Wilde's interest in Salomé's image had been stimulated by descriptions of Gustave Moreau's paintings in Joris-Karl Huysmans's À rebours.
Salomé | |
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The Peacock Skirt, one of the illustrations Aubrey Beardsley produced for the first English edition of Wilde's play Salome (1894) | |
Written by | Oscar Wilde |
Place premiered | Comédie-Parisienne Paris |
Original language | French |
Genre | Tragedy |
Salome (French: Salomé, pronounced [salome]) is a tragedy by Oscar Wilde. The original 1891 version of the play was in French. Three years later an English translation was published. The play tells in one act the Biblical story of Salome, stepdaughter of the tetrarch Herod Antipas, who, to her stepfather's dismay but to the delight of her mother Herodias, requests the head of Jokanaan (John the Baptist) on a silver platter as a reward for dancing the dance of the seven veils.
Maud Allan as Salomé with the head of John the Baptist in Vision of Salomé, her 1906 loose adaptation of Wilde's play. She was billed as "The Salomé Dancer".[5]
Michael Payne
The Pre-Raphaelite Art Appreciation Society
16小時 ·
Robert Fowler, R.W.S. (1853-1926)
The Dance of Salome
signed with monogram and dated '1885' (lower right) and further signed and inscribed ''Dance of Salome'/by Robert Fowler' (on an old label attached to the reverse)
oil on canvas
48 5/8 x 72¾ in. (123.5 x 184.8 cm.)
Provenance:
The Watkins Collection, MA.
with Kurt E. Schon, New Orleans.
讀者某君指出:
Salome | |
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Opera by Richard Strauss | |
1910 poster by Ludwig Hohlwein | |
Librettist | Oscar Wilde (Hedwig Lachmann's German translation of the French play Salomé, edited by Richard Strauss) |
Language | German |
Premiere | 9 December 1905 Königliches Opernhaus, Dresden |
Salome, Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play Salomé by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer.[1]
The opera is famous (at the time of its premiere, infamous) for its "Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos.
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