下文有人對袁紅冰不齒.可是出版自由的意義就是: 所有人都要能不被檢查出版和賣售....
蘋論:到奴役之路
自由是怎麼喪失的?先是對少數個人的悄悄剝奪,發現沒有人在意,進而剝奪多數人的非重點自由,發現反對聲音微弱,遂進一步剝奪少數人的重點自由,最後剝奪全體的自由與權利。
「服貿未過已變糟」
如
果連我們非常尊敬的誠品書店,萬一都成為剝奪台灣人民自由的共犯結構,那麼最後全體人民的自由遭到剝奪(包括誠品老闆),也是水到渠成的事。完成剝奪全民
自由總目標的整個過程,現在正在台灣悄悄推進,主謀是中國,共犯是台灣政府和媚共商家,包括知識的平台:出版商和書店。
中國流亡作家袁紅冰前天在演講中控訴,他寫的新書《殺佛》在台出版後無法在誠品上架,理由疑是「太敏感」,只賣給網路訂購者。袁說他相信背後有中國政府的影子,「兩岸服務貿易協議還沒生效,就已經糟成這樣」,實在太可悲。
《殺佛》的出版商「亞太政治哲學文化出版社」發行人陶延生說,現在已不用警總伺候,書店通路自動揣摩「上意」(中國),比戒嚴時代更有效率,服貿協議還沒簽就已經如此,一旦通過,台灣圖書出版還有自由嗎?
大塊文化發行人郝明義曾警告政府,服貿協議簽訂後,圖書發行的正常通路只能銷售「上面」認可的書,「其實服貿尚未簽訂的現在,已瀰漫戒嚴氣氛,通路內心自己有個小警總。」這正是「到奴役之路」!
出版自由是言論自由和思想自由的重要表現形式之一,如果為做生意而奴顏婢膝地諂媚北京,自甘墮落下去,今天的西藏、香港就是明天的台灣。
中國流亡作家袁紅冰前天在演講中控訴,他寫的新書《殺佛》在台出版後無法在誠品上架,理由疑是「太敏感」,只賣給網路訂購者。袁說他相信背後有中國政府的影子,「兩岸服務貿易協議還沒生效,就已經糟成這樣」,實在太可悲。
《殺佛》的出版商「亞太政治哲學文化出版社」發行人陶延生說,現在已不用警總伺候,書店通路自動揣摩「上意」(中國),比戒嚴時代更有效率,服貿協議還沒簽就已經如此,一旦通過,台灣圖書出版還有自由嗎?
大塊文化發行人郝明義曾警告政府,服貿協議簽訂後,圖書發行的正常通路只能銷售「上面」認可的書,「其實服貿尚未簽訂的現在,已瀰漫戒嚴氣氛,通路內心自己有個小警總。」這正是「到奴役之路」!
出版自由是言論自由和思想自由的重要表現形式之一,如果為做生意而奴顏婢膝地諂媚北京,自甘墮落下去,今天的西藏、香港就是明天的台灣。
商人內心有小警總
北京或許沒有管到那麼細節,更多是台灣相關商人心中的小警總,給自己畫地自限,自我制約,向主子搖尾表功。沒有出版自由,知識就會偏狹而一面倒,嚴重影響我們的思想和判斷。芝 加哥大學法學教授艾普斯坦在《自由社會之原則》的名著中,引述1843年《愛丁堡評論》講得精闢透徹的一段話:「無可置疑的,貿易自由、思想自由、言論自 由以及行動自由,都是同一基本真理的各面向,全部都要受到捍衛,否則全部都受到危害。它們一起挺立,也一起倒塌。」亦即,我們若不捍衛出版自由,也將失去 言論、思想、學術和行動自由。
*****
以下是余杰的貼文,他又引用,另外一位旅德的民運人士,表演藝術家、報導文學作家,廖亦武的話來批判袁紅冰:
*****
《殺佛》誠品拒上架 袁︰服貿還沒生效 就糟成這樣
出版社︰好像戒嚴禁書
出版《殺佛》的亞太政治哲學文化出版社發行人陶延生表示,現在已不用警總伺候,書店通路揣摩「上意」,比戒嚴時代更有效率,服貿協議都還沒簽就已經如此,一旦通過,台灣圖書出版還有自由嗎?
