說不完的莫扎特 Wolfgang Amadeus Mozart(1756~1791) 傳記/影片/書等。《Laudate Dominum》（讚美主）－ Cai Thomas；Full Text Lyrics to Mozart's Requiem 《Et incarnatus est》（C小調彌撒曲，K. 427）陳漢金 ：磚塊似的《莫札特傳》 VS. 繪本《莫札特在巴黎》 Mozart a Paris 1778 。2026生日 D小調安魂彌撒曲（Requiem），目錄第626號 2025 popular 1984 film “Amadeus.” 《莫札特傳》的服裝設計師西奧多·皮斯特克去世，享年93歲。《莫扎特》全音樂譜出版社 永恆的音樂家 (1) Mozart. Portrait of a Genius, Cambridge: Polity Press, 1993 by Norbert Elias (J1897 — 1990埃利亞斯 )《文明進程》1991: Mozart: A Life by by Peter Gay 2006，中文版莫扎特配戴桂冠的乞丐 台北：左岸， 2006；

 說不完的莫扎特 Wolfgang Amadeus Mozart(1756~1791) 傳記/影片/書等。《Laudate Dominum》（讚美主）－ Cai Thomas；Full Text Lyrics to Mozart's Requiem   《Et incarnatus est》（C小調彌撒曲，K. 427）陳漢金 ：磚塊似的《莫札特傳》 VS. 繪本《莫札特在巴黎》 Mozart a Paris 1778  。2026生日  D小調安魂彌撒曲（Requiem），目錄第626號      2025   popular 1984 film “Amadeus.” 《莫札特傳》的服裝設計師西奧多·皮斯特克去世，享年93歲。《莫扎特》全音樂譜出版社 永恆的音樂家 (1) Mozart. Portrait of a Genius, Cambridge: Polity Press, 1993 by Norbert Elias  (J1897 — 1990埃利亞斯  )《文明進程》1991:  Mozart: A Life by by Peter Gay 2006，中文版莫扎特配戴桂冠的乞丐 台北：左岸， 2006； 

🎵 "Laudate Dominum" - Cai Thomas

Laudate Dominum, omnes gentes; laudate eum, omnes populi.

Et veritas Domini manet in aeternum.

Translation: Praise the Lord, all you nations; praise him, all you peoples.

And the truth of the Lord endures forever.

Salzburg, 1780. Mozart, 24, hands the cathedral his last sacred work there: six movements for a saint’s feast that no one, to this day, has managed to identify. The title "de confessore" was written into the manuscript afterward — not even Mozart himself left that name.

Of the six parts, only one survived in the world's memory: the Laudate Dominum. In the 19th century, editors split it from the rest of the vespers and let it walk alone. Free of the work that surrounded it, it became wedding and farewell music across the whole West.

In this recording, the singer is Cai Thomas, a 12-year-old Welsh treble. By 15, he was already a baritone — and today he sings professionally as a baritone. The piece lost five-sixths of itself to survive. The voice singing it here had a deadline too.

How long, in your opinion, does a boy's voice last before it turns into something else?

Work: Laudate Dominum (Vesperae solennes de confessore, K. 339)

Composer: Wolfgang Amadeus Mozart 🇦🇹

Performer: Cai Thomas 🇬🇧 (Wales)

Recording: with Cai Thomas still a treble, at age 12

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《Laudate Dominum》（讚美主）－ Cai Thomas

Laudate Dominum, omnes gentes; laudate eum, omnes populi.
Et veritas Domini manet in aeternum.

