2016年8月10日 星期三

Pierre Rosenberg《盧浮宮私人詞典》;Paintings in the Louvre (Lawrence Gowing)

British Museum 新增了 4 張相片

The Musée du Louvre opened ‪#‎onthisday‬ in 1793! The Parisian museum features in many prints and drawings, with the galleries attracting lots of painters and sketchers over the years. In these four images we can see the galleries looking very different.



After two centuries as a royal palace, the Louvre opened as a public museum in Paris on August 10th 1793. It is now the world's most popular museum, with around 10m visitors a year

The Louvre opened in Paris on this day in 1793
ECONOMIST.COM






Pierre Rosenberg《盧浮宮私人詞典》翻譯本中, 無一張圖、畫。不過有些人物的書寫很有意思,譬如說, Vivant Denon 1747-1825

盧浮宮私人詞典   



現在網路資料發達,很容易 (你要像我這般博學才行) 找到書中說的畫和典故。 以 "The Justice of Trajan by Eugène Delacroix, 1840".為例,請參考:http://en.wikipedia.org/wiki/Justice_of_Trajan

The Justice of Trajan is a legendary episode in the...
EN.WIKIPEDIA.ORG

《盧浮宮私人詞典》有一己之見的很多,譬如說戴高樂看了馬畫,引了錯誤出典。不過諸如亨利二世的死,只說死於意外,更沒堤亨利四世被暗殺.....在公視"羅浮宮的祕密",竟然有 Théodore Géricault的發瘋故事,未能與其"不倫"之戀的愛人見最後一面。當然介紹"The Raft of the Medusa 梅杜薩之筏"成畫經過--《盧浮宮私人詞典》的相關畫還有"死去的貓"Théodore GÉRICAULT, Le Chat



內容簡介

是盧浮宮原館長、法蘭西學術院院士羅森伯格先生編撰的一部關於盧浮宮的私人詞典。該詞典編撰的最大特點在於,作者是從自身角度出發,依據個人喜好和主觀意願來決定詞條的取舍和分類,故而,收錄其中的詞條並不局限於盧浮宮藏品本身,而是包含了與盧浮宮相關的、牽動作者情感的一切。

由此,在這部私人詞典中,我們不僅可以看到編撰者對盧浮宮基本概況、歷史沿革、展館陳列、建築結構的詳細介紹,從而掌握大量的實用信息和歷史資料;同時也可以從編撰者筆下獲悉那些曾經轟動一時的趣聞軼事、那些被歲月時光掩埋的秘密往事以及那些隱藏在一座古老博物館背后的動人故事。

可以說,這部《盧浮宮私人詞典》兼具了娛樂、趣味與教益的多重功能,飽含了編撰者本人對於盧浮宮的摯愛與深情,體現了私人詞典的獨特風格與無窮魅力。

皮埃爾·羅森伯格(Pierre Rosenberg)的職業生涯是在盧浮宮度過的。在成為盧浮宮總館長之前,他曾多年領導盧浮宮油畫部的工作。1995年12月7日,羅森伯格繼亨利•古耶(Henri Gouhier, 1898–1994, 法國哲學家、哲學史學家、戲劇批評家,法蘭西學術院院士)之位,成為法蘭西學術院院士。羅森伯格畢生致力於17、18世紀法國和意大利素描及油畫研究,著有關於普桑、拉圖爾、拉海爾、華托、弗拉戈納爾、達維特等人的多部專著。


Pierre Rosenberg
Works[edit]

目錄

中文版前言
導讀
阿布扎比
羅馬法蘭西藝術學院
法蘭西學院
皇家繪畫與雕塑學院
大革命前的盧浮宮學院
掛畫
接待
耗資巨大的藝術品買進
亞當(尼古拉—塞巴斯提安)/《被縛的普羅米修斯》
小雕像事件
監管部門
《敘熱的鷹》
翼樓
《艾因加扎勒雕像》
藝術品愛好者
《阿美諾菲斯四世》
美國博物館
盧浮宮之友協會
盧浮宮里的「愛」
《天使頭像》
弗拉·安吉利科/《聖母加冕圖》
昂吉維萊爾伯爵(夏爾—克洛德·弗拉奧·德·拉比亞爾迪埃)
動物
佚名作品
埃及文物部,簡稱A.E.
希臘、伊特魯利亞及羅馬文物部,簡稱A.G.E.R.
東方文物部,簡稱A.O.
安托內羅·達·墨西拿/《十字架上的基督》
安特衛普/《羅德與他的女兒們在索多瑪和戈摩爾遭憤怒的上帝懲罰》
《阿爾勒的阿佛洛狄忒》
《克尼德的阿佛洛狄忒》
《皮翁比諾的阿波羅》
阿波羅長廊
奧地利安娜的套房
拿破侖三世的套房
學習觀看
卡魯塞勒凱旋門
盧浮官建築師
盧浮宮檔案室
盧浮宮的當代藝術
裝飾藝術博物館
書畫刻印藝術部,簡稱A.G.
原始藝術
達維特的畫室
藝術家畫室
兒童活動室
今日盧浮宮技術工作室
亞特蘭大
自由成員
藝術品的歸屬
演播廳
自畫像
盧浮宮未來的工作
盲人
B
巴德魯(亨利)
巴爾多維內蒂(阿萊索)/《聖母與聖子》
簡易板房
巴爾貝·德·汝伊(約瑟夫—亨利)