亞太政治哲學文化出版社總經理李文欽也說,誠品確定僅願建檔接受客戶訂購,不願上架,「這種狀況跟戒嚴時期書店對待禁書的作法好像。」現在氛圍跟當年黨外刊物發行的年代幾乎一模一樣。
「通路內心有小警總」
李文欽說,之前大塊文化發行人郝明義擔心服貿協議簽訂後,圖書發行的正常通路只能銷售「上面」所認可的書,「其實服貿尚未簽訂的現在,已瀰漫戒嚴氣氛,通路內心自己有小警總。」
誠品︰會提供代購服務
誠品書店公關部則表示,誠品書店的核心價值是推廣人文、藝術、創意與生活,讀者如果有該書的需求,誠品會提供代購服務。至於其他問題則沒有回覆。
"名著單"很有意思 這19世紀的就是累積的開始
The 100 Best Novels: A Literary Critic Creates a List in 1898
In late October, The Times Literary Supplement’s Michael Caines unearthed another Top 100 list; this one, however, has the distinction of hailing from 1898. At the turn of the 20th century, a journalist and author of numerous books on the Brontë sisters named Clement K. Shorter tried his hand at compiling the 100 Best Novels for a journal called The Bookman. The ground rules were simple: the list could feature only one novel per novelist, and living authors were excluded. Today, Shorter’s compendium looks somewhat hit-or-miss. There are some indisputable classics (many of which can be found in our Free eBooks and Free Audio Books collections) and some other texts that have faded into oblivion. Still—one can’t help but experience a certain historical frisson at a 19th century listsicle. Here it goes:
1. Don Quixote - 1604 – Miguel de Cervantes
2. The Holy War - 1682 – John Bunyan
3. Gil Blas - 1715 – Alain René le Sage
4. Robinson Crusoe - 1719 – Daniel Defoe
5. Gulliver’s Travels - 1726 – Jonathan Swift
6. Roderick Random - 1748 – Tobias Smollett
7. Clarissa - 1749 – Samuel Richardson
8. Tom Jones - 1749 – Henry Fielding
9. Candide - 1756 – Françoise de Voltaire
10. Rasselas - 1759 – Samuel Johnson
11. The Castle of Otranto - 1764 – Horace Walpole
12. The Vicar of Wakefield - 1766 – Oliver Goldsmith
13. The Old English Baron - 1777 – Clara Reeve
14. Evelina - 1778 – Fanny Burney
15. Vathek - 1787 – William Beckford
16. The Mysteries of Udolpho - 1794 – Ann Radcliffe
17. Caleb Williams - 1794 – William Godwin
18. The Wild Irish Girl - 1806 – Lady Morgan
19. Corinne - 1810 – Madame de Stael
20. The Scottish Chiefs - 1810 – Jane Porter
21. The Absentee - 1812 – Maria Edgeworth
22. Pride and Prejudice - 1813 – Jane Austen
23. Headlong Hall - 1816 – Thomas Love Peacock
24. Frankenstein - 1818 – Mary Shelley
25. Marriage - 1818 – Susan Ferrier
26. The Ayrshire Legatees - 1820 – John Galt
27. Valerius - 1821 – John Gibson Lockhart
28. Wilhelm Meister - 1821 – Johann Wolfgang von Goethe
29. Kenilworth - 1821 – Sir Walter Scott
30. Bracebridge Hall - 1822 – Washington Irving
31. The Epicurean - 1822 – Thomas Moore
32. The Adventures of Hajji Baba - 1824 – James Morier (“usually reckoned his best”)
33. The Betrothed - 1825 – Alessandro Manzoni
34. Lichtenstein - 1826 – Wilhelm Hauff
35. The Last of the Mohicans - 1826 – Fenimore Cooper
36. The Collegians - 1828 – Gerald Griffin
37. The Autobiography of Mansie Wauch - 1828 – David M. Moir
38. Richelieu - 1829 – G. P. R. James (the “first and best” novel by the “doyen of historical novelists”)
39. Tom Cringle’s Log - 1833 – Michael Scott
40. Mr. Midshipman Easy - 1834 – Frederick Marryat
41. Le Père Goriot - 1835 – Honoré de Balzac
42. Rory O’More - 1836 – Samuel Lover (another first novel, inspired by one of the author’s own ballads)
43. Jack Brag - 1837 – Theodore Hook
44. Fardorougha the Miser - 1839
– William Carleton (“a grim study of avarice and Catholic family life.
Critics consider it the author’s finest achievement”)
45. Valentine Vox - 1840 – Henry Cockton (yet another first novel)
46. Old St. Paul’s - 1841 – Harrison Ainsworth
47. Ten Thousand a Year - 1841 – Samuel Warren (“immensely successful”)
48. Susan Hopley - 1841 – Catherine Crowe (“the story of a resourceful servant who solves a mysterious crime”)
49. Charles O’Malley - 1841 – Charles Lever
50. The Last of the Barons - 1843 – Bulwer Lytton
51. Consuelo - 1844 – George Sand
52. Amy Herbert - 1844 – Elizabeth Sewell
53. Adventures of Mr. Ledbury - 1844 – Elizabeth Sewell
54. Sybil - 1845 – Lord Beaconsfield (a. k. a. Benjamin Disraeli)
55. The Three Musketeers - 1845 – Alexandre Dumas
56. The Wandering Jew - 1845 – Eugène Sue
57. Emilia Wyndham - 1846 – Anne Marsh
58. The Romance of War - 1846 – James Grant (“the narrative of the 92nd Highlanders’ contribution from the Peninsular campaign to Waterloo”)
59. Vanity Fair - 1847 – W. M. Thackeray
60. Jane Eyre - 1847 – Charlotte Brontë
61. Wuthering Heights - 1847 – Emily Brontë
62. The Vale of Cedars - 1848 – Grace Aguilar
63. David Copperfield - 1849 – Charles Dickens
64. The Maiden and Married Life of Mary Powell -
1850 – Anne Manning (“written in a pastiche seventeenth-century style
and printed with the old-fashioned typography and page layout for which
there was a vogue at the period . . .”)
