兩位同名名人 Peter Brook: Body Work: Objects of Desire in Modern Narrative (1993).中國有翻譯本 Flaubert in the Ruins of Paris: The Story of a Friendship, a Novel, and a Terrible Year. Flaubert–Sand: The Correspondence (1993) 。兩位同名名人 Peter Brook: Flaubert in the Ruins of Paris: The Story of a Friendship, a Novel, and a Terrible Year. Flaubert–Sand: The Correspondence (1993) 。 Peter Brook: A Theatrical Casebook (1988/1991), The Open Door: Thoughts on Acting and Theatre

兩位同名名人      Peter Brook: Body Work: Objects of Desire in Modern Narrative (1993).中國有翻譯本  Flaubert in the Ruins of  Paris: The Story of a Friendship, a Novel, and a Terrible Year.  Flaubert–Sand: The Correspondence (1993) 。兩位同名名人      Peter Brook: Flaubert in the Ruins of  Paris: The Story of a Friendship, a Novel, and a Terrible Year.  Flaubert–Sand: The Correspondence (1993) 。     Peter Brook: A Theatrical Casebook (1988/1991), The Open Door: Thoughts on Acting and Theatre

https://en.wikipedia.org/wiki/Peter_Brook


2008

HC 偶爾讀：Brook, Peter (彼得·布魯克1995). The Open Door: Thoughts on Acting and Theatre. {敞開的門--談表演和戲劇}，于東田譯，北京: 新星出版社，2007

 　　The Open Door: Thoughts on Acting and Theatre
副標題翻譯成「談表演和戲劇」，似乎有點勉強。建議：「演出與劇場」--本書對THEATRE 翻譯分別為"戲劇"、"劇場"，有這必要嗎？

有一"ROUGH"之重要特性，翻譯為「原生的」，不容易了解：原生 。這rough 是與ground和wild等相關，即，或許翻譯成「在地的」比較恰當---譬如說，各時空演同一齣莎士比亞劇，當然都要有不同的"演出"……

有許多地方各分別採用「一個戲」、「一齣戲」。

----

 Peter Brook: Body Work: Objects of Desire in Modern Narrative (1993).中國有翻譯本 

Flaubert in the Ruins of Paris: The Story of a Friendship, a Novel, and a Terrible Year

by 

Peter Brooks

really liked it

From a distinguished literary historian, a look at Gustave Flaubert and his correspondence with George Sand during France's "terrible year"--summer 1870 through spring 1871

From the summer of 1870 through the spring of 1871, France suffered a humiliating defeat in its war against Prussia and witnessed bloody class warfare that culminated in the crushing of the Paris Commune. In Flaubert in the Ruins of Paris, Peter Brooks examines why Flaubert thought his recently published novel, Sentimental Education, was prophetic of the upheavals in France during this "terrible year," and how Flaubert's life and that of his compatriots were changed forever.

Brooks uses letters between Flaubert and his novelist friend and confidante George Sand to tell the story of Flaubert and his work, exploring his political commitments and his understanding of war, occupation, insurrection, and bloody political repression. Interweaving history, art history, and literary criticism-from Flaubert's magnificent novel of historical despair, to the building of the reactionary monument the Sacré-Coeur on Paris's highest summit, to the emergence of photography as historical witness-Brooks sheds new light on the pivotal moment when France redefined herself for the modern world.

Table of Contents

Contents

Cover
chapter two The Terrible Year
Photography Makes History
Sentimental Education
chapter five Hearts and Minds
chapter six A Simple Heart

