2022年4月16日 星期六

How to Read a Poem By Terry Eagleton 鳥瞰世界的書之海:台灣、中國 (含香港)、日本、美國/英國等,都是出版"重鎮"。以紐約時報4月15日 為"詩歌月"的週報"Books Update: What Is Poetry?" 為例




如何讀詩 - 博客來
https://www.books.com.tw › products


書名:如何讀詩,語言:簡體中文,ISBN:9787301275276,頁數:255,出版社:北京大學出版社,作者:(英)特里·伊格爾頓,出版日期:2016/11/01,類別:文學小說.

How to Read a Poem 1st 版本
作者 Terry Eagleton (Author)

內容簡介

「大多數人之所以不理睬大多數詩,是因為大多數詩不理睬大多數人。」伊格爾頓這本書,證明了文學理論如何是詩的理解的基礎,也證明了他這樣一位理論家是可以真正揭示詩意欲何為的人。

《如何讀詩》從批評的功能、詩的形式、如何讀詩等幾個方面切入,通過對葉芝、弗洛斯特、奧登、狄金森等人的詩精妙而細致的閱讀,清晰有力地勾勒出了詩歌批評的功能;另外還通過對威廉•柯林斯的《夜頌》等四位詩人的四首自然詩的解讀,作出了很好的例證。

特里•伊格爾頓,1943年生於英國曼徹斯特。曾長期任教於牛津大學,現為曼徹斯特大學講座教授;是當代著名的文學理論家和具有獨特風格的文化批評家。從1960年代至今,他已出版著作數十種,如《批評與意識形態:馬克思主義文學理論研究》《馬克思主義與文學批評》《瓦爾特•本雅明,或革命的批評》《文學理論引論》《批評的作用:從觀察家到后結構主義》《審美意識形態》等,其中多種已被譯成中文出版。
 

目錄

前言1

第一章批評的功能1

第一節批評的終結?1

第二節政治和修辭11

第三節體驗之死21

第四節想象27


第二章什麼是詩?32

第一節詩和散文32

第二節詩和道德36

第三節詩和虛構40

第四節詩和實用主義52

第五節詩的語言57


第三章形式主義者70

第一節文學性70

第二節間離71

第三節尤里•洛特-加龍省曼的符號學75

第四節化身的謬誤84


第四章尋求形式93

第一節形式的意義93

第二節形式對抗內容98

第三節作為對內容的超越的形式116

第四節詩和述行130

第五節兩個美國的例子142


第五章如何讀詩151

第一節批評就是主觀的嗎?151

第二節意義和主觀性159

第三節語調、情調和音高167

第四節強度和速度174

第五節紋理179

第六節句法、語法和標點182

第七節含混187

第八節標點195

第九節押韻197

第十節節奏和格律204

第十一節意象210


第六章四首自然詩216

第一節威廉•柯林斯的《夜頌》216

第二節威廉•華茲華斯的《孤獨的收割者》225

第三節傑拉德•曼雷•霍普金斯的《上帝的偉大》232

第四節愛德華•托馬斯的《五十捆柴》238

第五節形式和歷史244

術語匯編247

譯后記252
我對於"譯后記"關於 apology*的翻譯,讓我對譯者有點起疑


*.....這將是我們這個時代對詩必不可少的道歉。....." (p.254)

如何讀詩
アポロジー【apology】 の解説
謝ること。陳謝。また、正当性を主張すること。C((形式))(批判などを受けそうなことで)正当性を主張すること,弁護,弁明≪for≫



ISBN 13 碼: 978-1405151412
ISBN 10 碼: 1405151412









大概36年前,我在芝加哥拜訪MOTOROLA公司的最小事業部的最高主管。

他的大辦公室的桌上,擺著百來本關於汽車產業的雜誌與書......

***

我很好奇,網路上沒有"鳥瞰世界的書之海"的網站/網頁。

台灣、中國 (含香港)、日本、美國/英國等,都是出版"重鎮"。

---

紐約時報相關的,有兩大類: 書、書評....以它今天為"詩歌月"的週報為例;


More Books Coverage

April 15, 2022

Na Kim

Dear Fellow Readers,

April is National Poetry Month, and this week we revive an old tradition by devoting an entire issue to the form. But first we ask a very basic question: What is poetry, anyway? There’s no simple answer, as our columnist Elisa Gabbert explains in an essay that probes and celebrates that very ambiguity. “The poem is a vessel,” she writes; “poetry is liquid.”