譯文：萬國啊，當讚美主；萬民哪，當讚美祂。
主的真理存到永遠。

1780年的薩爾斯堡。 24歲的莫札特向大教堂呈交了他在當地的最後一部宗教音樂作品：一套為某位聖徒瞻禮日創作的六樂章組曲——時至今日，仍無人能確切考證這部作品究竟是為哪位聖徒而作。手稿上「de confessore」（意為「為宣信者」）這一標題是後來才加上去的——莫札特本人並未留下這個名稱。

在這六個樂章中，唯獨《Laudate Dominum》這一曲留存在了世人的記憶裡。 19世紀時，編輯們將其從整部晚禱曲中剝離出來，使其能夠獨立流傳。脫離了原有的整體語境，它成為了西方世界婚禮與告別儀式上廣受歡迎的樂曲。

在這段錄音中，演唱者是來自威爾斯的12歲童聲高音（treble）Cai Thomas。到了15歲，他的嗓音已轉變為男中音──如今，他正以男中音的身份從事專業演唱。這部作品為了生存，捨棄了其原本的五分之四；而演唱這首曲子的那副嗓音，也同樣有著「時限」。

在你看來，男孩的童聲能維持多久，才會發生變聲、轉變為另一種音色呢？

作品：《Laudate Dominum》（選自《宣信者莊嚴晚禱》，K. 339）
作曲：沃夫岡·阿馬德烏斯·莫札特 (Wolfgang Amadeus Mozart) 🇦🇹
演唱：Cai Thomas 🇬🇧（威爾斯）
錄音：Cai Thomas 12歲時（童聲高音時期）

關注我們，聆聽更多不願被遺忘的聲音。

#歌劇精選 #莫札特 #LaudateDominum #宗教音樂

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🎵 《Et incarnatus est》（C小調彌撒曲，K. 427）—— 阿琳·奧傑（Arleen Augér）

"Et incarnatus est
de Spiritu Sancto
ex Maria Virgine
et homo factus est"
「因聖靈感孕
由童貞女瑪利亞所生
而成為人”

莫札特留下的這首C小調彌撒曲並未完稿。樂譜中缺少了若干段落，致使它跨越了兩個世紀都無法完整奏響。

1989年，弗朗茨·拜爾（Franz Beyer）補全了這些缺失部分，使整部彌撒曲終於得以完整演出——也就是你現在聽到的這個版本，它問世至今不過短短幾十年。

1990年4月4日與5日，伯恩斯坦（Bernstein）帶著這首終於完整的彌撒曲，來到位於巴伐利亞的瓦爾德薩森修道院大教堂（Stiftsbasilika of Waldsassen）－這座教堂建於1685年至1704年間。他與巴伐利亞廣播交響樂團在此進行了為期兩天的錄製。

如此龐大的陣容——管弦樂隊、合唱團，以及長達一個街區、由石材砌築的宏偉中殿——這一切只為襯托那一個聲部：女高音阿琳·奧傑（Arleen Augér）的歌聲。環繞在她歌聲周圍的寬廣迴響並非錄音室特效，而是石砌中殿對聲音的自然回饋。

四年前，這位女高音也曾在王室婚禮上演唱莫札特的作品：1986年，在安德魯王子（Prince Andrew）與莎拉·弗格森（Sarah Ferguson）的婚禮上，她演唱了《歡呼雀躍》（Exsultate, jubilate）中的“哈利路亞”（Alleluia）。同一副歌喉，既唱出了那日的喜慶歡騰，也唱出了這句“et homo factus est”——“而成為人”——在石砌教堂靜謐的空氣中，那近乎清唱般、純粹而悠長的吟詠。

如果你只能重溫一個瞬間，你會選擇哪一個：是歌聲初次響起的那一刻，還是結尾處那句「et homo factus est」？ 🎼 作品：《Et incarnatus est》（選自《c小調彌撒》，K. 427，弗朗茨·拜爾 [Franz Beyer] 1989年修訂版）
🎹 作曲：沃夫岡·阿馬德烏斯·莫札特 🇦🇹
🎤 演奏/演唱：阿琳·奧傑 [Arleen Augér]（女高音）🇺🇸 · 巴伐利亞廣播交響樂團，指揮：倫納德·伯恩斯坦 [Leonard Bernstein] 🇺🇸
🎙️ 錄音地點：德國巴伐利亞州瓦爾德薩森修道院大教堂 [Stiftsbasilika Waldsassen] 🇩🇪，1990年4月4日及5日

