2017年1月28日 星期六

Selected Essays of John Berger 2008


Selected Essays of John Berger

John Berger
Knopf Doubleday Publishing Group, Dec 10, 2008 - Art - 608 pages
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The writing career of John Berger–poet, storyteller, playwright, and essayist–has yielded some of the most original and compelling examinations of art and life of the past half century. In this essential volume, Geoff Dyer has brought together a rich selection of many of Berger’s seminal essays.

Berger’s insights make it impossible to look at a painting, watch a film, or even visit a zoo in quite the same way again. The vast range of subjects he addresses, the lean beauty of his prose, and the keenness of his anger against injustice move us to view the world with a new lens of awareness. Whether he is discussing the singleminded intensity of Picasso’s Guernica, the parallel violence and alienation in the art of Francis Bacon and Walt Disney, or the enigmatic silence of his own mother, what binds these pieces throughout is the depth and fury of Berger’s passion, challenging us to participate, to protest, and above all, to see.


From the Trade Paperback edition.



Contents


Editors Introduction


From Permanent Red US title Toward Reality


Preface to the 1979 Edition


Introduction


Drawing


Jackson Pollock


Henry Moore


Juan Gris




Photographs of Agony


Paul Strand


Uses of Photography


The Primitive and the Professional


Millet and the Peasant


Seker Ahmet and the Forest


La Tour and Humanism


Francis Bacon and Walt Disney


Jacques Lipchitz

Ossip Zadkine

Fernand Léger


Pablo Picasso


Henri Matisse


Oskar Kokoschka


The Clarity of the Renaissance


The Calculations of Piero


Poussins Order


Watteau as the Painter of His Time


The Honesty of Goya


The Dilemma of the Romantics


Millet and Labour


The Politics of Courbet


Gauguins Crime


FromThe Moment of Cubism


The Moment of Cubism


The Historical Function of the Museum


The Changing View of Man in the Portrait


Art and Property Now


Image of Imperialism


Nude in a Fur Coat


The Painter in His Studio


Et in Arcadia Ego


The Maja Dressed and The Maja Undressed


Mathias Grünewald


L S Lowry


Henri de ToulouseLautrec


Alberto Giacometti


Pierre Bonnard


Frans Hals


Auguste Rodin


FromThe Look of Things


Peter Peri


Zadkine


Le Corbusier


Victor Serge


Walter Benjamin


Drawings by Watteau


Fernand Léger


Thicker than Water Corot


Painting a Landscape


Understanding a Photograph


The Political Uses of PhotoMontage


The Sight of a Man


Revolutionary Undoing


Past Seen from a Possible Future


The Nature of Mass Demonstrations


The Booker Prize Speech


Speech on Accepting the Booker Prize for Fiction at the Café Royal in London on 23 November 1972


FromAbout Looking


Why Look at Animals?


The Suit and the Photograph



An Article of Faith


Between Two Colmars


Courbet and the Jura


Turner and the Barbers Shop


Rouault and the Suburbs of Paris


Magritte and the Impossible


Romaine Lorquet


Field


FromThe White BirdUS titleThe Sense of Sight


The White Bird


The Storyteller


The Eaters and the Eaten


On the Bosphorus


The Theatre of Indifference


Modiglianis Alphabet of Love


The Hals Mystery


In a Moscow Cemetery


A Philosopher and Death


A Requiem in Three Parts


Drawn to That Moment


The Eyes of Claude Monet


The Work of Art


His Language and His Death with Anya Bostock


The Hour of Poetry


Leopardi


The Production of the World


Ulysses


Ulysses


FromKeeping a Rendezvous


Note to the Reader


Evry Time We Say Goodbye


That Which Is Held


A Load of Shit


Mother


A Story for Aesop


The Ideal Palace


Imagine Paris


A Kind of Sharing


Christ of the Peasants


A Professional Secret


Ape Theatre


The Opposite of Naked


A Household


Drawing on Paper


Erogenous Zone


The Soul and the Operator


The Third Week of August 1991


Appendices


Notes


Sources


A Note on the Editor


Copyright

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