Almanach d'architecture moderne, Le Corbusier，『現代建築年鑑』
Bibliography[edit]
- 1918: Après le cubisme (After Cubism), with Amédée Ozenfant
- 1923: Vers une architecture (Towards an Architecture) (frequently mistranslated as "Towards a New Architecture")
- 1925: Urbanisme (Urbanism)
- 1925: La Peinture moderne (Modern Painting), with Amédée Ozenfant
- 1925: L'Art décoratif d'aujourd'hui (The Decorative Arts of Today)
- 『今日の装飾芸術』 1925年（前川國男訳、鹿島出版会：SD選書）
- Almanach d'architecture moderne, Paris 1925-1926, édition originale : Le Corbusier, Almanach d'architecture moderne, G. Crès, coll. « L'Esprit nouveau », , 199 p.(notice BnF no FRBNF32362618)
- 『現代建築年鑑』 （治棋訳、中國建築工業出版社：2011） 頁41-57出自1966: Le Voyage d'Orient (The Voyage to the East)，不過譯者可能將grand tour 翻譯成"大學生旅行見聞" (p.57)
- 1931: Premier clavier de couleurs (First Color Keyboard)
- 1935: Aircraft
- 1935: La Ville radieuse (The Radiant City)
- 1942: Charte d'Athènes (Athens Charter)
- 1943: Entretien avec les étudiants des écoles d'architecture (A Conversation with Architecture Students)
- 1945: Les Trois établissements Humains (The Three Human Establishments)
- 1948: Le Modulor (The Modulor)
- 1953: Le Poeme de l'Angle Droit (The Poem of the Right Angle)
- 1955: Le Modulor 2 (The Modulor 2)
- 1959: Deuxième clavier de couleurs (Second Colour Keyboard)
- 1966: Le Voyage d'Orient (The Voyage to the East)
See also[edit]
本blog 有Le Corbusier1887-1965 書訊約十則 請用它來搜尋
現在記他最著名的 邁向建築
1923: Vers une architecture (Towards an Architecture) (frequently mistranslated as "Towards a New Architecture" 1930年由 JohnRodker 翻譯 倫敦出版 現在1986美國Dover版 根據第13版 有導言)
邁向建築 吉阪隆正譯 東京: SD 1967 根據1926第3版 有著者序
邁向建築 施植明譯 台北:茂榮 1990 可能根據初版
走向新建築 陳志華 西安:陜西師範大學 2004 根據1926第2版 有著者序
多少Ueno故事
東京・上野の国立西洋美術館本館を含むフランス人建築家ル・
在書海中約有七篇相關
不過我最喜歡他生前將年輕的東方之旅讓我們享用
Journey to the East by Le Corbusier, Edited by Iv...
現代建築年鑒
作 者：（法）柯布西耶 著
出 版 社：中国建筑工业出版社
出版时间：2011-3-1
Almanach d'architecture moderne
documents, théorie, pronostics, histoire, petites histoires, dates, propos standarts, organisation, industrialisation du bâtiment : Paris 1925
Charles-Edouard Jeanneret Gris (Le Corbusier) ; presentazione di Roberto Gabetti. Published 1975 by Bottega D'Erasmo in Torino .
Written in French.
本書顯然非"年鑑" 參考 almanac, Alma Mater
:文件，理論，技巧，歷史，故事，日期，約標尺，組織，產業化建設：1925年巴黎
日譯: 『今日の装飾芸術』 1925年（前川國男訳、鹿島出版会：SD選書）??? +1925: L'Art décoratif d'aujourd'hui (The Decorative Arts of Today)
13. In 1925, Le Corbusier's Pavilion de l’Esprit Nouveau is given an obscure location in the Exposition International des Arts Decoratifs et Industrielles Modernes because of “official hostility to it.” [Source: Le Corbusier in America]
Edition Notes
On cover: L.C. 2.
Reprint of the 1926 ed. published by G. Crès, Paris, in series Collection de L'Esprit nouveau.
