Title	Delacroix Issue 47 of Dossier de l'art Volume 12 of Great artists: their lives, works and inspiration
Authors	Barthélémy Jobert, Eugène Delacroix
Edition	illustrated
Publisher	Princeton University Press, 1998
ISBN	0691004188, 9780691004181
Length	335 pages Barthélémy Jobert, Eugène Delacroix Princeton University Press, 1998 - Art - 335 pages 0 Reviews Responding to resurgent interest in nineteenth-century French painting--with its rich connections to revolutionary politics, exoticism, romance, and nationalism--Barthélémy Jobert offers this long-awaited, first comprehensive book on one of the period's greatest and most elusive artists: Eugtne Delacroix (1798-1863). This solitary genius produced stormy, romantic works like The Death of Sardanapalus and then turned to more classically inspired paintings, such as Liberty Leading the People--a fact that has never been fully explained. In this visually compelling tribute to the artist, however, Jobert explores the driving inner tensions and contradictions behind both Delacroix's life and work. Jobert not only re-creates the political and cultural arenas in which Delacroix thrived, but also allows readers a rare opportunity to appreciate the full range of his artistic production. Delacroix's large canvases, decorative cycles, watercolors, and engravings, which are widely dispersed throughout the world, are beautifully represented here in 231 color plates. The book is timed to commemorate the bicentenary of Delacroix's birth. Traditionally described as an artistic loner, Delacroix profoundly influenced later painters such as Cézanne and Picasso. An image of the artist as a man of his times comes to light, however, as Jobert reveals the ways in which Delacroix successfully navigated a career within the Salon system and through government commissions. Delacroix socialized with George Sand and Victor Hugo, engaged Baudelaire and Gauthier in intense philosophical discussions about art, and maintained a lively interaction with the press. As a passionate artist who sought to make money in a politically volatile climate, Delacroix managed to create works that transcended the ideology of his government connections. Delacroix's famous trip to Morocco, which had the ironic outcome of directing his attention away from Romanticism and back toward his classical roots, is analyzed in detail. Considering both Delacroix's training and sources of inspiration, Jobert shows how the Moroccan journey led the artist to a balanced approach to his art: the classical tradition he had never totally abandoned was permanently combined with the Romanticism of his youth. Over the long span of his career, Delacroix responded to the literary fascination with Orientalism, the politics of the Restoration and French imperialism, and popular interest in travel and documentation. He painted everything from sweeping epic tales to intimate interiors. Only now has the scope and scale of Delacroix's oeuvre come to life in a detailed and up-to-date account for the specialist and general reader alike. 第104-05頁兩圖：剛好是阿邦請我們看的兩部戲：Macbeth and the Witches, 1825; Mephistopheles Appears before Faust, 1826-27 顯示更多心情 -------

The World of Delacroix: 1798-1863 (Time-Life library of art)

by Tom Prideaux

這本書的內容很全面編得極好還有傳主圈的巴黎地圖呢......

Hardcover: 196 pages
Publisher: Time Life Education; Revised edition (January 1966)

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Amazon.com: Delacroix: A Life (Biography & Memoirs ...

www.amazon.com/Delacroix...Wilson-Smith/... - 頁庫存檔 - 翻譯這個網頁

Amazon.com: Delacroix: A Life (Biography & Memoirs) (9780094731400): Timothy Wilson-Smith: Books.

大概是英文版最好的一本

Delacroix, George Sand and Chopin 三人的關係
簫邦臨死前還有祖國親情等更重要的是包括對 Delacroix解釋對位法等

本書末章對於法國波旁圖書館的天花板璧畫系列作一系統的論述

....the fragility of civilisation (Kenneth Clark): "No one realised better than Delacrox that we had got through by the skin of our theeth

Tradition and desire:

from David to Delacroix

Norman Bryson

1 評論

CUP Archive, 1984 - 228 頁

In this highly original book Norman Bryson applied 'structuralist' and 'post-structuralist' approaches to French Romantic Painting. He considers the work of David, Ingres and Delacroix as artists who found themselves within an artistic tradition that had nothing creative to offer them.

Bourbon Restoration

In a symptom of the political tone of the Bourbon Restoration, the returning exile, the prince de Condé took possession, and rented to the Chamber of Deputies a large part of the palace. The palace was bought outright from his heir in 1827, for 5,250,000 francs [1]. The Chamber of Deputies was then able to undertake major work, better suiting the chamber, rearrangement of access corridors and adjoining rooms, installation of the library in a suitable setting, where the decoration and one of the salons were entrusted to Delacroix, later a Deputy himself. The pediment was re-sculpted by French artist Jean-Pierre Cortot.

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Eugene Delacroix日記*中
對於法國作家巴爾扎克筆下的《歐也妮·葛朗台》葛朗台 (1833年) 惡評

Eugene Delacroix 多才多藝所以差一點無法專心於繪畫的創作--K. Clark 爵士說繪畫是定時之藝術

ウジェーヌ・ドラクロワの日記 [編集]

1822年に始まり、ジュール・ヴェルヌと共にノートが失われて1824年に中断、1832年に再開され、1863年の彼の死まで続いた。このドラクロワの個人的な日記は、この画家の文字通りの傑作である。そこには絵画、詩、音楽についての考えが書き留められている。　そこにはジョルジュ・サンド、ショパン、シャブリエ等との議論が記録されている。それは単に画家の生活や彼の不安についてにとどまらず、19世紀半ばのパリジャンの生活の日々の証言になっている。
ドラクロワの日記の初版はPlon Nourrit et Cieから1893年5月から1895年5月まで3巻で出版された。第1巻は1823年から1850年、第2巻1850年から1854年、第3巻は 1854年から1863年である。日記の前に美術評論家ポール・フラ(Paul FLAT)によるドラクロワの研究と3つの自画像が掲載され、モロッコ旅行のノートのファクシミリ（第1巻 166ページ）も掲載された。
ドラクロワは美術辞典や絵画についての記事も書いている。

