缺索引
唯一優點是一些意大利文有中譯可參考
翻譯問題頗多 現在碰到名導員 翻譯者搞不清楚
- Federico Fellini (1920-1993): director, La Dolce Vita, 8 1/2, Amarcord
Raphael章問題多 譬如說
現在只關心這Triumph of Religion, also called Disputà. 一說此爭論主題為 sacrament 聖事；聖禮 《素描精義——圖形的表現與表達》 〔美〕大衛·羅桑德著 山東畫報出版社出版
內容簡介:《素描精義》關乎素描，並且從藝術和行為兩個方面對其進行研究。大衛·羅桑德對素描的思考，超越了傳統藝術鑒賞的手段。他探討了素描繪畫的意 義、畫家筆下線條的含義以及藝術批評所包含的再創作層面的內涵。本書重點分析了達·芬奇、拉斐爾、米開朗琪羅、倫勃朗、皮拉內西、提埃坡羅以及畢加索等藝 術家的素描作品，闡述了素描這種媒介本身的歷史以及所包含的理論。
推薦理由:素描通常被看作是藝術創造中最能反映藝術內在規律的記錄，它為我們提供了藝術之美的最直接的表現。該書力圖為素描批評和欣賞奠定新的基礎，不僅語言精美，所配的三百多幅插圖也實為經典之作，是一本圖文並茂極具學術價值的美術專著。
《素描精義》關乎素描，並且從藝術和行為兩個方面對其進行研究。大衛·羅桑德對素描的思考，超越了傳統藝術鑒賞的手段。他探討了素描繪畫的意義、畫家筆下 線條的含義以及藝術批評所包含的再創作層面的內涵。本書重點分析了達·芬奇、拉斐爾、米開郎琪羅、倫勃朗、皮拉內西、提埃坡羅以及畢加索等藝術家的素描作 品，闡述了素描這種媒介本身的歷史以及所包含的理論。素描通常被看做是藝術創造中最能反映藝術內在規律的記錄，它為我們提供了藝術之美的最直接的表現。該 書力圖為素描批評和欣賞奠定新的基礎。
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Drawing Acts : Studies in Graphic Expression and Representation-US-ISBN:9780521773300 (Hard cover book)
Rosand, David /Publisher:Cambridge Univ Pr Published 2002/03 入手不能(Not Available)(Out of Print)古書を探す
US$95.00
| This work is about drawing, both as art and act. Taking the study of drawings beyond the traditional agenda of connoisseurship, David Rosand explores the significance of the making of drawings, the meaning in the line of the draftsman, and the recreative dimension of critical response. The book focuses on drawings by artists such as Leonardo da Vinci, Raphael, Michelangelo, Rembrandt, Piranesi, Tiepolo and Picasso, as well as on the history and theory of the medium itself. It seeks to establish new foundations for the criticism and appreciation of drawing, which is often considered the most revealing record of artistic creativity, offering the most direct expression of the artistic self. |
Table of Contents
List of Illustrations ix
Preface xxi
Criticism, Connoisseurship, and the 1 (23)
Phenomenology of Drawing
Ancient Lines 4 (5)
The Desire of the Line 9 (4)
The Phenomenology of Drawing 13 (4)
The Physiognomy of the Line 17 (1)
The Legacy of Connoisseurship 18 (4)
Beyond Connoisseurship 22 (2)
Disegno: The Invention of an Art 24 (37)
Alberti's Finding 25 (7)
Invenzioni and Invention 32 (18)
Leonardo's Discovery 50 (4)
The Father of the Arts 54 (7)
The Handwriting of the Self: Leonardo da Vinci 61 (51)
Inscribing the World 62 (5)
A Generation Drawing 67 (12)
Marginalia 79 (9)
Remembered Lines 88 (9)
Drawing and Knowing 97 (15)
Raphael and the Calligraphy of Classicism 112(33)
The Circling Hand 113(8)
Inflected Circles 121(3)
Linear Grammar/Linear Grace 124(12)
Connoisseurship of the Line 136(3)
Penmanship 139(6)
Disegni a stampa: The Printed Line 145(37)
The Hand and the Press 146(12)
The Line Transformed 158(11)
The Sketched Plate 169(13)
Michelangelo: The Urgent Gesture 182(38)
Father of the Arts 184(1)
Drawing for an Other 185(15)
Making as Meaning 200(8)
Drawing as Prayer 208(12)
Rembrandt's Reach 220(45)
The Mime of Drawing 221(19)
The Physiology of Style 240(14)
The Body in the Landscape 254(11)
Capriccio: The Antic Line 265(64)
Linear Analysis: Hogarth's Serpentine 266(12)
Col sporcar si trova: Piranesi's Spiral 278(20)
Invenzione to Capriccio 298(4)
Story Lines of the Tiepolo 302(27)
Epilogue: Picasso's Rehearsal 329(14)
Notes 343(46)
Bibliography of Works Cited 389(16)
Index 405
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