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Life of a 'Salesman'
Arthur Miller's "Death of a Salesman" has unusual currency in today's economic climate. Does this classic play hold a mirror up to American culture? What do you think?
電懋前身為國際,由猶太人歐德爾負責。由於當時香港最大影業———拍出《清宮祕史》、《翠翠》的永華賒欠過鉅,歐德爾便以債權人身分接管片場。國際隸屬南洋的「國泰」財團,老闆陸運濤富於文化理想,遂成立劇本審查委員會,邀集戲劇大師姚克、哈佛文學博士孫晉三及宋淇、張愛玲等文化俊彥共同組成。其中耶魯畢業的姚克在上海復旦、聖約翰都教過戲劇,並寫出赫赫知名的《清宮祕史》;孫晉三係中央大學戲劇系教授,宋淇自己也是燕京大學講師,當時兩袖清風的張愛玲能晉身其間,當然得自宋淇力薦。
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前幾年大陸出版四五本思果簡評幾本著名翻譯
譬如說 姚克的推銷員之死 楊必的浮華世界 趙元任的愛麗絲.....
在姚克翻譯A. Miller之"推銷員之死" (香港:今日世界 1970 後轉為台灣英文雜誌社)
70年代初 今日世界出版姚克翻譯的推銷員之死
序寫得及認真 妙的是 姚先生的野心是要用北京話翻譯 不過碰到許多困難 如現在很平常的 plug/socket等等
70年代初 今日世界出版姚克翻譯的推銷員之死
序寫得及認真 妙的是 姚先生的野心是要用北京話翻譯 不過碰到許多困難 如現在很平常的 plug/socket等等
Charley ...Couldn't sleep well. I had a heartburn.
(睡不穩 鬧胃氣)
...接下來還有一次用到heartburn......
注意
heartburn noun [U] 不可數-- 不過我的版本的確為 a heartburn
a painful burning feeling in the lower chest caused by the stomach not digesting food correctly
"Death of a Salesman" is a 1949 stage play written by the American playwright Arthur Miller. The play premiered on Broadway in February 1949, running for 742 performances. It is a two-act tragedy set in late 1940s Brooklyn, told through a montage of memories, dreams, and arguments of the protagonist, Willy Loman, a traveling salesman whose aspirations for success and elevated social status lead to a tragic unraveling of his mental state.
The play serves as a microcosm of the social pressures prevalent in post-World War II America and questions traditional values, reflecting the disillusionment felt by many in the face of economic and social changes. "Death of a Salesman" addresses loss of identity and a man's inability to accept change within himself and society, portraying Willy Loman's struggles with self-delusion and his inability to acknowledge his marginal success.
Arthur Miller's portrayal of Willy Loman redefined the tragic hero as a man whose dreams are insupportably vast and dangerously insubstantial, making "Death of a Salesman" a milestone of the American theater.
The play has maintained its impact over the years and has been adapted into several films and television productions, solidifying its enduring relevance and influence. It has been recognized as a Pulitzer Prize-winning drama and a significant contribution to American letters.
Overall, "Death of a Salesman" remains a powerful exploration of the American Dream and its toll on individuals and families, captivating audiences with its poignant portrayal of the human condition and societal pressures.
Arthur Miller's masterful storytelling and the timeless themes explored in "Death of a Salesman" have cemented its status as a classic work that continues to resonate with audiences, sparking discussions about its enduring relevance and impact on the American theatrical landscape.
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姚克的簡短介紹 也可參考 蝴蝶回憶錄 台北:聯經 1986 pp.274-76
著名翻譯家和劇作家
姚克(1905~1991) 原名姚志伊、姚莘農、筆名姚克。祖籍安徽歙縣,生於福建廈門。東吳大學畢業。 30年代初致力於優秀外國文學作品的介紹和翻譯。民國21年(1932年)為向世界介紹中國的作家,翻譯完成了魯迅《短篇小說選集》的英譯本,並與魯迅成為交往密切的朋友。魯迅對姚克“以西文介紹中國現狀”的工作,給予了很高的評價。民國26年盧溝橋事變後,姚克是全國文藝界最早的抗日統一戰線組織中國劇作家協會的發起人之一,並參與集體合作的三幕劇《保衛盧溝橋》,有近百人演出。是年8月,赴蘇聯參加全蘇第五屆戲劇節,在歐期間為爭取歐洲國家支持中國的抗戰,數度舉行廣場演說。而後赴美國耶魯大學戲劇學院進修。民國29年回國,此時上海已處於抗戰的“孤島時期”。姚克在聖約翰大學、復旦大學任教,同時參與戲劇活動,為複旦劇社排演戲劇。在進步話劇運動的影響下,姚克參與了中共地下組織領導的上海劇藝社的戲劇活動。民國30年和費穆創建天風劇團,主持演出了《浮塵若夢》、《十字街頭》、《梅花夢》等,編寫了歷史劇《清宮怨》。太平洋戰爭後,上海已淪陷,這一時期姚克在特定的政治環境中創作了許多歷史劇,如《楚霸王》、《美人計》、《蝴蝶夢》、《西施》、《秦始皇》、《銀海滄桑》等,撰述了專著《怎樣演齣戲劇》等。在戲劇活動上,姚克與佐臨等組建了苦幹劇團,任總幹事。抗戰勝利後擔任蘭心劇場經理,首演劇目是由他編劇的《熱血五十年》,內容描寫台灣回歸祖國。
民國37年姚克赴香港,將《清宮怨》改為電影《清宮秘史》,由永華影業公司拍攝。其後,他主要在香港中文大學、新亞書院、聯合書院任教。 1968年赴美國,在夏威夷大學執教現代中國文學和中國哲學史。 1980年3月中共中央組織部就《清宮秘史》之案為姚克平反,是年北京人民出版社重印了《清宮怨》劇作。
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