2019年8月4日 星期日

Four Centuries of Ballet: Fifty Masterworks - Lincoln Kirstein






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1984/01/01 - In this profusely illustrated study, he brings extraordinary erudition, a ballentomane's passion and a critic's perception to the task of illuminating four centuries of ballet history. Here is an examination, lucid and brilliant, not only ...



Lincoln Kirstein
Courier Corporation, 1984/01/01 - 290 ページ

Lincoln Kirstein, co-founder (with George Balanchine) and longtime General Director of the world-famous New York City Ballet, is one of America's most eloquent and influential spokesmen for the dance. In this profusely illustrated study, he brings extraordinary erudition, a ballentomane's passion and a critic's perception to the task of illuminating four centuries of ballet history.

Here is an examination, lucid and brilliant, not only of dances and dancers, but of dance itself. Kirsten surveys the five components of theatrical dance - choreography, gesture and mime, music costume, scenery and decor - and traces their development over the past 400 years. "If there is a hero, " he writes, "it is choreography" - that "map of movement" embodying the syntax, idiom and vocabulary of dance.

目次

Giselle ou Ies Wilis Ballet Romantique Score and Corps
150
La Esmeralda Realism Character and Corps
154
Le Pas de Quatre Ballet Embodied
158
La Fille du Pharaon Ballet à Grand Spectacle
162
Koniok Corbunok FrancoRussian Ballet
166
Coppélia ou La Fille aux Yeux dEmail Decadence The Dancing Doll
170
La Belle au Bois Dormant Romanov Ballet de Cour
174
Le Lac des Cygnes Music for Masterwork
178
La Liberazione di Tirreno e dArnea Autori del Sangue Toscano Ballet at Court Italy
58
La Délivrance de Renaud Ballet at Court France
62
Salmacida Spoia The English Court Masque
66
La Finta Pazza La Fole Supposée Décor and Divertissement
70
Le Ballet de la Nuit Royal Ballet
74
Les Nopces de Pelée et de Thétis OperaBallet
78
Les Fâcheux French ComedyBallet
82
Les Amants Magnifiques End of the Amateur
86
Les Horaces French Pantomime
90
The Loves of Mars and Venus English Pantomime
94
Les Caractères de la Danse Rococo Variety
98
La Guinguette Ballet Burlesque
102
Pygmalion Ballet dAction Vienna
106
Les Fêtes Chinoises The Exotic Living Pictures
110
Le Turc Généreux Der Crossmutige Türke The Exotic Danced Drama
114
Don luan ou le Festin de Pierre MusicDrama Danced
118
jason et Medée Ballet dAction Heroic Pantomime
122
La Fille Mal Cardée Country Dances Peasant Comedy
126
Flore et Zéphyre Flight Wires and Toe Shoes
130
La Vestae Choreodrama
134
La Somnambule ou lArrivée dun Nouveau Seigneur Ballet Bourgeois
138
Robert Ie Diable Gothic Romanticism
142
La Sylphide Ballet Romantique
146
La Pavillon dArmide Frances Gift to Russia Returned
182
Les Sylphides Romantic Reprise and Recapitulation
186
Schéhérazade Diaghilevs Oriental Orgy
190
Petrouchka Ballet Russe Music and Magic
194
LAprèsMidi dun Faune Restriction Toward Revolution
198
Jeux Modernity Sex as Sport
202
Le Sacre du Printemps Russian Ballet Rite and Revolution
206
Parade Modern Life Paint and Pantomime
210
Triadisches Ballet Abstract Ballet Costume as Décor
214
Tanzsynfonia Movement as Music Symphonism
218
Les Noces Villageoises Ritual Synthesis
222
Apollon Musagète The Academy Renewed
226
Jardin aux Lilas English DanceDrama
230
Fancy Free Broadway Ballet
234
Orpheus Mime and Music Another Start
238
Agon Mastery by Music for Movement
242
Enigma Variations The Composer as FirstDancer
246
Acknowledgments
250
Notes to Illustrations
251
Bibliography
274
Index
279
著作権

人気のある引用

11 ページ - And that the serpentine line, by its waving and winding at the same time different ways, leads the eye in a pleasing manner along the continuity of its variety...
30 ページ - My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...
87 ページ - ... only his cloacal obsession. He gazed about him in his toga and he said: It is meet to be here. Let us construct a watercloset.
227 ページ - A choreographer can't invent rhythms; he only reflects them in movement. The body is his medium and, unaided, the body will improvise for a short breath. But the organization of rhythm on a grand scale is a sustained process. It is a function of the musical mind.
95 ページ - Tho' mask'd and mute, conveyed his quick intent, And told in frolic gestures what he meant : But now the motley coat and sword of wood Require a tongue to make them understood!
39 ページ - All she did was done with great ease - or so it seemed — this it was which gave her an appearance of power. She projected the dance into this world of ours in full belief that what she was doing was right and great. And it was. She threw away ballet skirts and ballet thoughts. She discarded shoes and stockings too. She put on some bits of stuff which when hung upon a peg looked more like torn rags than anything else ; when she put them on they became transformed.
23 ページ - The attitudes of the harlequin are ingeniously composed of certain little quick movements of the head, hands, and feet, some of which shoot out as it were from the body in straight lines, or are twirled about in little circles.
20 ページ - either a certaine visible eloquence, or an eloquence of the bodie, or a comely grace in delivering conceits, or an externall image of the internall mind. . . . Action then universally is a natural or artificial moderation, qualification, modification or composition of the voice, countenance and gesture of the bodie proceeding from some passion, and apt to stir up the like.
95 ページ - The Arm extended and lifted up signifies the Power of doing and accomplishing something; and is the Gesture of Authority, Vigour, and Victory. On the contrary, the holding your Arms close is a Sign of Bashfulness, Modesty and Diffidence.



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