2018年5月4日 星期五

Max Weber (Painter)《馬克斯·韋伯藝術隨筆》






Hanching Chung 分享了 1 張相片
參考:Max Weber (Painter)《馬克斯·韋伯藝術隨筆》
http://hcbooks.blogspot.tw/2011/10/blog-post_15.html

沒有自動替代文字。
National Gallery of Art
The title of Max Weber's "Interior of the Fourth Dimension" (1913) refers to the concept of a fourth dimension envisioned by Albert Einstein's Special Theory ofRelativity, which had been published in 1905. Weber wrote on its potential role in visual art for Alfred Stieglitz's periodical "Camera Work," expounding upon the fourth dimension as infinity and exploring its spiritual resonances.
Max Weber, "Interior of the Fourth Dimension," 1913, oil on canvas http://1.usa.gov/1GALilf

Max Weber (Painter)《馬克斯·韋伯藝術隨筆》




Early in his career, Rothko was encouraged by the artist Max Weber (with whom he briefly studied at the Art Students League in New York in the mid-1920s) to work in a figurative style reminiscent of Cézanne. Rothko’s early work resembles nothing of the style for which he is renowned. ‪#‎Rothko‬ ‪#‎ArtAtoZ‬

Mark Rothko
WWW.NGA.GOV


Max Weber (April 18, 1881 - October 4, 1961) was a Jewish-American painter who worked in the style of cubism before migrating to Jewish themes towards the end of his life.
Contents

Biography

Born in a Polish city of Białystok, then part of Russian Empire, he immigrated to America with his parents at the age of 10. He studied art at the Pratt Institute in Brooklyn under Arthur Wesley Dow.
In 1905 he had saved enough money to travel to Paris and study, acquainting himself with the work of such modernist artists as Henri RousseauMatissePablo Picasso and other members of the so-called School of Paris.
In 1909 he returned to New York and helped to introduce cubism to America. He is considered one of the most significant American cubists.
In 1930 the Museum of Modern Art held a retrospective of his work, the first solo exhibition at that museum of an American artist.

Gallery

Further reading

  • Harnsberger, R.S. (2002). Four artists of the Stieglitz Circle: a sourcebook on Arthur Dove, Marsden Hartley, John Marin, and Max Weber [Art Reference Collection, no. 26]. Westport, CT: Greenwood Press.
  • North, P. (1991). Max Weber: the cubist decade, 1910-1920. Atlanta: High Museum of Art.
  • North, P. (1996). Max Weber: Max Weber's women. New York: Forum Gallery.
  • Rubenstein, D.R. (1980). Max Weber: a catalogue raisonné of his graphic work.Chicago: University of Chicago Press.
  • Werner, A. (1975). Max Weber. New York: Abrams.

External links




馬克斯·韋伯藝術隨筆
這本書可能是根據Max Weber 在1916年出版的文集翻譯的。

内容简介 · · · · · ·

  本书集20世纪初韦伯与立体主义画派交往时所创作的散文、诗歌、绘画等作品于一体,以飨读者。

作者简介 · · · · · ·

马克斯·韦伯,俄裔美国画家,首批用抽象风格作画的美国人之一。作品深受埃尔· 格列柯、马蒂斯、塞尚、亨利·卢梭和毕加索等画家及其作品的影响。早期的作品如《中餐馆》和《匆忙的时间,纽约》,结合了立体主义和未来主义元素;后期的 作品《现在向何处去》,是表现主义风格的绘画作品。

马克斯·韦伯艺术随笔
作者: 马克斯·韦伯
译者: 秦健
出版社: 金城出版社
出版年: 2011


The title of Max Weber's "Interior of the Fourth Dimension" (1913) refers to the concept of a fourth dimension envisioned by Albert Einstein's Special Theory of Relativity, which had been published in 1905. Weber wrote on its potential role in visual art for Alfred Stieglitz's periodical "Camera Work," expounding upon the fourth dimension as infinity and exploring its spiritual resonances.
Max Weber, "Interior of the Fourth Dimension," 1913, oil on canvas  http://1.usa.gov/1GALilf


National Gallery of Art 的相片。

沒有留言:

張貼留言

注意:只有此網誌的成員可以留言。