2006/1/4 初讀『德拉克洛瓦論美術和美術家』平野譯

『德拉克洛瓦論美術和美術家』平野譯，河北教育出版社， 2002。

德拉克洛瓦（ De·la·croix (Ferdinand Victor) Eugène 1798–1863 / French painter. Delacroix is considered the foremost painter of the romantic movement in France; his influence as a colorist is inestimably great ）。

這本「德拉克洛瓦之文集」，似乎是解放之後早期從俄文轉譯過來的，全書無一西文字母。（ hc的小貢獻是找出小號藝術家的網路簡介。詳下）

譯者平野，不知何許人也。同樣的翻譯方式，可參見譯者的另外一本： [苏] 雅伏尔斯卡娅著《法国巴比松风景画派》，平野译，山东画报， 2003。（網路上僅有的兩本）。）

本書分「（俄文版）前言」；「藝術（家）評論」（包括「藝術評論」、「拉斐爾」、「米開朗琪羅」、「蒲熱 Puget, Pierre , 1622–94, French painter and sculptor. http://www.answers.com/Pierre%20Puget 」、「普呂東* （pp.68-90 Prud'hon, Pierre Paul , 1758–1823, French painter ）」、「格羅Gros, Antoine-Jean, Baron , 1771–1835, French painter. http://www.answers.com/Antoine-Jean%20Gros%20 」、「論素描教學」、「普桑」、「論美」、「美的多樣性」、「夏勒Charlet, Nicolas Toussaint (nēkôlä' tūsăN' shärlā') , 1792–1845, French lithographer and painter. http://www.answers.com/topic/nicolas-toussaint-charlet? 」等）和「德拉克洛瓦生前未曾公布的資料」（這包括些短篇妙文，譬如說「紀念拜倫爵士（第三卷）」，或許可以說，他們是19 世紀的「自卑情結」之兩例？）兩部，據說是德拉克洛瓦的遺囑執行者庇隆，從畫家所發表的文章中，選出最有意思的與最可靠的整成。

【 * Appreciated by other artists and writers like Stendhal , Delacroix, Millet and Baudelaire for his chiaroscuro and for the convincing realism, his most famous painting is probably Crucifixion (1822) painted for the St. Etienne's cathedral in Metz. Crucifixion now hangs in the Louvre. ( Crucifixion at Web Gallery of Art (http://www.wga.hu/frames-e.html?/html/p/prudhon/7crucifi.html)) 】

不過，德拉克洛瓦生前未曾公開的大量日記和文論，都很精彩，很有歷史之參考價值【英文也是很晚才有翻譯： Delacroix's enormous involvement in contemporary artistic and intellectual life is recorded in his journal, kept from 1823 to 1854 (tr. by W. Pach, 1937, repr. 1972; selections tr., 1980, 1995). 】。現在，只有專家才討論的湯姆·羅倫斯（Lawrence, Sir Thomas 1769–1830 http://www.answers.com/topic/thomas-lawrence? ），本書都有所討論。【英國大出版社T-H公司，有一每年藝術學講座紀念其創辦人，在十幾年前，有一年出版專論他之小書。】

他主要的想法是：藝術家之所有品質中最重要的，是由其本人賦予作品的，而不是諸如風格等等說法。

我以前對於中國人接觸西方美術史有興趣。以前不容易看到畫家（德拉克洛瓦

等）的真蹟【 hc案：何況有些建築物之完整壁畫，無法辦展覽……. 現在，Liberty Leading the People (1831). 或許成為普遍印刷品】，徐悲鴻先生是例外之一，所以會有類似「（向）德拉克洛瓦《希阿島屠殺》【hc 案：The Massacre of Chios (1824 (Louvre). )】的致敬」之旁人說法。又如：「在浪漫主义美术的首领德拉克洛瓦那里，色彩和主观表达的可能已得到了充分的体现，他以色彩和块面来反对学院派古典主义的素描和线条，以光与色的对比来反对学院派古典主义的平面性，这就大大增强了绘画的表现性和独立性，使人们看到，除素描之外，色彩本身就具有独立的表现力。」（『印象派在中国』網路上作者匿名？）

這本書除了可作「藝術評論」類來讀，所引的有些小詩，都很有意思。譬如說，拉封丹的「 ……相貌和我有什麼關係？熊就是熊相，

就要這麼個傻樣，

為的是証明，比美更重要的

是有一個恰如其分的外貌 …….」（p.159 ）

還有，「米開蘭基羅熱情地用詩回答： ………不聞不見，無知無覺，於我是最大的歡樂。/ 不要驚醒我，講得輕聲些。」（p.42 ）這應該出一迷題，問：「針對那一雕塑？」

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這本印刷和編选水準都很拙劣:
這是將別人在1985年翻譯自英文縮減本的日記重排列稍改"專有名詞的大著

艺术引导人生-德拉克洛瓦的私人日记

编者/作者：欧仁.德拉克洛瓦
译者：
出版社：山东美术
出版时间： 2011

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Musée Eugène Delacroix

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