勒·柯布西耶，原名查爾斯·愛德華·讓納雷。按自己外祖父的姓取筆名為勒·柯布西耶，他是20世紀最重要的建築師之一，現代建築運動的激進分子和主力將領，“現代建築的旗手”，他和沃爾特。格羅皮烏斯、密斯·凡·德·羅同是現代建築派和國際形式建築派的主要代表，柯布西耶出生於瑞士，1907年先後到布達佩斯和巴黎學習建築，在巴黎到以運用鋼筋混凝土著名的建築師奧古斯特，佩雷處學習，後來又到德國貝倫斯事務所工作，在那裡他遇到了同時在那里工作的格羅皮烏斯和密斯。凡·德·羅?他們互相之間都有影響，一起開創了現代建築的思潮，他1917年定居巴黎。同時從事繪畫和雕刻，與新派立體主義的畫家和詩人合編《新精神》雜誌，後來他把其中發表的一些關於建築的文章整理匯集出版單行本書《走向新建築》，他提出“住房是居住的機器”，倡導以工業的方法大規模地建造房屋，對建築設計強調“原始的形體是美的形體”，讚美簡單的幾何形體，1926年柯布西耶就自己的住宅設計提出著名的“新建築五點”。柯布西耶在建築設計的許多方面都是一位先行者，對現代建築設計產生了非常廣泛的影響，其建築設計的結構和設計形式在?後被其他建築師推廣應用。他還對城市規劃提出許多設想，一反當時反對大城市的思潮，主張全新的城市規劃。認為在現代技術條件下，完全可以既保持人口的高密度，又形成安靜衛生的城市環境，首先提出高層建築和立體交叉的設想，極有遠見卓識。他在20世紀30年代始終站在建築發展潮流的前列，對建築設計和城市規劃的現代化起了推動作用，他的設計理念直到去世，都對世界各國的建築師有很大的啟發作用。
目錄致讀者題詞建築年表建築的新精神歐特伊的兩座公館1910年，旅行見聞君士坦丁堡(續)／清真寺衛城之上在西方！1925年裝飾藝術展 轉折 批量建造一個標準死過去，另一個標準生出來皮埃爾·讓納雷先生的住宅 對一扇現代窗戶的一點研究心得
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日本的翻譯: 有意思的是近年還在做....
著作 [編集]
- 『建築をめざして』 1923年（吉阪隆正訳、鹿島出版会：SD選書）
- 『今日の装飾芸術』 1925年（前川國男訳、鹿島出版会：SD選書）
- 『住宅と宮殿』 1928年（井田安弘訳：同上）
- 『輝く都市』 1935年（坂倉準三訳：同上）
- 『伽藍が白かったとき』 1937年（生田勉・樋口清訳、岩波書店→岩波文庫）
- 『モデュロール1』 1948年（吉阪隆正訳、鹿島出版会：SD選書）
- 『モデュロール2』 1955年（同上）
- 『建築十字軍 アカデミーの黄昏』 井田安弘訳、東海大学出版会 1978年→SD選書、2011年
- 『ムンダネウム』 ポール・オトレ共著 山名善之・桑田光平訳 筑摩書房 2009年
- 『建築家の講義 ル・コルビュジエ』 岸田省吾監訳、桜木直美訳 丸善 2006年－小著
- 『マルセイユのユニテ・ダビタシオン』 山名善之・戸田穣訳、ちくま学芸文庫、2010年
Major written works
- 1918: Après le cubisme (After Cubism), with Amédée Ozenfant
- 1923: Vers une architecture (Towards an Architecture) (frequently mistranslated as "Towards a New Architecture")
- 1925: Urbanisme (Urbanism)
- 1925: La Peinture moderne (Modern Painting), with Amédée Ozenfant
- 1925: L'Art décoratif d'aujourd'hui (The Decorative Arts of Today)
- 1931: Premier clavier de couleurs (First Color Keyboard)
- 1935: Aircraft
- 1935: La Ville radieuse (The Radiant City)
- 1942: Charte d'Athènes (Athens Charter)
- 1943: Entretien avec les étudiants des écoles d'architecture (A Conversation with Architecture Students)
- 1945: Les Trios éstablishments Humains (The Three Human Establishments)
- 1948: Le Modulor (The Modulor)
Pour le moment, il n'y a personne… peut-être serez-vous là demain, pour l'ouverture de l'exposition Le Corbusier, Mesures de l'homme !#JourDeFermeture
- 1953: Le Poeme de l'Angle Droit (The Poem of the Right Angle)
- 1955: Le Modulor 2 (The Modulor 2)
- 1959: Deuxième clavier de couleurs (Second Colour Keyboard)
- 1966: Le Voyage d'Orient (The Voyage to the East)
- 1923: Vers une architecture (Towards an Architecture) (frequently mistranslated as "Towards a New Architecture")
For the Swiss-born architect and city planner Le Corbusier (Charles-Édouard Jeanneret, 1887–1965), architecture constituted a noble art, an exalted calling in which the architect combined plastic invention, intellectual speculation, and higher mathematics to go beyond mere utilitarian needs, beyond "style," to achieve a pure creation of the spirit which established "emotional relationships by means of raw materials."
