Paul Virilio 1932~2018

How Philosopher Paul Virilio (1932-2018) Spoke to an Age of ... - Frieze




Strangely enough, Paul Virilio, who died on 10 September 2018 at the age of 86, breached the Anglophone world with a book he did not exactly write. Pure War came out in 1983 and is based on interviews he conducted with Sylvère Lotringer, the philosopher and founder of Semiotext(e), who put it together as a real act of friendship. That book burst like an incendiary shell in certain readers’s minds and highlighted his two consistent themes: war and speed.

Virilio’s first love had been architecture. But what is architecture in the age of total war? For centuries, the European city had defended itself against slings and arrows with ramparts and walls, but the city was no match for modern artillery and aerial bombardment. The balance between war and the city shifted decisively in the modern age. The vector trumps the location. This was the bittersweet theme of his first major book, Bunker Archaeology (1975), which, among other things, is a meditation on the German defenses that had failed to keep the Allies at bay when they stormed the beaches and ended the war.

But war doesn’t really end, as Virilio noted, it just accelerates, approximating ever more closely to its pure form. In an era infatuated with the ‘politics’ of everything, he thought instead in terms of war. Modernity is war on ever increasing scales: expanding from the tactical to the strategic to the logistic. World War II was won not by generals but by quartermasters, by the ones who kept the biggest flows of boots and bullets and bodies moving toward the front.

Modernity is also war on more and more kinds of terrain. Warfare not only took to the air but to the airwaves. The modern world is a condition of generalized information warfare. Not only is architecture vulnerable to bombs, it proves defenseless against information, passing through the doors and walls of our homes, rearranging the space and time we imagine we live within.


COVER OF PAUL VIRILIO, BUNKER ARCHAEOLOGY, 1975. COURTESY: LES ÉDITIONS DU DEMI-CERCLE

Cover of Paul Virilio, Bunker Archaeology, 1975. Courtesy: Les Éditions Du Demi-Cercle

The information war reversed the power of architecture and communication. The home or the city is now exposed to its flows. The consequences may be even more far-reaching. The vectors of communication call into being a whole new geopolitics – not of territories and borders but of communication and computational infrastructure. Already in the late 20th century he saw coming the kinds of conflicts we experience now, where nameless hackers shut down power stations by remote control, and drone pilots in facilities in Nevada steer airborne killer robots on the other side of the world....  

歐洲哲學與跨文化研究 European philosophy and transcultural studies 分享了 2 則貼文。

Mark Lacy on Virilio

But running through books that could come across like academic counter-points to the novels of J.G. Ballard were the reflections of a man who as a child – like Ballard – had experienced the trauma of the Second World War and wanted to understand the role of war in our past and how it might shape our futures: he mentions in a collection of interviews the death of a girl from his neighbourhood who was shot by a German Patrol and how the experience of war gave him the sense that the world had all the permanence of a film set. His work went on to examine the ‘accidents’ that resulted from our desire for safer, more technologically advanced lives and to examine the conditions of possibility of future accidents, and victims, that might be produced in a world of climate change, biotechnology, artificial intelligence and advances in robotics. In this sense, Virilio is for everyone.

VERSOBOOKS.COM

Paul Virilio (1932 – 2018)
Paul Virilio passed away on the 18th of September 2018 at the age of 86. In this piece, Mark Lacy reflects on his life, work and contemporary relevance.

維希留強調「時間的獨裁」對民主社會有害而無益：「實時（temps réel）的獨裁跟古典的獨裁之間差別不是十分大，因為它傾向凍結公民的反思能力，催生反射性活動。民主關於團結，而非獨單的經驗，人們需要時間在行動前反思。但是實時和全球的當下要求人們成為電視觀眾，給予反射性反應，這已經屬於受到操控的層次了。」當人們不斷追求更高的速度，有沒有忽略空間為生活帶來的滿足，與他人共同生活的快慰？