關注我們，探索更多
音樂所承載的故事。

#歌劇精選 #莫札特 #阿琳歐傑 #伯恩斯坦

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🎵 "Et incarnatus est" (Mass in C minor, K. 427) - Arleen Augér

"Et incarnatus est

de Spiritu Sancto

ex Maria Virgine

et homo factus est"

"And was incarnate

by the Holy Spirit

of the Virgin Mary

and was made man"

Mozart left the Mass in C minor unfinished. Stretches of the score were missing, and it crossed two centuries unable to sound in full.

In 1989, Franz Beyer closed those gaps in an edition that finally allows the whole mass to be played - the one you're hearing here, complete for only a few decades.

On 4 and 5 April 1990, Bernstein took the mass, whole at last, into the Stiftsbasilika of Waldsassen, Bavaria - built between 1685 and 1704. Two days of recording there, with the Bavarian Radio Symphony Orchestra.

All that apparatus - orchestra, chorus, a stone nave the length of a city block - serves one line: the soprano's, Arleen Augér's. The wide echo around her voice is not a studio effect: it is the nave giving the sound back.

Four years earlier, the same voice had sung Mozart at a royal wedding: the Alleluia from "Exsultate, jubilate," at Prince Andrew's wedding to Sarah Ferguson, in 1986. From the same throat came that day's celebration and this "et homo factus est" - "and was made man" - held almost unsupported in the still air of a stone church.

If you could replay one moment only, which would it be: the voice's first entrance, or the "et homo factus est" at the end?

🎼 Work: Et incarnatus est, from the Mass in C minor, K. 427 (Franz Beyer edition, 1989)

🎹 Composer: Wolfgang Amadeus Mozart 🇦🇹

🎤 Performers: Arleen Augér, soprano 🇺🇸 · Bavarian Radio Symphony Orchestra, conducted by Leonard Bernstein 🇺🇸

🎙️ Recording: Stiftsbasilika Waldsassen, Bavaria 🇩🇪, 4 and 5 April 1990

Follow for more stories

that music keeps.

#BestOfOpera #Mozart #ArleenAuger #Bernstein

Full Text Lyrics to Mozart's Requiem

Wolfgang Amadeus Mozart Requiem St Martin in the Fields Polygram 432087 [an error occurred while processing this directive] Buy Amazon International Or buy it here: More Like This[an error occurred while processing this directive]