Personally, the metaphor I’ve been using for this issue is the Westminster Dog Show, where we might strain to see any similarity between a whippet and a Pekingese and a wire fox terrier (the best breed), but we recognize them all as dogs. So in the poetry issue, you’ll find our review of “Rhyme’s Rooms,” in which the avowed traditionalist Brad Leithauser explains meter and rhyme and the other elements that have long defined poetry, but you’ll also find Dana Levin’s voluble new collection, “Now Do You Know Where You Are,” with its gleeful mix of prose and verse, and Linda Gregerson’s “Canopy,” with its elegant, austere lyricism about the end of the world, and Gabriel Ojeda-Sagué’s hall-of-mirrors hybrid “Madness,” which offers the selected poems of a writer who never existed. These books might not bear much resemblance to one another, but they all have a place in the show.

More poetry: Roger Reeves’s “Best Barbarian” tips its hat to the Western canon even as it challenges its omissions and expands its political and artistic possibilities. Ange Mlinko’s “Venice” deploys polished traditional forms to express a wild, whirlwind energy. There’s also a posthumous collection from the celebrated outback poet Les Murray, a new translation of “Flight and Metamorphosis,” by the Nobel laureate Nelly Sachs, and a resonant sonnet about love and war by the Ukrainian poet Yuri Burjak.

In nonfiction, besides Leithauser’s tour of poetic techniques we have Robert Pinsky reviewing a new biography of John Keats and Heather Clark reviewing the diaries of Edna St. Vincent Millay. (“I do not think there is a woman in whom the roots of passion shoot deeper than in me,” Millay wrote.) Finally, a couple of treats: Ocean Vuong’s By the Book interview, in which the poet and novelist admits he has read books at M.M.A. fights, and a trip to our archives with Tina Jordan, who uncovers the remarkable fact that the sinking of the Titanic inspired so much bad poetry among Times readers that editors here had to plead with them to stop submitting it.

You’ll find the complete contents of this week’s issue below. Please let us know what you think — not just about these reviews, but about our other coverage, too. You can email us at books@nytimes.com. We read every letter sent.

Gregory Cowles
Senior Editor, Books, and Poetry Editor, The New York Times Book Review
@GregoryCowles



POETRY

The Poetry Issue

Facing ‘the Can’t-See of the Future,’ in Verse and at the Chiropractor’s

In “Now Do You Know Where You Are,” the poet Dana Levin learns to write again and comes to terms with personal and political trauma.

By Srikanth Reddy

Article Image

The Poetry Issue

Moving From Elegy to Ecstasy, a Poet Pushes Against the Canon

In “Best Barbarian,” Roger Reeves riffs on Western tradition to challenge its omissions and expand its political and artistic possibilities.

By Sandra Simonds

Article Image

The Poetry Issue

He Never Existed. Here Are His Selected Poems.

In “Madness,” the poet Gabriel Ojeda-Sagué has assembled a career retrospective for a writer he invented from whole cloth.

By Christopher Soto

Article Image

The Poetry Issue

Best Known as a Holocaust Poet, Nelly Sachs Deserves Another Look

The Nobel laureate’s postwar collection “Flight and Metamorphosis,” published in 1959 and newly translated into English, reveals a poet full of mystery and depth.

By Daisy Fried

Article Image

The Poetry Issue

A Poet Looks at the End of the World, and Reaches for Hope

In “Canopy,” her seventh collection, Linda Gregerson mourns for humanity and the earth even as she clings to signs of personal connection.

By Stephanie Burt

Article Image

The Poetry Issue

One Last Book From an Outback Poet Who Was Part Hero, Part Pariah

Les Murray’s posthumous collection “Continuous Creation” highlights both his crankiness and the rough magnificence of the landscape he loved.

By William Logan

Article Image

The Poetry Issue

A Poet Who Looks at the Stuff of Daily Life and Sees Looming Apocalypse

Again and again in Ange Mlinko’s collection “Venice,” quotidian events generate nightmarish overtones.

By Troy Jollimore

Article Image

The Shortlist

Poems of Exile, Introspection and Self-Discovery (Cicadas, Too)

New collections from Akwaeke Emezi, Solmaz Sharif, Colm Toibin and Phoebe Giannisi.

By Jessica Gigot


Children’s Books

Features

  • Essay: What Is Poetry? “Poetry leaves something out,” our columnist Elisa Gabbert says. But that’s hardly the extent of it.
  • By the Book: Ocean Vuong brings books to lunch dates, “just in case.”

Etc.

Best Sellers

New International Books

Thoka Maer

Your sneak preview of books coming out in 2022 from around the world. Get globetrotting.

Article Image

沒有留言:

網誌存檔