本書朱子書信和編者評論並未採用不同字體等方式方便讀者...... 今人出書應多加箋注/年代等等
頁297的評朱尤烈.....
....而細考其間緊要節目並無酬酢只是一味慢罵虛喝
朱子晚年全論p.46 酬酢/緊要節目並無酬酢
政遠惟為國保愛倚需柄用以澤天下(朱熹?)朱子晚年全論p. 32
作者 :清 李紱
北京:中華書局出版社
出版年: 2000-07-01
二、朱子晚年全論序
三、校刻朱子晚年全論序
四、朱子晚年全論跋後
五、凡例
六、卷一書三十三首
七、卷二書四十六首
八、卷三書四十二首
九、卷四書五十六首
十、卷五書三十五首
... 卷八
政遠惟為國保愛倚需柄用以澤天下(朱熹?)朱子晚年全論p. 32
朱子晚年全論
北京:中華書局出版社
出版年: 2000-07-01
內容簡介· · · · · ·
朱子晚年全論一書，較為詳盡地輯錄了朱熹晚年與其門人、友人論學的資料，並附輯錄者的簡評論，以此證明朱、陸晚年之爭，乃門人各守師說越於一偏所致，而朱、陸晚年「所學者符節相合」，所論者亦非「冰炭不相入」。此書之所以稱之為「全論」，乃是據王陽明的朱子晚年定論而來。不過，朱子晚年全論較之朱子晚年定論，資料更詳盡，評論更客觀，是研究朱熹、陸九淵學術思想較有參考價值的一部書。
目錄· · · · · ·
一、點校說明二、朱子晚年全論序
三、校刻朱子晚年全論序
四、朱子晚年全論跋後
五、凡例
六、卷一書三十三首
七、卷二書四十六首
八、卷三書四十二首
九、卷四書五十六首
十、卷五書三十五首
... 卷八
國立故宮博物院National Palace Museum 在筆有千秋業… 相簿中新增了1張相片。
Album leaf, ink on paper, 33.3 x 47.8 cm, 33.3 x 47.2 cm
策展人的話：
朱熹(1130-1200)，字元晦、仲晦，號晦庵、晦翁、考亭先生，別號紫陽，為宋代理學集大成者，畢生以建構國家新秩序為志。本札書是他在1194年卸下知潭州（湖南長沙）一職後，前往京師途中所寫，意在向部屬交待潭州政務，雖提及六月的孝宗之死，但寧宗繼位後他獲得入朝宣教的機會，又讓他頓時轉憂為喜。此作下筆迅捷，點畫圓潤，線條沉著而順暢，整體行氣連貫，呈現出灑脫自然的意趣。
Zhu Xi (style names Yuanhui, Zhonghui; sobriquets Hui'an, Huiweng, Kaoting xiansheng; alternate sobriquet Ziyang) was a grand synthesizer of Neo-Confucian thought in the Song dynasty, his ambition being to estab-lish a new order for the country . This letter was written in 1194 after leaving office as Administrator of Tanzhou (modern Changsha, Hunan) and on his way to the capi-tal; it deals with government matters in Tanzhou. Alt-hough he mentioned that Emperor Xiaozong had passed away in the sixth month, he still had the opportunity to go to the imperial court and teach following the ascen-sion of Emperor Ningzong (r. 1194-1224), turning sorrow into joy. This letter was written with great speed and force, the dots and strokes rich and full with lines steady and fluid. The line spacing is continuous overall, express-ing a manner of free and easy naturalness.
展期(Dates)：2015/07/01~2015/09/25
網站：http:/ /theme.npm.edu.tw/exh104/calligraphy10407/ch
Website: http://theme.npm.edu.tw/exh104/calligraphy10407/en日本語：http://theme.npm.edu.tw/exh104/ calligraphy10407/jp
策展人的話：
朱熹(1130-1200)，字元晦、仲晦，號晦庵、晦翁、考亭先生，別號紫陽，為宋代理學集大成者，畢生以建構國家新秩序為志。本札書是他在1194年卸下知潭州（湖南長沙）一職後，前往京師途中所寫，意在向部屬交待潭州政務，雖提及六月的孝宗之死，但寧宗繼位後他獲得入朝宣教的機會，又讓他頓時轉憂為喜。此作下筆迅捷，點畫圓潤，線條沉著而順暢，整體行氣連貫，呈現出灑脫自然的意趣。
Zhu Xi (style names Yuanhui, Zhonghui; sobriquets Hui'an, Huiweng, Kaoting xiansheng; alternate sobriquet Ziyang) was a grand synthesizer of Neo-Confucian thought in the Song dynasty, his ambition being to estab-lish a new order for the country . This letter was written in 1194 after leaving office as Administrator of Tanzhou (modern Changsha, Hunan) and on his way to the capi-tal; it deals with government matters in Tanzhou. Alt-hough he mentioned that Emperor Xiaozong had passed away in the sixth month, he still had the opportunity to go to the imperial court and teach following the ascen-sion of Emperor Ningzong (r. 1194-1224), turning sorrow into joy. This letter was written with great speed and force, the dots and strokes rich and full with lines steady and fluid. The line spacing is continuous overall, express-ing a manner of free and easy naturalness.
展期(Dates)：2015/07/01~2015/09/25
網站：http:/ /theme.npm.edu.tw/exh104/calligraphy10407/ch
Website: http://theme.npm.edu.tw/exh104/calligraphy10407/en日本語：http://theme.npm.edu.tw/exh104/ calligraphy10407/jp
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