Introitus Kyrie Sequentia Offertorium Sanctus Benedictus Agnus Dei Communio Back to the Review Introitus Introitus Requiem aeternam dona ets, Domine, et lux perpetua luceat ets. Te decet hymnus, Deus, in Sion, et tibi reddetur votum in Jerusalem. Exaudi orationem meam, ad te omnis caro veniet. Requiem aeternam dona ets, Domine, et lux perpetua luceat ets. Grant them eternal rest, O Lord, and may perpetual light shine on them. Thou, O God, art praised in Sion, and unto Thee shall the vow be performed in Jerusalem. Hear my prayer, unto Thee shall all flesh come. Grant them eternal rest, 0 Lord, and may perpetual light shine on them. Kyrie Kyrie Kyrie eleison. Christe eleison. Kyrie eleison. Lord have mercy upon us. Christ have mercy upon us. Lord have mercy upon us. Sequentia Sequentia Dies irae, dies illa Solvet saeclum in favilla, Teste David cum Sibylla. Quantus tremor est futurus Quando judex est venturus Cuncta stricte discussurus. Tuba mirum spargens sonum Per sepulcra regionum Coget omnes ante thronum. Mors slopebit et natora Cum resurget creatura Judicanti responsura. Liber scriptus proferetur In quo totum continetur, Unde mundus judicetur. Judex ergo cum sedebit Quidquid latet apparebit, Nil inultum remanebit. Quid sum miser tunc dicturus, Quem patronum togaturus, Cum vix justus sit securus? Rex tremendae majestatis, Qui salvandos salvas gratis, Salve me, fons pietatis. Recordare, Jesu pie, Quod sum causa tuae viae, Ne me perdas ilia die. Quaerens me sedisti lassus, Redemisti crucem passus, Tamus labor non sit cassus. Juste judex ultionis Donum fac remissionis Ante diem rationis. lngemisco tamquam reus, Culpa rubet vultus meus, Supplicanti parce, Deus. Qui Mariam absolvisti Et latronem exaudisti, Mihi quoque spem dedisti. Preces meae non sum dignae, Sed tu bonus fac benigne, Ne perenni cremet igne. Inter oves locurn praesta, Et ab haedis me sequestra, Statuens in parle dextra. Confutatis maledictis Flammis acribus addictis, Voca me cum benedictis. Oro supplex et acclinis, Cor contritum quasi cinis, Gere curam mei finis. Lacrimosa dies ilia Qua resurget ex favilla Judicandus homo reus. Huic ergo parce, Deus, Pie Jesu Domine, Dona els requiem. Day of wrath, that day Will dissolve the earth in ashes As David and the Sibyl bear witness. What dread there will be When the Judge shall come To judge all things strictly. A trumpet, spreading a wondrous sound Through the graves of all lands, Will drive mankind before the throne. Death and Nature shall be astonished When all creation rises again To answer to the Judge. A book, written in, will be brought forth In which is contained everything that is, Out of which the world shall be judged. When therefore the Judge takes His seat Whatever is hidden will reveal itself. Nothing will remain unavenged. What then shall 1 say, wretch that I am, What advocate entreat to speak for me, When even the righteous may hardly be secure? King of awful majesty, Who freely savest the redeemed, Save me, O fount of goodness. Remember, blessed Jesu, That I am the cause of Thy pilgrimage, Do not forsake me on that day. Seeking me Thou didst sit down weary, Thou didst redeem me, suffering death on the cross. Let not such toil be in vain. Just and avenging Judge, Grant remission Before the day of reckoning. I groan like a guilty man. Guilt reddens my face. Spare a suppliant, O God. Thou who didst absolve Mary Magdalene And didst hearken to the thief, To me also hast Thou given hope. My prayers are not worthy, But Thou in Thy merciful goodness grant That I burn not in everlasting fire. Place me among Thy sheep And separate me from the goats, Setting me on Thy right hand. When the accursed have been confounded And given over to the bitter flames, Call me with the blessed. I pray in supplication on my knees. My heart contrite as the dust, Safeguard my fate. Mournful that day When from the dust shall rise Guilty man to be judged. Therefore spare him, O God. Merciful Jesu, Lord Grant them rest. Offertorium Offertorium Domine, Jesu Christe, Rex gloriae, libera animas omniurn fidelium defunctorum de poenis inferni, et de prof undo lacu: libera cas de ore leonis, ne absorbeat eas tartarus, ne cadant in obscurum, sed signifer sanctus Michael repraesentet eas in lucem sanctam, quam olim Abrahae promisisti et semini ejus. Hostias et preces, tibi, Domine, laudis offerimus: tu suscipe pro animabus illis, quarum hodie memoriam facimus: fac eas, Domine, de morte Iransire ad vitam, quam olim Abrahae promisisti et semini ejus. Lord Jesus Christ, King of glory, deliver the souls of all the faithful departed from the pains of hell and from the bottomless pit. Deliver them from the lion's mouth. Neither let them fall into darkness nor the black abyss swallow them up. And let St. Michael, Thy standard-bearer, lead them into the holy light which once Thou didst promise to Abraham and his seed. We offer unto Thee this sacrifice of prayer and praise. Receive it for those souls whom today we commemorate. Allow them, O Lord, to cross from death into the life which once Thou didst promise to Abraham and his seed. Sanctus Sanctus Sanctus. Sanctus, Sanctus, Dominus Deus Sabaoth! Pleni suni coeli et terra gloria tua. Osanna in excelsis. Holy, holy, holy, Lord God of Sabaoth. Heaven and earth are full of Thy glory. Hosanna in the highest. Benedictus Benedictus Benedictus qui venit in nomine Domini. Osanna in excelsis. Blessed is He who cometh in the name of the Lord. Hosanna in the highest. Agnus Dei Agnus Dei Agnus Dei, qui tollis peccata mundi, dona eis requiem. Agnus Dei, qui tollis peccata mundi, dona eis requiem sempiternam. Lamb of God, who takest away the sins of the world, grant them rest. Lamb of God, who takest away the sins of the world, grant them everlasting rest. Communio Communio Lux aeterna luceat eis, Domine, cum sanctis mis in aeternum, quia pius es. Requiem aeternam dona eis, Domine, et lux perpetua luceat eis, cum sanetis tuis in aeternum, quia plus es. May eternal light shine on them, O Lord. with Thy saints for ever, because Thou art merciful. Grant the dead eternal rest, O Lord, and may perpetual light shine on them, with Thy saints for ever, because Thou are merciful.

