Au gré du courant : le cinéma de Naruse 成瀬 巳喜男 - YouTube
www.youtube.com/watch?v=uudNdgYhQzAApr 12, 2011 - Uploaded by Nodytsu"Au gré du courant" (流れる, Nagareru) est par... ... traversée en musique dans l'univers cinématographique de ...
Courte traversée en musique dans l'univers cinématographique de Mikio Naruse (成瀬 巳喜男). A Tribute to Mikio Naruse. "Au gré du courant" (流れる, Nagareru) est par ailleurs le titre d'un de ses films (1956). Chez Naruse, les scènes de marche occupent une place essentielle et, quelque part, symbolique ("il faut tenter de vivre", comme dit Paul Valéry
Short passage of music in the film world Mikio Naruse (成 瀬 巳 喜 男). A Tribute to Mikio Naruse. "Over the course of the current" (流れる, nagareru) is also the title of one of his films (1956). In Naruse, scenes work and play an essential role somewhere symbolic ("we must try to live", as Paul Valéry said
短文音樂在電影世界成瀨巳喜男（成瀬巳喜男）。成瀨巳喜男致敬。 “在當前”（流れる，nagareru）也是他的電影之一（1956年）的標題。成瀨，幕後工作某處象徵發揮了至關重要的作用（“我們必須設法生活”，正如保羅·瓦萊裡所說
Mikio Naruse (成瀬 巳喜男 Naruse Mikio, August 20, 1905 – July 2, 1969) was a Japanese filmmaker, screenwriter, and producer who directed some 89 films spanning the period 1930 (towards the end of the silent period in Japan) to 1967.
Naruse is known for imbuing his films with a bleak and pessimistic outlook. He made primarily shomin-geki (working-class drama) films with female protagonists, portrayed by actresses such as Hideko Takamine, Kinuyo Tanaka, and Setsuko Hara. Because of his focus on family drama and the intersection of traditional and modern Japanese culture, his films are frequently compared with the works of Yasujirō Ozu. His reputation is just behind Akira Kurosawa, Kenji Mizoguchi, and Ozu in Japan and internationally;[1] his work remains less well known outside Japan than theirs.
Akira Kurosawa called Naruse's style of melodrama, "like a great river with a calm surface and a raging current in its depths".[2]
Naruse is known for imbuing his films with a bleak and pessimistic outlook. He made primarily shomin-geki (working-class drama) films with female protagonists, portrayed by actresses such as Hideko Takamine, Kinuyo Tanaka, and Setsuko Hara. Because of his focus on family drama and the intersection of traditional and modern Japanese culture, his films are frequently compared with the works of Yasujirō Ozu. His reputation is just behind Akira Kurosawa, Kenji Mizoguchi, and Ozu in Japan and internationally;[1] his work remains less well known outside Japan than theirs.
Akira Kurosawa called Naruse's style of melodrama, "like a great river with a calm surface and a raging current in its depths".[2]
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