The first major exposition of his ideas appeared in Vers une Architecture (1923), a compilation of articles originally written by Le Corbusier for his own avant-garde magazine, L'Esprit Nouveau. The present volume is an unabridged English translation of the 13th French edition of that historic manifesto, in which Le Corbusier expounded his technical and aesthetic theories, views on industry, economics, relation of form to function, the "mass-production spirit," and much else. A principal prophet of the "modern" movement in architecture, and a near-legendary figure of the "International School," he designed some of the twentieth century's most memorable buildings: Chapel at Ronchamp; Swiss dormitory at the Cité Universitaire, Paris; Unité d'Habitation, Marseilles; and many more.
Le Corbusier brought great passion and intelligence to these essays, which present his ideas in a concise, pithy style, studded with epigrammatic, often provocative, observations: "American engineers overwhelm with their calculations our expiring architecture." "Architecture is stifled by custom. It is the only profession in which progress is not considered necessary." "A cathedral is not very beautiful . . ." and "Rome is the damnation of the half-educated. To send architectural students to Rome is to cripple them for life."
Profusely illustrated with over 200 line drawings and photographs of his own works and other structures he considered important, Towards a New Architecture is indispensable reading for architects, city planners, and cultural historians―but will intrigue anyone fascinated by the wide-ranging ideas, unvarnished opinions, and innovative theories of one of this century's master builders.
Reprint of Vers une Architecture, John Rodker Publisher, London, 1931.- See more at: http://store.doverpublications.com/0486250237.html#sthash.oVsmwJEg.dpuf
根據13版翻譯
- 1923: Vers une architecture (Towards an Architecture) (frequently mistranslated as "Towards a New Architecture")
For the Swiss-born architect and city planner Le Corbusier (Charles-Édouard Jeanneret, 1887–1965), architecture constituted a noble art, an exalted calling in which the architect combined plastic invention, intellectual speculation, and higher mathematics to go beyond mere utilitarian needs, beyond "style," to achieve a pure creation of the spirit which established "emotional relationships by means of raw materials."
The first major exposition of his ideas appeared in Vers une Architecture (1923), a compilation of articles originally written by Le Corbusier for his own avant-garde magazine, L'Esprit Nouveau. The present volume is an unabridged English translation of the 13th French edition of that historic manifesto, in which Le Corbusier expounded his technical and aesthetic theories, views on industry, economics, relation of form to function, the "mass-production spirit," and much else. A principal prophet of the "modern" movement in architecture, and a near-legendary figure of the "International School," he designed some of the twentieth century's most memorable buildings: Chapel at Ronchamp; Swiss dormitory at the Cité Universitaire, Paris; Unité d'Habitation, Marseilles; and many more.
Le Corbusier brought great passion and intelligence to these essays, which present his ideas in a concise, pithy style, studded with epigrammatic, often provocative, observations: "American engineers overwhelm with their calculations our expiring architecture." "Architecture is stifled by custom. It is the only profession in which progress is not considered necessary." "A cathedral is not very beautiful . . ." and "Rome is the damnation of the half-educated. To send architectural students to Rome is to cripple them for life."
Profusely illustrated with over 200 line drawings and photographs of his own works and other structures he considered important, Towards a New Architecture is indispensable reading for architects, city planners, and cultural historians―but will intrigue anyone fascinated by the wide-ranging ideas, unvarnished opinions, and innovative theories of one of this century's master builders.
Reprint of Vers une Architecture, John Rodker Publisher, London, 1931.- See more at: http://store.doverpublications.com/0486250237.html#sthash.oVsmwJEg.dpuf
根據13版翻譯
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