9月10日，法國哲學家維希留（Paul Virilio）因心臟驟停不幸離世。維希留也是城市規劃師，曾任教於巴黎建築專業學校，尤以批判當代社會的速度之理論馳名，代表作有《速度與政治》和《消失的美學》。維希留認為當代加速的不是歷史，而是真實；加速的時間統馭空間，就如高鐵規劃把土地壓扁成速度可以隨意穿越的地圖。全文：https://bit.ly/2NnWUr8

P-ARTICLES.COM

維希留的恐懼：時間的獨裁 | 劉況 |
第二次世界大戰對維希留（Paul Virilio）影響深遠，其學術研究不斷比對昔日的戰爭和當前時代的相似之處，批判這個不斷加速的時代。

2015年4月24日 星期五

Semiotext(e); Paul Virilio, The Aesthetics of Disappearance,

• Semiotext(e) - Wikipedia, the free encyclopedia

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  Semiotext(e) is an independent publisher of critical theory, fiction, philosophy, art criticism, activist texts and non-fiction. Contents. [hide]. 1 History; 2 References ...

• Semiotext(e) | The MIT Press

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• English ( Paul Virilio, Wikipedia)

Paul Virilio (French: [viʁiljo]; born 1932) is a French cultural theorist and urbanist. He is best known for his writings about technologyas it has developed in relation to speed and power, with diverse references to architecture, the arts, the city and the military.

Contents

   [hide] 

• 1 Biography
• 2 Theoretical arguments
  • 2.1 The war model
  • 2.2 The integral accident
  • 2.3 Dromology
  • 2.4 Logistics of perception
  • 2.5 War of movement
• 3 Criticism
• 4 Quotes
• 5 Bibliography
• 6 Notes
• 7 References
• 8 External links

Quotes[edit]

'The first deterrence, nuclear deterrence, is presently being superseded by the second deterrence: a type of deterrence based on what I call 'the information bomb' associated with the new weaponry of information and communications technologies. Thus, in the very near future, and I stress this important point, it will no longer be war that is the continuation of politics by other means, it will be what I have dubbed 'the integral accident' that is the continuation of politics by other means.'^[3]

'The speed of light does not merely transform the world. It becomes the world. Globalisation is the speed of light.'^[3]

'War was my university. Everything has proceeded from there.'^[4]

'The invention of the ship was also the invention of the shipwreck.'^[2]

Bibliography[edit]

• Speed and Politics: An Essay on Dromology. New York: Semiotext(e), 1977 [1986]
• War and Cinema: The Logistics of Perception. London: Verso, 1989.
• Popular Defense and Ecological Struggles. New York: Semiotext(e), 1990.
• The Aesthetics of Disappearance. New York: Semiotext(e), 1991.
• Lost Dimension. New York: Semiotext(e), 1991.
• The Vision Machine. Bloomington: Indiana University Press, 1994.
• Bunker Archaeology. New York: Princeton University Press, 1994.
• The Art of the Motor. Minneapolis: University of Minnesota Press, 1995.
• Open Sky. London: Verso, 1997.
• Pure War. New York: Semiotext(e), 1997.
• Politics of the Very Worst. New York: Semiotext(e), 1999.
• Polar Inertia. London: Sage, 1999.
• A Landscape of Events. Cambridge: MIT Press, 2000.
• The Information Bomb. London: Verso, 2000.
• Strategy of Deception. London: Verso, 2000.
• Virilio Live: Selected Interviews. Edited by John Armitage. London: Sage, 2001.
• Ground Zero. London: Verso, 2002.
• Desert Screen: War at the Speed of Light. London: Continuum, 2002.
• Crepuscular Dawn. New York: Semiotext(e), 2002.
• Art and Fear. London: Continuum, 2003. ( originally published in 2000 by Editions Galilee under the title La Procedure Silence, meaning "The Silence Trial". )
• Unknown Quantity. New York: Thames & Hudson, 2003.
• City of Panic. Oxford: Berg, 2005.
• The Accident of Art. (with Sylvère Lotringer) New York: Semiotext(e), 2005.
• Negative Horizon: An Essay in Dromoscopy. London: Continuum, 2005.
• Art as Far as the Eye Can See. Oxford: Berg Publishers, 2007.
• The Original Accident. Cambridge: Polity, 2007
• Grey Ecology. New York/Dresden: Atropos Press, 2009.
• The University of Disaster. Cambridge: Polity, 2010.
• The Futurism of the Instant: Stop-Eject. Cambridge: Polity, 2010.
• A Winter's Journey : Four Conversations with Marianne Brausch. The French list. Seagull Books, 2011.
• The Administration of Fear. New York: Semiotext(e), 2012.