65. The Scarlet Letter - 1850 – Nathaniel Hawthorne
66. Frank Fairleigh - 1850 –
Francis Smedley (“Smedley specialised in fiction that is hearty and
active, with a strong line in boisterous college escapades and
adventurous esquestrian exploits”)
67. Uncle Tom’s Cabin - 1851 – H. B. Stowe
68. The Wide Wide World - 1851 – Susan Warner (Elizabeth Wetherell)
69. Nathalie - 1851 – Julia Kavanagh
70. Ruth - 1853 – Elizabeth Gaskell
71. The Lamplighter - 1854 – Maria Susanna Cummins
72. Dr. Antonio - 1855 – Giovanni Ruffini
73. Westward Ho! - 1855 – Charles Kingsley
74. Debit and Credit (Soll und Haben) – 1855 – Gustav Freytag
75. Tom Brown’s School-Days - 1856 – Thomas Hughes
76. Barchester Towers - 1857 – Anthony Trollope
77. John Halifax, Gentleman - 1857 – Dinah Mulock (a. k. a. Dinah Craik; “the best-known Victorian fable of Smilesian self-improvement”)
78. Ekkehard - 1857 – Viktor von Scheffel
79. Elsie Venner - 1859 – O. W. Holmes
80. The Woman in White - 1860 – Wilkie Collins
81. The Cloister and the Hearth - 1861 – Charles Reade
82. Ravenshoe - 1861 – Henry
Kingsley (“There is much confusion in the plot to do with changelings
and frustrated inheritance” in this successful novel by Charles
Kingsley’s younger brother, the “black sheep” of a “highly respectable”
family)
83. Fathers and Sons - 1861 – Ivan Turgenieff
84. Silas Marner - 1861 – George Eliot
85. Les Misérables - 1862 – Victor Hugo
86. Salammbô - 1862 – Gustave Flaubert
87. Salem Chapel - 1862 – Margaret Oliphant
88. The Channings - 1862 – Ellen Wood (a. k. a. Mrs Henry Wood)
89. Lost and Saved - 1863 – The Hon. Mrs. Norton
90. The Schönberg-Cotta Family - 1863 – Elizabeth Charles
91. Uncle Silas - 1864 – Joseph Sheridan Le Fanu
92. Barbara’s History - 1864 –
Amelia B. Edwards (“Confusingly for bibliographers, she was related to
Matilda Betham-Edwards and possibly to Annie Edward(e)s . . .”)
93. Sweet Anne Page - 1868 – Mortimer Collins
94. Crime and Punishment - 1868 – Feodor Dostoieffsky
95. Fromont Junior - 1874 – Alphonse Daudet
96. Marmorne - 1877 – P. G. Hamerton (“written under the pseudonym Adolphus Segrave”)
97. Black but Comely - 1879 – G. J. Whyte-Melville
98. The Master of Ballantrae - 1889 – R. L. Stevenson
99. Reuben Sachs - 1889 – Amy Levy
100. News from Nowhere - 1891 – William Morris
In addition to the canon, Shorter—unable to heed his own cautious
counsel and throwing the door open to the winds of literary
passion—included 8 books by living novelists whom he called “writers
whose reputations are too well established for their juniors to feel
towards them any sentiments other than those of reverence and regard:”
An Egyptian Princess - 1864 – Georg Ebers
Rhoda Fleming - 1865 – George Meredith
Lorna Doone - 1869 – R. D. Blackmore
Anna Karenina - 1875 – Count Leo Tolstoi
The Return of the Native - 1878 – Thomas Hardy
Daisy Miller - 1878 – Henry James
Mark Rutherford - 1881 – W. Hale White
Le Rêve - 1889 – Emile Zola
via The Times Literary SupplementRelated Content:
David Bowie’s List of Top 100 Books
Christopher Hitchens Creates a Reading List for Eight-Year-Old Girl
See Nobel Laureate Joseph Brodsky’s Reading List For Having an Intelligent Conversation
Ilia Blinderman is a Montreal-based culture and science writer. Follow him at @iliablinderman
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