"Robinson Crusoe: His Life and Strange Surprising Adventures" by Daniel Defoe

“Now I saw, though too late, the Folly of beginning a Work before we count the Cost, and before we judge rightly of our own Strength to go through with it.”
―from "Robinson Crusoe: His Life and Strange Surprising Adventures" by Daniel Defoe

"One day, about noon, going towards my boat, I was exceedingly surprised with the print of a man's naked foot on the shore, which was very plain to be seen on the sand."
--from "Robinson Crusoe: His Life and Strange Surprising Adventures" (1719) by Daniel Defoe

This classic story of a shipwrecked mariner on a deserted island is perhaps the greatest adventure in all of English literature. Fleeing from pirates, Robinson Crusoe is swept ashore in a storm possessing only a knife, a box of tobacco, a pipe-and the will to survive. His is the saga of a man alone: a man who overcomes self-pity and despair to reconstruct his life; who painstakingly teaches himself how to fashion a pot, bake bread, build a canoe; and who, after twenty-four agonizing years of solitude, discovers a human footprint in the sand... Consistently popular since its first publication in 1719, Daniel Defoe's story of human endurance in an exotic, faraway land exerts a timeless appeal. The first important English novel, Robinson Crusoe has taken its rightful place among the great myths of Western civilization. READ an excerpt here: http://knopfdoubleday.com/book/38623/robinson-crusoe/

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Foe is a 1986 novel by South African-born Nobel laureate J. M. Coetzee. Woven around the existing plot of Robinson Crusoe, Foe is written from the perspective of Susan Barton, a castaway who landed on the same island inhabited by "Cruso" and Friday as their adventures were already underway. Like Robinson Crusoe, it is a frame story, unfolded as Barton's narrative while in England attempting to convince the writer Daniel Foe to help transform her tale into popular fiction. Focused primarily on themes of language and power, the novel was the subject of criticism in South Africa, where it was regarded as politically irrelevant on its release. Coetzee revisited the composition of Robinson Crusoein 2003 in his Nobel Prize acceptance speech.

Nobel acceptance speech[edit]

When Coetzee was awarded the 2003 Nobel Prize in Literature, he revisited the theme of composition as self-definition in his acceptance speech, entitled "He and his Man".^[14] Coetzee, who had lectured in character before, narrated a situation in which an elderly Crusoe quietly living in Bristol becomes the ambivalent muse of Defoe. According to The Guardian, this act of composition "write[s] "Defoe into existence, rather than the other way around."^[14] Although Crusoe is the narrator of the piece, Coetzee indicated he did not know whether Crusoe or Defoe represented him in the lecture.^[14] By contrast, he clearly identified himself with Barton in Foe: "the unsuccessful author—worse authoress."^[15]