陳漢金

磚塊似的《莫札特傳》

VS.

繪本《莫札特在巴黎》

剛收到向Amazon訂購的繪本《莫札特在巴黎》，馬上拆開，一睹為快。薄薄的、裡面全是一格一格圖畫與對白的「漫畫」，與長久以來一直放在書架上、偶爾會拿下來查閱的，厚如磚塊的《莫札特傳》，形成明顯的對比。自小喜歡看漫畫，長大後成為音樂研究者，仍然不時的翻翻繪本。「磚塊」經常是學術性的著作，繪本則是用來做白日夢的消遣。然而，有些講求原創性的漫畫，經常異想天開的渲染著夢幻與詩意，令人驚喜連連。經常提醒自己，別老是埋首於許多「磚塊」之間，而成了食古不化的老學究；翻翻漫畫，就像看看電影，欣賞美術等，可以為自己打開幾扇𥦬，藉以透透氣，思路才會靈活，思想才不會窒息。

附上的另一張照片，是另一本音樂漫畫《拉威爾在巴斯克》的封面。

The Requiem in D minor, K. 626, is a Requiem Mass by Wolfgang Amadeus Mozart (1756–1791). 

Mozart D小調安魂彌撒曲（Requiem），目錄第626號，或簡稱D小調安魂曲，是莫扎特創作的一套安魂曲，寫於1791年，是他最後的作品之一。 安魂曲. 沃夫岡·阿瑪迪斯·莫札特

Tom Hulce, center, played Mozart in Milos Forman’s popular 1984 film “Amadeus.” Mr. Pistek won an Academy Award for the costumes.Credit...Everett Collection

Theodor Pistek, 93, Oscar-Winning ‘Amadeus’ Costume Designer, Dies

A busy designer who worked on over 100 films, he was also a racecar driver and a painter of photorealistic works, many depicting cars and their operators.

奧斯卡獲獎影片《莫札特傳》的服裝設計師西奧多·皮斯特克去世，享年93歲。

他是一位忙碌的設計師，參與過100多部電影的製作，同時也是一名賽車手和寫實主義畫家，他的許多作品都描繪了汽車及其駕駛員。

《莫扎特》 (李哲洋從日譯本轉譯) (全音樂譜出版社 永恆的音樂家 (1) )， 1971年

這本對於大一的我而言，太難了。

本月202509公視PLUS 有BBC的The 72 Films中三片(各約1小時)《莫扎特》，很引人入勝。

近年台灣翻譯歷史/文化史名家Peter Gay 寫的簡傳，真不可多得，很值得參考： 

Mozart: A Life by by Peter Gay 2006，中文版《莫扎特：配戴桂冠的乞丐》 台北：左岸， 2006； 

這兩天我趁此機會翻讀下本英文，也覺得步錯。

Mozart. Portrait of a Genius, Cambridge: Polity Press, 1993 by Norbert Elias  (J1897 — 1990埃利亞斯  )《文明進程》1991:

