Google 打"mary beard women and power"搜索：有三影片
Women & Power: A Manifesto
Hardcover – 2. November 2017
by Mary Beard (Autor)
THE NUMBER 1 SUNDAY TIMES BESTSELLER 24 CONSECUTIVE WEEKS IN THE SUNDAY TIMES TOP 10 Why the popular resonance of 'mansplaining' (despite the intense dislike of the term felt by many men)? It hits home for us because it points straight to what it feels like not to be taken seriously: a bit like when I get lectured on Roman history on Twitter. Britain's best-known classicist Mary Beard, is also a committed and vocal feminist. With wry wit, she revisits the gender agenda and shows how history has treated powerful women. Her examples range from the classical world to the modern day, from Medusa and Athena to Theresa May and Hillary Clinton. Beard explores the cultural underpinnings of misogyny, considering the public voice of women, our cultural assumptions about women's relationship with power, and how powerful women resist being packaged into a male template. With personal reflections on her own experiences of the sexism and gendered aggression she has endured online, Mary asks: if women aren't perceived to be within the structures of power, isn't it power that we need to redefine? From the author of international bestseller SPQR: A History of Ancient Rome.
中文本：女力告白，台北：聯經，2019
由於 Mary Beard在書中採用許多西方的古今經典故事，書名 Women & Power 兩字眼都同樣重要，所以不應該以"女力"一語帶過。
by Mary Beard (Autor)
THE NUMBER 1 SUNDAY TIMES BESTSELLER 24 CONSECUTIVE WEEKS IN THE SUNDAY TIMES TOP 10 Why the popular resonance of 'mansplaining' (despite the intense dislike of the term felt by many men)? It hits home for us because it points straight to what it feels like not to be taken seriously: a bit like when I get lectured on Roman history on Twitter. Britain's best-known classicist Mary Beard, is also a committed and vocal feminist. With wry wit, she revisits the gender agenda and shows how history has treated powerful women. Her examples range from the classical world to the modern day, from Medusa and Athena to Theresa May and Hillary Clinton. Beard explores the cultural underpinnings of misogyny, considering the public voice of women, our cultural assumptions about women's relationship with power, and how powerful women resist being packaged into a male template. With personal reflections on her own experiences of the sexism and gendered aggression she has endured online, Mary asks: if women aren't perceived to be within the structures of power, isn't it power that we need to redefine? From the author of international bestseller SPQR: A History of Ancient Rome.
中文本：女力告白，台北：聯經，2019
博客來-女力告白：最危險的力量與被噤聲的歷史
https://www.books.com.tw
由於 Mary Beard在書中採用許多西方的古今經典故事，書名 Women & Power 兩字眼都同樣重要，所以不應該以"女力"一語帶過。
Winter Lectures - London Review of Books
https://www.lrb.co.uk/winterlectures
https://www.lrb.co.uk/winterlectures
For ten years our annual series of Winter Lectures has brought the LRB’s lively, radical, witty and stimulating agenda to the British Museum. To celebrate this year’s season, we have removed the paywall from some of the most acclaimed lectures from previous years:
- Frank Kermode: Eliot and the Shudder (2010)
- Judith Butler: Who Owns Kafka? (2011)
- John Lanchester: Marx at 193 (2012)
- Hilary Mantel: Royal Bodies (2013)
- Andrew O’Hagan: Ghosting Julian Assange (2014)
- Marina Warner: Learning My Lesson (2015)
- Colm Tóibín: Easter 1916 (2016)
- Mary Beard: Women in Power (2017) 可點進去聽本書的第2講
- Anne Enright: The Genesis of Blame (2018)
These lectures, along with many others, can also be downloaded via our podcast; find it on iTunes, or wherever you listen to your podcasts.
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Mary Beard 在YouTube上有許多影片，都值得一聽：
Meet the Romans with Mary Beard is a 2012 documentary written and presented by Mary Beard about the ordinary citizen of ancient Rome, the world's first metropolis.[1]
Contents
[hide]Episode one: All Roads Lead to Rome[edit]
Beard takes the Via Appia to Rome to show the lives of ordinary citizens in imperial times, those citizens who would be in the top seats of the Colosseum. She takes a boat to Rome's port Ostia,where imported goods come from all over the Mediterranean, and she takes us into the bowels of Monte Testaccio. She features extraordinary Romans such as Eurysaces, a baker who made a fortune in the grain trade and built his tomb in the shape of a giant bread oven; Pupius Amicus, the purple dye seller making imperial dye from shellfish imported from Tunisia; and Baricha, Zabda and Achiba, three prisoners of war who became Roman citizens.
UK viewing figures: 1.97 million [2]
https://www.youtube.com/watch?v=rggk_H3jEgw
Episode two: Street life[edit]
She goes into the streets to discover the dirt, crime, sex and slum conditions in the world's first high-rise city where the poorer you were the higher you lived with little space, light, or sanitation. Rooms that were only slept in forced the poor to go outdoors into the city streets to eat, wash, get water and go to the lavatory. She looks at the Forum as a place of gamblers, dentists, thieves, prostitutes and rent boys. A huge wall separated the rich from the poor in their wooden tenements that often caught fire with no proper fire service to put them out. At night the streets were a mugger's paradise with no police force. Politicians who tried to provide social services were murdered lest they become too popular.
Episode three: Behind Closed Doors[edit]
To learn about their family life, Beard looks at the thousands of tombstones of ordinary Romans, their children and slaves. Unwanted babies were left outside to die. Of the children that were wanted, half died by the age of ten. Children were put to work at manual labour as soon as they were able, often from the age of five. Schooling for the few would be, boys only, learning to read and write, public speaking, and poetry. Many girls were married at the age of twelve. One tombstone belonged to a 16-year-old girl murdered by her husband. Childbirth was equally dangerous with the tools available at the time. Slaves were regarded as part of the family and used as sex slaves. Masters and mistresses often married their freed slaves; other slaves were buried in the same tomb as their masters.
UK viewing figures: 2.00 [2]
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