salon of Paris the same year. The work is now at the Kunsthalle Hamburg art museum in Germany.
EN.WIKIPEDIA.ORG


Werner Hofmann (August 8, 1928 in Vienna - 13 March 2013 in Hamburg) was an Austrian art historian, cultural journalist, writer, curator and museum director, who is "considered by his colleagues as one of the most distinguished European scholars of modern art and its ideology."[1]

Hofmann is known for having connected two schools of art history: the Vienna School with the Hamburg School. According to the Dictionary of Art Historians, his "work was highly interdisciplinary, drawing examples from music, philosophy and literature to elucidate what were in many cases well-known works of art in new ways. This non-linear, a-historical (but not anti-historical) view of art history influenced a generation of modernist art historians who viewed their art works thematically rather than as a series of style changes."

水沢勉 - Wikipedia
ja.wikipedia.org/wiki/水沢勉 - キャッシュ - 別窓で開く

水沢 勉（みずさわ つとむ、1952年11月27日 - ）は、日本の美術評論家・キュレーター、 神奈川県立近代美術館館長。神奈川県横浜市生まれ。 ... ヘイゼル・ハリソン『水彩の 技法百科 水彩・ガッシュ・アクリル』グラフィック社 1991; 『ナナ マネ・女・欲望の時代』（ ヴェルナー・ホーフマン著、PRCO出版、1991年）; ジェレミー・ゴートン『油彩の技法百科 』 ...



  • Nana: Mythos und Wirklichkeit. Cologne 1973.


關於作者和其他貢獻者

維爾納·霍夫曼出生，1928年，博士 菲爾。和藝術史教授，1960年工作到1969年在維也納作為20世紀博物館的創始董事，直到1990年，他在漢堡藝術館主任。除了他的授課和教學，他已經成為主要為他的藝術在19世紀和20世紀的出版物以及眾多的大型展覽，其中包括漢堡展覽系列-Kunst到1800年，是已知的。到1995年CH貝克，藝術-The出現在該系列宇宙第40卷吵架世紀。1950年和1830-之間藝術。

Nana. Mythos und Wirklichkeit

Nana：神話與現實

 Broschiert – Dezember 1999

von Werner Hofmann (Autor), Joachim. Heusinger von Waldegg (Mitwirkende)

Produktinformation

  • Broschiert: 200 Seiten
  • Verlag: DuMont Reiseverlag, Ostfildern (Dezember 1999)
  • ISBN-10: 377012118X
  • ISBN-13: 978-3770121182
  • Verpackungsabmessungen: 20,4 x 15,2 x 1,6 cm




ISBN 4-89194-262-2 C0070 P3200E

 Werner Hofmann, Nana : Mythos und Wirklichkeit, Köln, M. Dumont Schauberg, 1973. 邦訳：ヴェルナー・ホーフマン『ナナ　マネ・女・欲望の時代』水沢勉訳、パルコ出版局、 1991, pp. 92-94. 


論文： ゾラ『ナナ』と絵画における自然主義 : マネとジェルヴ ..... 18）
http://ir.library.osaka-u.ac.jp/dspace/bitstream/11094/24301/1/gallia_51_021.pdf

https://en.wikipedia.org/wiki/Nana_(painting)

Both the title and the numerous details suggest that the picture represents a high class prostitute and her client. "Nana" was a popular assumed name for female prostitutes during the second half of the 19th century (much like the connotation "Candy" has had for English-speakers more recently). Even today the French word "nana" is used to describe a frivolous woman (or simply "a female" in argot[1]).






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