比松派
巴雷耶(保羅—奧古斯特—弗朗索瓦)
巴薩諾(雅各布)/《拴在樹墩上的兩只獵狗》
《水盆,聖路易的洗禮盆》
波德萊爾(夏爾)
博然(魯賓)/《有甜點的靜物》
貝阿格伯爵夫人
貝哈姆(漢斯·塞巴德)/《大衛的故事》
貝斯特吉(卡洛斯·德)
貝里奧(皮埃爾和露易絲)
貝爾芬格
觀景台
伯努瓦(瑪麗—吉爾曼娜),父姓拉維勒—勒魯,1793年嫁律師皮埃爾—樊尚·伯努瓦/《黑人婦女》,又名《黑人婦女習作》
貝爾納迪·德·西格瓦耶(瑪麗—費利西安—勒內—馬西昂)
貝爾尼尼與盧浮宮
貝爾尼尼(又名吉安,洛倫佐·貝爾尼尼)/《主教黎塞留肖像》
名稱有誤的盧浮宮圖書館
布瓦伊(路易斯—利奧波德)/《伊沙貝畫室》
波拿巴(拿破侖)
博納爾(皮埃爾)
波爾格塞收藏
《博斯科雷亞萊的珍寶》
波提切利/《面對自由藝術之神的年輕人》/《維納斯和美惠三女神給少女贈禮》
布歇(弗朗索瓦)/《浴后的狄安娜》
布拉梅爾(雷奧那埃爾)/《發現皮拉摩斯與西斯貝的遺體》
布拉克(喬治)/《鳥》
布萊(所羅門·德)/《梳頭的年輕女人》
老布魯蓋爾(皮埃爾)/《乞丐》
預算
……
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
Pierre Rosenberg《盧浮宮私人詞典》
Andromeda, daughter of the king of Ethiopia, stands chained to a rock as she awaits her fate: she is being sacrificed to a sea monster in order to save her land from destruction. Having spotted her and fallen in love, the hero Perseus swoops down on his winged-horse Pegasus to slay the beast and win the princess's hand.
"Pleasure and Piety: The Art of Joachim Wtewael " runs through October 4: http://1.usa.gov/1RS555D.
Joachim Anthonisz Wtewael, "Perseus and Andromeda," 1611, oil on canvas, Musée du Louvre, Paris, Département des Peintures, gift of the Société des Amis du Louvre, 1982, © RMN-Grand Palais / Art Resource, NY





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附錄
盧浮宮大事年表
答謝辭
縮略語
譯后記



*****
我有 Lawrence Gowing 三本書如紅標書名現在手頭上只這本Paintings in the Louvre  今天才知道是他身後之作

From Library Journal

Though many cities boast impressive art collections, Paris's Louvre is the art museum, and this 1987 title gathers more than 800 of its most famous items spanning 500 years of European art. LJ's reviewer found Gowing's text slightly prejudiced (LJ 1/88), but the hundreds of illustrations are simply stunning. As its original incarnation sold for $85, even at $50 this is a good buy.
Copyright 1995 Reed Business Information, Inc.


Product Details

  • Hardcover: 688 pages
  • Publisher: Stewart, Tabori and Chang; First U.S. Edition edition (July 1, 1994)
  • Language: English


July 1, 1994
4.5 out of 5 stars   (15)
Paperback: $14.95
February 1, 1985
5.0 out of 5 stars   (1)
Paperback: $26.68
December 5, 1997
3.2 out of 5 stars   (4)
November 1, 1988
March 1, 1993
January 1, 1986
June 1, 1971
January 1, 1985
January 1, 1983

Lawrence Gowing

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Sir Lawrence Gowing (21 April 1918 - 5 February 1991) was a British artist, writer, curator and teacher. Initially recognized as a portrait and landscape painter, he quickly rose to prominence as an art educator, writer, and eventually, curator and museum trustee. As a student of art history he was largely self-taught.[1]
He was born Lawrence Burnett Gowing to Horace Gowing, a draper, and his wife, Louise. Born in Stoke Newington and raised in London, his first painting of note, Mare Street, Hackney, made reference to his father's shop. After attending the Downs School at Colwall, Herefordshire and Leighton Park School, in 1938 he enrolled in the Euston Road School, where he studied with William Coldstream. He was a conscientious objector during World War II.[2] In the 1940s he became recognised as a painter, and for the rest of his life was sought after to paint casual but quintessential portraits of the eminent, among whom were Clement Attlee, Lord Halifax, and Edgar Adrian.
He began teaching in 1948, first as Professor of Fine Art, at King's College, University of Durham at Newcastle upon Tyne (now Newcastle University) from 1948-58, then as Principal of Chelsea School of Art from 1958-65, as Professor of Fine Arts at Leeds University, finally serving as principal of the Slade School of Fine Art at University College, London from 1975-85. Concurrently, he authored a number of art monographs and catalogues on masters such as Vermeer, William Hogarth, J.M.W. Turner, Cézanne, Matisse, and Lucian Freud. Among the major exhibitions he organized were those for Turner at the Museum of Modern Art in 1966, Matisse in New York in 1966 and London in 1968, and Cézanne, which traveled in 1988-89 from the Royal Academy to the Musée d'Orsay and the National Gallery of Art.
Sir Lawrence was a trustee of the Tate Gallery, the National Portrait Gallery, and the British Museum, and was a member of the Arts Council of Great Britain. In 1978, he was elected an associate of the Royal Academy, and was made honorary curator of its collections in 1985. Beginning in the 1960s he traveled to the United States to serve as Kress Professor at the National Gallery in Washington, D.C., and was also curator of the Phillips Collection in Washington. Knighted in 1982, he was made a chevalier in the Order of Arts and Letters in France in 1985.
A first marriage, to Julia Strachey, a member of the Bloomsbury Group, ended in divorce. In 1967 he married Jenny Wallis. Sir Lawrence had three daughters. He died of heart failure at the age of 72.

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