chapter seven The Historical Imagination
epilogue
Photos
Notes
Index
Introduction : the terrible year, two writers, and a novel -- From Emma Bovary to the terrible year -- The terrible year -- A tour of the ruins : photography makes history -- A generation on trial : Sentimental education -- Hearts and minds -- "A simple heart" -- The historical imagination -- Epilogue.  "In 1869, Gustave Flaubert published what he considered to be his masterwork novel, A Sentimental Education, which told a deeply human and deeply pessimistic story of the 1848 revolutions. The book was a critical and commercial flop. Flaubert was devastated. Yet his year was only going to get worse. The summer of 1870 through the spring of 1871 would come to be known as the "Terrible Year" in France. France suffered a humiliating defeat in their war against Prussia, followed by the fall of Napoleon III and his Second Empire, the declaration of a republic, then the siege of Paris by the Prussian army, capitulation, and a dishonorable peace. This in turn provoked a revolt of the people of Paris, who formed a local government called the Commune, which was crushed in the bloodiest class warfare France has ever known. Paris by the end of May 1871--at the end of "the Bloody Week," with the defeat and summary execution of the insurrectionists--was a scorched wasteland, set afire by the retreating Communards. As the dust settled, a struggle began among politicians and artists to define France's future. Yet no one could agree on what France should become; Parisians built the Sacré-Cœur as a monument to French reactionaries just as the newly formed secular republic was distancing itself from religion. For a time, France was inches away from returning to a monarchy led by the Comte de Chambord. As artists, Gustave Flaubert along with his friend George Sand were part of this larger movement to capture the new essence of France and predict the country's future course. Flaubert was convinced that the commune could never have happened if more people had read A Sentimental Education"-- Provided by publisher.

『往復書簡 サンド＝フロベール』 持田明子編訳、藤原書店、1998年

Correspondence with George Sand:
The George Sand–Gustave Flaubert Letters, translated by Aimée G. Leffingwell McKenzie (A. L. McKenzie), introduced by Stuart Sherman (1921), available at the Gutenberg website as E-text N° 5115

Flaubert–Sand: The Correspondence (1993) 這本以前不知道

Books

Non-fiction

• The Novel of Worldliness: Crébillon, Marivaux, Laclos, Stendhal (1969)
• The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess (1976), ISBN 0-300-06553-1
• Reading for the Plot: Design and Intention in Narrative (1984), ISBN 0-674-74892-1
• Body Work: Objects of Desire in Modern Narrative (1993), ISBN 0-674-07725-3
• Psychoanalysis and Storytelling (1994), ISBN 0-631-19008-2
• Law's Stories: Narrative and Rhetoric in the Law (co-editor with Paul Gewirtz, 1996), ISBN 0-300-07490-5
• Troubling Confessions: Speaking Guilt in Law and Literature (2000), ISBN 0-226-07585-0
• Whose Freud? The Place of Psychoanalysis in Contemporary Culture (co-editor with Alex Woloch) (2000), ISBN 0-300-08116-2
• Realist Vision (2005), ISBN 0-300-10680-7
• Henry James Goes to Paris (2007), ISBN 0-691-12954-1
• Enigmas of Identity (2011), ISBN 978-0-691-15158-8
• Anthologie du mélodrame classique (with Myriam Faten Sfar, 2011), ISBN 978-2-8124-0328-6
• Flaubert in the Ruins of Paris: The Story of a Friendship, a Novel, and a Terrible Year (2017), ISBN 9780465096022^[33]
• Balzac's Lives (2020), ISBN 978-1-68137-449-9
• Seduced by Story (2022), ISBN 978-1-68137-663-9
• Henry James Comes Home: Rediscovering America in the Gilded Age (2025), ISBN 9781681379210

Fiction

• World Elsewhere (2000), ISBN 0-684-85333-7
• The Emperor's Body (2010), ISBN 0-393-07958-9

AI Overview

Peter Brook: A Theatrical Casebook (1988/1991), edited by David Williams, is a comprehensive study analyzing the innovative director's early career through interviews, essays, and critical analyses of his work in theatre, film, and opera. It explores Brook's, such as those found on Amazon.com, "two worlds" philosophy, focusing on experimentation, risk, and the pursuit of a "quality of performance". 

Key Aspects of the Book:

• Focus: It covers Brook's career with detailed, chronological analyses of specific productions, including Orghast and Conference of the Birds.
• Methodology: The book, available on the Internet Archive, includes interviews with Brook and his collaborators to examine his rehearsals, processes, and philosophies.
• Content: It covers topics like the "two worlds" theory, which examines the intersection of opposing theatrical forms and energies.
• Editorship: Compiled by David Williams, the book is described as a "theatrical casebook" looking at the director's risk-taking and failures as well as successes.
• Context: It presents a portrait of a visionary artist, complementing his own written work in The Empty Space. 

Related Publications:

• Peter Brook: Oxford to Orghast (1998/2012)
• Through the Body: A Practical Guide to Physical Theatre (2001) - Often studied alongside Brook's methods
• The Open Door: Thoughts on Acting and Theatre (Book by Brook) 

The book is recognized as a vital resource for understanding the development of Brook’s experimental approach to performance and his impact on contemporary theatre.