WWWW

  沃夫岡·阿馬德烏斯·莫札特於1789年9月完成了他的單簧管五重奏K.581，當時他33歲。這首曲子是為他的朋友、單簧管演奏家安東·施泰德勒而作。

沃夫岡·阿馬德烏斯·莫札特的單簧管五重奏K.581於1789年為單簧管演奏家安東·施泰德勒而作。單簧管五重奏是由一支單簧管與弦樂四重奏組合而成的作品。

史蒂芬·M·克魯格維奇（2014年3月15日）。 「溫徹斯特醫生、莫札特與魔鬼」。 《富有想像力的保守派》。

Wolfgang Amadeus Mozart was 33 years old when he completed his Clarinet Quintet, K. 581, in September 1789. The piece was written for his friend and clarinet virtuoso, Anton Stadler.  

Wolfgang Amadeus Mozart's Clarinet Quintet, K. 581, was written in 1789 for the clarinetist Anton Stadler. A clarinet quintet is a work for one clarinet and a string quartet. 

1.  Stephen M. Klugewicz (March 15, 2014). "Doctor Winchester, Mozart, and the Devil". The Imaginative Conservative.

Sources

在美國電視劇《陸軍野戰醫院》的最後一集《再見，永別，阿門》中，查爾斯·溫徹斯特得知向他投降的五名中國士兵都是音樂家，其中一人演奏了單簧管五重奏的主題，溫徹斯特便教他們整首曲子。 [10]

In "Goodbye, Farewell and Amen", the final episode of the American television series M*A*S*H, Charles Winchester learns that five Chinese soldiers who surrendered to him are musicians, one of whom plays a theme from the Clarinet Quintet, and Winchester proceeds to teach them the entire piece.^[10]

1.  Stephen M. Klugewicz (March 15, 2014). "Doctor Winchester, Mozart, and the Devil". The Imaginative Conservative.

WWWW

《《》《莫扎特

「」〈〉

Mozart: A Life (A Penguin Life) Paperback – August 29, 2006

by Peter Gay (Author)

4.2 4.2 out of 5 stars    66 ratings

Part of: Penguin Lives (32 books)

See all formats and editions

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A biography of the greatest musical mind in Western history

Mozart's unshakable hold on the public's consciousness can only be strengthened by historian and biographer Peter Gay's concise and deft look at the genius's life. Mozart traces the development of the man whose life was a whirlwind of achievement, and the composer who pushed every instrument to its limit and every genre of classical music into new realms.

西方史上最偉大音樂大師的傳記

歷史學家兼傳記作家彼得蓋伊對莫札特生平的簡明扼要的解讀，更進一步鞏固了莫札特在公眾心目中不可動搖的地位。本書追溯了這位成就輝煌的作曲家的成長歷程，他不僅將每種樂器的演奏推向極致，還將古典音樂的各個流派推向了新的境界。

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Norbert Elias  (J1897 — 1990埃利亞斯  )《文明進程》1991: Mozart. Zur Soziologie eines Genies, edited by Michael Schröter, Frankfurt am Main: Suhrkamp. (Published in English as Mozart. Portrait of a Genius, Cambridge: Polity Press, 1993).

• 1991: Mozart. Zur Soziologie eines Genies, edited by Michael Schröter, Frankfurt am Main: Suhrkamp. (Published in English as Mozart. Portrait of a Genius, Cambridge: Polity Press, 1993).

