2013年10月17日 星期四

an old cosmopolitan, Eric Hobsbawm 1917-2012/ 非凡的小人物/ 傳統的發明

 

Uncommon People: Resistance, Rebellion and Jazz Hardcover

 Highlighting Eric Hobsbawm's passionate concern for the lives and struggles of ordinary men and women, Uncommon People brings back into print his classic works on labor history, working people, and social protest, pairing them with more recent, previously unpublished pieces on everything from the villainy of Roy Cohen to the genius of Count Basie, Duke Ellington, and Billie Holliday. Uncommon People offers both an exciting introduction for the uninitiated as well as a broad-ranging retrospective of the work of "the best-known living historian in the world" (The Times, London).

 

 

  • Hardcover: 360 pages
  • Publisher: New Press, The; First Edition edition (September 1, 1998)
  • Language: English
非凡的小人物   北京:新華2001
傳統的發明

 

 

  1. Eric Hobsbawm - Wikipedia, the free encyclopedia

    en.wikipedia.org/wiki/Eric_Hobsbawm - Cached
    Eric John Ernest Hobsbawm, CH, FBA, FRSL (9 June 1917 – 1 October 2012) was a British Marxist historian of the rise of industrial capitalism. His best-known ...
  2. Eric Hobsbawm dies, aged 95 | Books | guardian.co.uk

    www.guardian.co.uk › ... › BooksEric Hobsbawm - Cached
    1 day ago – Lifelong Marxist, whose work influenced generations of historians and politicians, dies after long illness.
  3. Eric Hobsbawm obituary | Books | The Guardian

    www.guardian.co.uk › ... › BooksEric Hobsbawm - Cached
    1 day ago – Historian in the Marxist tradition with a global reach.

 

 

  2008

趣味橫生的時光 書介




guardian.co.uk BooksSpecial Reports





Writers' rooms: Eric Hobsbawm

Writers' rooms: Eric Hobsbawm
I work in what used to be our son Andy's room on the top floor of a Hampstead semi. The room has changed dramatically since it went from teen-age to old-age use, except insofar as it still looks chaotic, though in a different way. Indeed, much of it is: piles of research notes, print-outs, writings, unanswered letters, money stuff and newly arrived books, all retrieved chiefly by a no-longer-reliable memory. Because I am a historian who works surrounded by multiple papers, they tend to accumulate on the surface of my two desks round the lap-top without which I could no longer function, having been shamed into the computer-era in the late 1980s by my students in New York. The carrying case hangs on the door.

There's little to distract me from work in this room. Apart from looking up references, I do my reading elsewhere. There are no comfortable armchairs. A picture of Billie Holiday (visible) and a red-black painting of Brazil (out of sight) are on the only wall not covered with bookshelves. That's about it. There is a radio/record player, but I hardly ever listen. Music imposes itself too much. I like this light room, coloured by the books, spilling over from other parts of the house, but never socialise in it.

Some of the shelves visible on the picture behind the two desks contain books on subjects I still work on: nationalism, the history of banditry. Most of them, however, are filled with the foreign editions of my books. Their numbers amaze and please me and they still keep coming as new titles are translated and some fresh vernacular markets - Hindi, Vietnamese - open up. As I can't read most of them, they serve no purpose other than as a bibliographic record and, in moments of discouragement, as a reminder that an old cosmopolitan has not entirely failed in 50 years of trying to communicate history to the world's readers. And as an encouragement to go on while I still can.
Eric Hobsbawm

cos・mo・pol・i・tan



━━ a., n. 国際的な, 全世界の; (人・見解・信念などが)一国家[民族]の立場にとらわれない, 世界主義的な(人), 国際人; 【生物】全世界に分布する; (C-) 『コスモポリタン』 ((米国の女性月刊誌)).
cos・mo・pol・i・tan・ism ━━ n. 世界主義.

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