ポール・ヴィリリオ（Paul Virilio, 1932年1月4日 - ）は、フランスの思想家、都市計画家。

パリ生まれ。速度術（ドロモロジー）を鍵概念として、テクノロジーやメディアの発展によって、人間の知覚や行動がどのように変容していくのかを分析している。しかし、速度と加速度の概念を取り違えた論文が散見される。

アラン・ソーカルらによって、数学・科学用語を不適切に使用した論文であるとの批判を受ける（→ソーカル事件参照）。

目次

   [非表示] 

• 1 略歴
• 2 邦訳著書
  • 2.1 単著
  • 2.2 共著
• 3 関連項目

略歴[編集]

1932年パリ生まれ。父親はイタリア系で共産主義者。母親はブルトン系でカトリック教徒。戦時中ナントに疎開。第二次世界大戦後はパリの工芸学校に進学のかたわら聴講生としてソルボンヌ大学でのウラジミール・ジャンケレヴィッチやレーモン・アロンの哲学などの講義を受講していた。 その後、アルジェリア戦争に召集もされ除隊後、絵画やステンドグラスの作家として出発。 1958年から大西洋の壁、掩体壕といった戦争遺産などの調査研究を開始。1960年代から建築と都市計画業も開始し、聖ベルナデッタ教会を（ヌヴェール、クロード・ペアレントらと）1966年に、トムソン・ヒューストンの航空宇宙研究センター（ヴェリジー＝ヴィラクブレー）などを1969年に手がける。1969年からパリ建築学校ESA(Ecole Speciale d’Architecture)で教鞭をとる（その後同校校長もつとめる）。

1975年の『トーチカの考古学』(Bunker Arch´eologie)から本格的な執筆活動を始める。1987年、フランス設備住宅省と国土整備省、運輸の三省から著作活動に対して批評家国民賞を授与。

邦訳著書[編集]

単著[編集]

• 『戦争と映画――知覚の兵站術』（ユー・ピー・ユー, 1988年/平凡社［平凡社ライブラリー］, 1999年）
• 『速度と政治――地政学から時政学へ』（平凡社, 1989年/平凡社ライブラリー, 2001年）
• 『電脳世界――最悪のシナリオへの対応』（産業図書, 1998年）
• 『情報化爆弾』（産業図書, 1999年）
• 『幻滅への戦略――グローバル情報支配と警察化する戦争』（青土社, 2000年）
• 『情報エネルギー化社会――現実空間の解体と速度が作り出す空間』（新評論, 2002年）
• 『瞬間の君臨――リアルタイム世界の構造と人間社会の行方』（新評論, 2003年）
• 『ネガティヴ・ホライズン――速度と知覚の変容』（産業図書, 2003年）
• 『自殺へ向かう世界』（NTT出版, 2003年）
• 『アクシデント――事故と文明』（青土社, 2006年）
• 『民衆防衛とエコロジー闘争』（月曜社, 2007年）
• 『パニック都市――メトロポリティクスとテロリズム』（平凡社, 2007年）

共著[編集]

• （S・ロトランジェ）『純粋戦争』（ユー・ピー・ユー, 1987年）

Titles by This Author

Lost Dimension, New Edition
By Paul Virilio


“Where does the city without gates begin? Perhaps inside that fugitive anxiety, that shudder that seizes the minds of those who, just returning from a long vacation, contemplate the imminent encounter with mounds of unwanted mail or with a house that’s been broken into and emptied of its contents. It begins with the urge to flee and escape for a second from an oppressive technological environment, to regain one’s senses and one’s sense of self.”
--from Lost Dimension


The Administration of Fear
By Paul Virilio


We are living under the administration of fear: fear has become an environment, an everyday landscape. There was a time when wars, famines, and epidemics were localized and limited by a certain timeframe. Today, it is the world itself that is limited, saturated, and manipulated, the world itself that seizes us and confines us with a stressful claustrophobia. Stock-market crises, undifferentiated terrorism, lightning pandemics, “professional” suicides . . . . Fear has become the world we live in.


