2009年2月19日 星期四

《維也納森林的故事》 "Tales from the Vienna Woods"

Johann Strauss the Younger famously wrote his "Tales from the Vienna Woods" in waltz time.

YouTube - Johann Strauss - Tales from the Vienna Woods (Waltz)



Tales from the Vienna Woods (German: Geschichten aus dem Wienerwald) refers to several landmark works in Germanophone culture, including:

Although Strauss originally used the contracted spelling G'schichten for his waltz, the name is also commonly cited as Geschichten, which is also the version by which the subsequent dramas have been known.

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Waltz

Composed in 1868, G'schichten aus dem Wienerwald, op. 325 was one of six Viennese waltzes by Johann Strauss II which featured a virtuoso part for zither. The waltz's premiere that year reiterated the ascendancy that the dance had made from its humble village origins to become one of the pleasures of fashionable Viennese society, largely thanks to the performing and composing talents of the Strauss dynasty. Nevertheless, the title of Strauss' dance recalls the folk music of the inhabitants of the Vienna Woods.

The waltz's introduction, which is one of the longest he ever wrote for a waltz (at 119 bars in reference to the actual musical score) of which the first part of the Introduction starts off in C major, intertwining with F major before gaining ascendancy in volume and mood, finishing with a 'lunga' direction. The second part, which is the more reflective, is in the key of G major with a solo violin incorporating bits of material which would crop up in successive waltz sections. A short flute cadenza invoking birdsong comes in which moves on to the zither solo, marked 'moderato'. The zither part involves two sub-sections of its own; the slowish ländler tempo and its more vigorous counterpart, with the direction of 'vivace' (quickly). Loud orchestral chords brings the waltz back to reality, and the familiar waltz theme in F major is played.

Waltz 2A and 2B is in B flat major whereas Waltz 3A is in the key of E-flat major with a quick section in B flat in Waltz 3B. The entire waltz section 4 is in B flat as well whereas waltz section 5 is wholly in the E flat key. Waltz 5B contains the customary climax with cymbals and is loudly played. After a brief and tense coda, Waltz 1A makes a re-entry. As the waltz ushers closer to its end, the zither solo makes another appearance, reprising its earlier melody in the Introduction. A crescendo in the final bars dispels the tranquility and the waltz is concluded with a brass flourish and snare drumroll.

Play

In allusion to Strauss' waltz, Ödön von Horváth wrote a play of the same name in 1931, for which he was honored with the prestigious Kleist Prize that year. This Volksstück (popular play) was based in the contemporary setting of Wachau, Josefstadt, and the Vienna Woods just before the Austrofascist takeover. It tells the fate of a naive young woman named Marianne, who breaks off her reluctant engagement with Oskar the butcher after falling in love with a fop named Alfred who, however, has no serious interest in returning her love. For this error, she must pay bitterly. Werner Pirchner composed the incidental music to the play.

Films

The play was filmed for cinematic release in 1961 and for television in 1964 by director Erich Neuberg, starring Johanna Matz (Marianne), Walter Kohut (Alfred), Helmuth Lohner, Hans Moser (reprising his role of Marianne's father from the 1931 Berlin premiere), Helmut Qualtinger (Oskar) and Jane Tilden (Valerie), among others.

A 1979 remake was undertaken by director Maximilian Schell, this time featuring Birgit Doll (Marianne), Hanno Pöschl (Alfred), Helmut Qualtinger (Zauberkonig), Jane Tilden (Valerie), Adrienne Gessner (Alfreds Großmutter), Götz Kauffmann (Oskar), André Heller (Hierlinger) and Robert Meyer (Erich).

References




我的圓舞曲:虞兆中校長口述歷史

作者 : 李東華 主編

定價:450元

史料叢書

出版日期:2009年1月 初版

ISBN : 9789860172645

出版單位:臺大出版中心


本書介紹  
 
  虞兆中先生於民國七十年至七十三年擔任臺大第七任校長,在校期間以「尊重少數、服從多數」的誠懇態度面對不同意見,獲得師生一致愛戴,並致力於以真善美信念建立高品格校風、大力籌劃推行通才教育。虞校長在任期間制訂臺大校徽、弘揚「敦品勵學、愛國愛人」校訓精神,又積極進行校園規劃,頗å ��建樹。
  本書為虞校長接受十次訪問之詳實紀錄,校長以九十餘高齡悉心準備、口述其記憶深刻事件、教育理念、人生態度,並舉出許多不為人知的小故事;但處處可見校長謙沖為懷、勇於任事與追求真善美的人生態度。校長並認為「人類最可貴的能力就是標準答案的突破」,鼓勵學生獨立思考;而他在臺大服務三十三年餘,共設立二個國家級研究中心、二個學系、二個研究所、二個博士班、二個學會,在教育體制上的成就不僅絕無僅有,也充分實踐了「標準答案的突破」。
  虞校長以小約翰‧史特勞斯《維也納森林的故事》比喻自己的人生:有前奏,受教育為人生作準備;有後奏,退休生活;中間五個樂章,乃是人生的作為,也是他人生的五個不同階段──任教中央大學、臺大純教書歲月、任土木系系主任、工學院院長、臺大校長共五個圓舞曲,並勉勵學生向學、認真譜寫自己生命的樂章。
虞校長以一位坦誠率直的工程師性格,追求真善美的理念,用生命譜寫的圓舞曲值得仔細聆賞;相信他更以自己的人生圓舞曲邀世人共舞,期創造真善美的高風格社會。

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