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除了這樣多的簡介之外
要問我們多久聽他的音樂.....
音乐大师莫扎特的珍稀肖像画

BBC 中国网 玉川

	这幅画被英国专家鉴定为莫扎特珍稀肖像画

一幅18世纪著名奥地利音乐大师莫扎特的珍稀肖像画默默无闻地沉睡了二百多年，最近被英国国王学院的专家鉴定为罕见珍品。

莫扎特的全名叫沃尔夫冈.阿玛迪斯.莫扎特（Wolfgang Amadeus Mozart），于1756年1月27日诞生于奥地利古城萨尔斯堡。于1791年12月5日英年早逝，还不到35岁。

但在他短短的一生中，却创作了600多部音乐作品，包括20多部歌剧、40多部交响乐、29部室内乐作品，20部弥撒曲和数百部奏鸣曲和协奏曲。

他是欧洲古典歌剧史上四大巨子之一，在交响乐领域，他同贝多芬和海顿齐名，而他在钢琴创作和演奏方面的造诣，使其成为钢琴协奏曲的奠基人。

未见庐山真面目

但是，尽管这位奥地利音乐大师给人类艺术宝库留下了如此巨大的财富，多年来乐迷们一直遗憾，音乐家竟然没有留下几幅自己的肖像画。

此前，人们对莫扎特形象的概念大都是根据画家芭芭拉•克拉夫特（Barbara Kraft）在莫扎特去世20多年后绘制的一幅肖像画得来的。

	莫扎特去世后画家芭芭拉·克拉夫特画的莫扎特肖像画

克里夫•艾森教授的研究发现

克里夫•艾森教授（Prof. Cliff Eisen）是伦敦国王学院（King's College）的18世纪古典音乐专家，他研究的主题之一是有关音乐大师莫扎特的生平和音乐。

最近他在英国皇家音乐协会发表了一项学术研究发现。他说，在经过了一年多的研究之后，他确认一幅默默无闻地沉睡了200多年的油画是莫扎特的真实肖像画。

他说，这是一幅创作于1783年的肖像画，当时27岁的莫扎特住在维也纳，正处于创作的鼎盛时期。

珍稀肖像画

这幅油画是一位美国收藏家于2005年从一位莫扎特家族密友的后裔那里买来的。艾森教授认为，画家很可能是18世纪著名奥地利画家约瑟夫•黑格尔（Joseph Hickel*）。

在这幅油画上，音乐家穿着一件精致的猩红色镶边外套。艾森教授说，肖像画上的这件外套，几乎跟莫扎特给他父亲的一封信中形容的一件外套一模一样，甚至连衣扣都一样。

根据这幅画的原主奥地利萨尔斯堡的Johann Lorenz Hagenauer家族流传下来的故事说，画家约瑟夫•黑格尔为莫扎特画了这幅肖像画，是为了答谢作曲家为他的一个亲友创作了管乐小夜曲作品K375。

另一位英国音乐专家英国谢菲尔德大学（University of Sheffield）的西蒙•吉弗教授 （Prof. Simon Keefe）说，“这是一个非常令人兴奋的发现。无需说，这将使我们重新考虑这位著名音乐家的真实形象了。”

*

(b Cesky Krumlov, Bohemia [now in Czech Republic], 19 March 1736; d Vienna, 28 March 1807). In 1756 he was accepted as a student at the Akademie der Bildenden K?nste in Vienna, where he studied for about ten years. In 1768 he was commissioned by Empress Maria-Theresa to go to Italy to paint portraits of the nobility in Milan, Parma and Florence; he became a member of the Accademia di Belle Arti in Florence in 1769. In 1772 he was appointed deputy head of the Vienna Gem?ldegalerie and in 1776 became painter to the imperial court. He was granted full membership of the Akademie in Vienna that same year, submitting the Portrait of a Man Aged 104 from Bohemia (Vienna, Akad. Bild. Kst.) on his admission.

Part of the Hickel family

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