The Aesthetics of Disappearance, New Edition
By Paul Virilio

Virilio himself referred to his 1980 work The Aesthetics of Disappearance as a "juncture" in his thinking, one at which he brought his focus onto the logistics of perception—a logistics he would soon come to refer to as the "vision machine." If Speed and Politics established Virilio as the inaugural—and still consummate—theorist of "dromology" (the theory of speed and the society it defines), The Aesthetics of Disappearance introduced his understanding of "picnolepsy"—the epileptic state of consciousness produced by speed, or rather, the consciousness invented by the subject t


Pure War, New Edition
By Paul Virilio and Sylvère Lotringer
with a new introduction by Sylvere Lotringer and Paul Virilio


Speed and Politics, New Edition
By Paul Virilio
Speed and Politics (first published in France in 1977) is the matrix of Virilio's entire work. Building on the works of Morand, Marinetti, and McLuhan, Virilio presents a vision more radically political than that of any of his French contemporaries: speed as the engine of destruction. Speed and Politics presents a topological account of the entire history of humanity, honing in on the technological advances made possible through the militarization of society.


The Accident of Art
By Sylvère Lotringer and Paul Virilio
There is a catastrophe within contemporary art. What I call the "optically correct" is at stake. The vision machine and the motor have triggered it, but the visual arts haven't learned from it. Instead, they've masked this failure with commercial success. This "accident" is provoking a reversal of values. In my view, this is positive: the accident reveals something important we would not otherwise know how to perceive.
—Paul Virilio, The Accident of Art


Crepuscular Dawn
By Paul Virilio and Sylvère Lotringer


The accident is a new form of warfare. It is replacing revolution and war. Sarajevo triggered the First World War. New York is what Sarajevo was. September 11th opened Pandora's box. The first war of globalization will be the global accident, the total accident, including the accident of science. And it is on the way.

In 1968, Virilio abandoned his work in oblique architecture, believing that time had replaced space as the most important point of reflection because of the dominance of speed.


A Landscape of Events
By Paul Virilio and Editions Galilee
In A Landscape of Events, the celebrated French architect, urban planner, and philosopher Paul Virilio focuses on the cultural chaos of the 1980s and 1990s. It was a time, he writes, that reflected the "cruelty of an epoch, the hills and dales of daily life, the usual clumps of habits and commonplaces."


Politics of the Very Worst
An Interview with Philippe Petit
By Paul Virilio
Edited by Sylvère Lotringer


Based upon a 1996 conversation Paul Virilio had with French journalist Phillipe Petit, The Politics of the Very Worst summarizes Virilio's speculations about the impact that accidents will have on the planet now that we operate on one-world time. Virilio argues that accidents have now lost all particularity. Accidents and events can no longer be confined to markers in history like Auschwitz or Hiroshima. Trajectories once had three dimensions: past, present, and future. But now, the hyper-concentration of time into "real time" reduces all trajectories to nothing.


Lost Dimension
By Paul Virilio


To read these five essays of 1983 is to begin to come to terms with the theoretical cataclysm of the present. In Lost Dimension, Paul Virilio considers the displacement of the concept of dimensional space by Einsteinian space/time as it is related to the transparent boundaries of the postmodern city and contemporary economy. Virilio imagines a coming world of interactive, informational networks offering a prison-house of illusionary transcendence. He pictures global terrorism (perpetrated by and against technological states) filling up the surreal void of an abandoned real.


Popular Defense & Ecological Struggles
By Paul Virilio


What is popular defense? From whom do we have to defend ourselves?